American audiences remember Akira Kurosawa as the genius of the samurai epic, a past master who used the form both to revise and revive Western classics - Shakespeare with Ran and Throne of Blood, Dostoevsky with Red Beard and The Idiot, Gorky with The Lower Depths - and to give splendid and ultimately immortal life to new archetypes, as in The Seven Samurai, Rashomon, Yojimbo. But Kurosawa also made films of his own time. His masterpiece, in fact, was the quiet story of a gray Japanese bureaucrat dying in post-war Tokyo, and of his attempt to do something of lasting good before he leaves. The film is Ikiru ("To Live"; 1952). [more inside]
posted by Iridic on Jan 29, 2008 - 46 comments

"But, it's a post on film noir!" I told her. She jerked away from me like a startled fawn might, if I had a startled fawn and it jerked away from me. I knew that caving into my desires meant I might lose her. But I didn't care. I went out to the kitchen to make coffee -- yards of coffee. Rich, strong, bitter, boiling hot, ruthless, depraved. I knew she'd be back. [more inside]
posted by miss lynnster on Jan 11, 2008 - 48 comments

The Unsung Joe: Where bit-part actors go when they die. Biographies of the most obscure micro-stars of 1940s and '50s cinema, all remarkably well-researched and richly illustrated.
posted by jack_mo on Dec 11, 2007 - 28 comments

Remember the Noir Genius Exam? Wanna know the the answers?
posted by lilboo on Jan 7, 2005 - 3 comments