The Making of an Underground Film, originally broadcast on CBS News with Walter Cronkite on New Years' Eve 1965, begins with reporter Dave Dugan saying, "Not everyone digs underground movies, but those who do can dig 'em here." in front of the Bridge Theatre in New York City's Greenwich Village. An interview with avant-garde filmmaker and exhibitor Jonas Mekas then segues into footage of the making of Dirt by filmmaker/poet Piero Heliczer, as a pre-Nico incarnation of the Velvet Underground (with both Maureen Tucker and original percussionist Angus MacLise) plays silently in costume in the background. Other highlights include interviews with Andy Warhol and Edie Sedgwick, plus the uninterrupted airing of a Stan Brakhage film in tribute to poet Michael McClure.
Digital Poetics is a film blog with a proposal for an interesting experiment called 10/40/70: write a film review of a DVD with three screen captures taken at arbitrary intervals (10, 40, 70 minutes into the film) and see how it changes the way you look at films. This 10/40/70 approach has led to some interesting interpretations of The Conversation, Bring Me the Head of Alfredo Garcia, Blue Velvet, Godard's Vivre Sa Vie, and 12 Angry Men, as well as a contrarian appreciation of Hudson Hawk. The blog Spectacular Attractions has even upped the ante by using a random number generator to determine where to select screen caps. Results include Jaws Randomised and This Is Spinal Tap Randomised with Two Brains. It's like Dogme 95, but for film bloggers.
The most inspirational film ever has an underexamined dark side, including a 1947 FBI memo that branded the film as subversive and "a rather obvious attempt to discredit bankers." The film's script was influenced by the liberal populism of the 1930s, used suicide as a plot point, and was criticized by a Christian Right website for "lax attitudes on alcohol and drunkenness." The film also inspired a feminist art project on "bad girl" Violet Bick and a dead-on parody of a right-wing Christian movie review. Meanwhile, Jimmy Stewart paid back Frank Capra for reviving his post-WWII career by spying on him for the FBI. The hidden backstory behind It's A Wonderful Life.