Those Americans who are familiar with the name Claude Lanzmann most likely know him as the director of “Shoah,” his monumental 1985 documentary about the extermination of the European Jews in the Nazi gas chambers. As it turns out, though, the story of Lanzmann’s eventful life would have been well worth telling even if he had never come to direct “Shoah.” In addition to film director, Lanzmann’s roles have included those of journalist, editor, public intellectual, member of the French Resistance, long-term lover of Simone de Beauvoir and close friend of Jean-Paul Sartre, world traveler, political activist, ghostwriter for Jacques Cousteau — I could go on, but it’s a good deal more entertaining to hear Lanzmann himself go on, and thanks to the publication in English of his memoir, “The Patagonian Hare,” we now have the opportunity to do so. (previously)
posted by Trurl
on Apr 16, 2012 -
For Roger Ebert, it's a prayer that made him "more alert to the awe of existence."
For Rober Koehler, it's a kitschy New Age con.
For Richard Brody, it perfectly captures the essence of a generation by depicting a character thinking "back to the musings and fantasies of childhood, which are the product of a wondrous and fantastic view of science formed by popular-science books for children and by the commercial artists whose illustrations adorned them."
For Stephanie Zacharek, it's "a gargantuan work of pretension."
For Ignatiy Vishnevetsky, it's "a creation myth in the guise of a crypto-autobiography" that invents a universe of its own only to destroy it.
For J. Hoberman, it's lifeless and dull, "essentially a religious work and, as such, may please the director's devotees, cultists, and apologists."
It spent thirty years in development, three in editing
and, yes, it contains dinosaurs
. The Tree of Life
, written and directed by famously reclusive Zoolander fan
and "JD Salinger of American movies" Terrence Malick
, won the Palme d'Or
at this year's Cannes Film Festival. Tomorrow, it comes out in the United States
. [more inside]
posted by alexoscar
on May 26, 2011 -
The Room: The Movie.
Triple-threat (actor/writer/director) Tommy Wiseau
made his cinematic debut in 2003 with the The Room
and various scenes
), "a blend between a
softcore porn flick and a Tennessee Williams stageplay."
Wiseau ("who's not just one of the most unusual looking
an unidentifiable Eastern European accent-leading men ever to
grace the screen, but a narcissist nonpareil whose movie makes Vincent Gallo's "The Brown Bunny"
the apotheosis of cinematic self-restraint...may be something of a first: A movie that
prompts most of its viewers to ask for their money back-before even
30 minutes have passed." - Variety
), allegedly raised $6 million outside Hollywood to cover production and marketing costs
of the self-described "black comedy about love, passion, betrayal and lies" (see various rough dress rehersals
Audience members, including comedian
, have been "marveling at the bizarre editing, bad bluescreen, uncomfortably explicit
sex scenes and, of course, the enigma of Wiseau himself"
as the film
played monthly for years
in Los Angeles. Available on
DVD, diehard "roomies" swear by the
shout out their own commentary
, hurl spoons at the screen
and singalong to the soundtrack
. Some call it "The Rocky Horror of the New Millenium"
and stage "Room"
. If you look at the marketing campaign
or survived a screening
you might see The Room as "a seminar on how
NOT to make a movie."
posted by boost ventilator
on Jun 1, 2006 -