"Is cinema a language about to get lost, an art about to die?" [Vimeo] During the 1982 Cannes Film Festival, Wim Wenders set up a static camera in room 666 of the Hotel Martinez and provided selected film directors (inc. Spielberg, Godard, Fassbinder & Herzog) a list of questions to answer concerning the future of cinema. Each director was given one 16 mm reel (approximately 11 minutes) to answer.
posted by urbanwhaleshark on Mar 25, 2012 - 20 comments

Serge Daney (1944 - 1992) is often cited as one of the greatest film critics. After joining the legendary film magazine Cahiers du cinéma (which he would eventually edit) at age 20, Daney wrote extensively on the changing place of movies in culture, on directors new and old and on television, war and even sports. He founded the film magazine Trafic before dying of AIDS in 1992.

Though some of his essays have been officially translated and a small book of his writings has been published in English, the vast majority of his work remains untranslated into English. That hasn't stopped a devoted group of cinephiles from taking matters into their own hands. [more inside]
posted by alexoscar on Dec 13, 2010 - 12 comments

Jean-Luc Godard's Histoire(s) du cinéma was recently released on DVD.
posted by RogerB on May 15, 2007 - 15 comments

"I would like to do better, to be better than I am". He's the French New Wave maverick and Academy Award winner (at 26, for his first short) who, to commemorate the tenth anniversary of the liberation of Auschwitz -- with considerable personal pain and the admission that "no description, no picture can reveal the true dimension" of what happened in the camps -- made what François Truffaut called "the greatest film ever made", duly censored by French authorities. Four years later he baffled audiences with "the first modern film of sound cinema", shattering the rules of chronology to describe the “anguish of the future”: even if all he ever wanted was "to stop death in its tracks" (French language link), only for one minute. But he is also the unabashed lover of la bande dessinée who learnt English by reading comic books and in the Seventies dreamed (French language link) of making "Spider-Man" into a movie (the Hollywood studios were not convinced), the MGM old-school musical and operetta nut so in love with design that "half of the fashion photography of the past 40 years owes a debt" to him. Now, Alain Resnais' new work, just shown at the Venice Film Festival where his buddy David Lynch was awarded a lifetime achievement Golden Lion, is a French film inspired by an English play with 54 short scenes, music by the X-Files's Mark Snow. (more inside)
posted by matteo on Sep 8, 2006 - 20 comments

The Man With The Magnétoscope.
"How marvelous to be able to look at what you cannot see... cinema, like Christianity, is not founded on historical truth. It supplies us with a story and says: Believe — believe come what may."
Jean Luc Godard's 'Histoire(s) du Cinéma' at UCLA.
posted by matteo on Feb 7, 2006 - 8 comments

“The problem is not to make political films but to make films politically.”
In "Tout Va Bien", just released on Criterion DVD, four years after May '68 Jean-Luc Godard and Jean-Pierre Gorin examine the wreckage: fading workers' empowerment (page with sound), media fatuity, capitalist sprawl, global imperialist mayhem, interpersonal disconnections. "Tout Va Bien" is the story of a strike at a factory as witnessed by an American reporter (Jane Fonda) and her has-been New Wave film director husband (Yves Montand). Included on the DVD is also Letter to Jane (1972), a short film in which Godard and Gorin spend an hour examining the semiotics of a single, hypnotizing photograph of Fonda as she shares feelings with a Vietnamese villager. More inside.
posted by matteo on Mar 8, 2005 - 18 comments