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Error -41: sit by a lake

The most immediately apparent characteristic of James Benning’s film is surely its form: thirteen ten-minute static takes, which (save the leader between shots) comprise the entire visual track of the picture. Far from cursory, this detail accounts for the totality of Benning’s æsthetic. Everything that Benning says in 13 Lakes, he says using this formal language – along with a soundtrack recorded on-site, thought not necessarily concurrently with the image. Moreover, Benning, as has been noted, repeats the same basic framing in each of the thirteen segments, presenting the horizon-line in centre of the frame, dividing lake and sky into approximately equivalent fields. James Benning’s Art of Landscape: Ontological, Pedagogical, Sacrilegious, by Michael J. Anderson for Senses of Cinema (via; see also: 13 Lakes Q&A at LA Film Forum) [more inside]
posted by filthy light thief on Mar 6, 2012 - 5 comments

 

Before Doctor Who, there was Professor Quartermass

British manned space flights; an insidious threat from outer space; a man mutating into an evil alien, his human consciousness being eaten away; and a scientist - utterly anti-Establishment, courageous and cerebral - the only man who can fight it. No, not Doctor Who, but his highly distinguished predecessor, Prof Bernard Quatermass. A decade before Doctor Who first aired, the The Quartermass Experiment was the first science-fiction TV serial produced for adults, and a live-to-viewers BBC production, to boot. The show ran for six episodes in 1953, of which only the first two episodes are known survive. The short sci-fi series spun off three original sequels and a radio drama-documentary, along with movie re-makes of the first three series by Hammer Films. BBC brought back live TV with a 2005 adaptation of the original 1953 series. You can watch the various series on online (in parts on Daily Motion), thanks to fans of The British Rocket Group. [more inside]
posted by filthy light thief on Jul 23, 2011 - 21 comments

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