The most vivid figure in Michael Gramaglia and Jim Fields's End of the Century was the least articulate and most archetypal of the Ramones: Johnny, the right-wing prole whose hard-ass sense of style the others nutballed and softened and accelerated and above all imitated. ... Exciting and absolutely right though their '70s sets always were, the film establishes that they kept the faith live till the end, lifted by Joey's goofy dedication and powered by the chords Johnny thrashed out like they were why he was alive. As unyielding in his aesthetic principles as he was in everything else, this reactionary was an avant-gardist in spite of himself. - Robert Christgau
Hervé Attia has made dozens of videos showing movie locations as they look in the present day juxtaposed with clips of the actual film. He also puts himself into the film sometimes. [more inside]
So it was with uncontainable excitement one Saturday afternoon that I went round to Alan Walters's house to watch something with the promising title of Predator. I knew only three things about it: it was certified 18, it starred the great Arnold Schwarzenegger – the WH Auden of ultraviolence – and it reputedly featured a scene in which someone's eviscerated chest cavity was on full display. My favourite film: Predator The rest of the series.
Thirteen movie poster trends and...what they say about their movies. Included are the Sexy Back, the Text In Your Face, and the Legs Wide Spread. [more inside]
After 25 years I revisited To Live and Die In L.A. (1985), William Friedkin's cynical, fatalistic, hardboiled and high-energy crime noir about corruption and survival in the city of no angels. The script is literate, the characters are believable, the performances are brutally honest, the unpredictable twists keep coming, the action never stops, and the car chase is shot for real without any fake process. (spoilers)
Alex Cox: REPO MAN was made as a "negative pickup" by Universal at the time when Bob Rehme was head of the studio. At the time, the big deal over there was STREETS OF FIRE, and nobody really noticed our film [8 MB PDF] at all. Which was lucky for us, since Bob Rehme had "green-lighted" a film which was quite unusual by studio standards. (previously)
Wanwanlink weaves together a sequence of motion in realtime, using fragments of archival footages that are being collected daily. When a human figure appears on the screen, the sound is deliberately distorted into a slow 'wan wan.' This project, with a theme linking to classification and dependency, shall continue to be developed for a very long time. (Footages featured on this website belong to the public domain. Clips were downloaded from http://www.archive.org/).
In 2003 and again in 2009, Director Andy Glynne, with Mosaic Films and BBC4 created Animated Minds, a series of animated documentaries to express the subjective experiences of various kinds of mental health disorders. [more inside]
The familiar '70s query, "Is it art or porn?," took on a whole new dimension with The Night Porter (NSFW), a stylish and astoundingly seamy fusion of erotica and stark concentration camp trauma. While many subsequent films, mostly Italian, took the Nazi sexploitation route to unbelievably tastless levels, Liliana Cavani's treatment remains more problematic. More concerned with mood and characterization than cheap thrills, the film is nevertheless extremely kinky and shocking enough to prove that its R rating is the product of a ratings system far different than the one we have now. [more inside]
In 2000, acclaimed playwright and screenwriter Kenneth Lonergan directed his first film, the critically acclaimed You Can Count on Me, which among other things kickstarted the career of Mark Ruffalo. In 2006, Lonergan got $12 million to film his follow-up, called Margaret, and starring Ruffalo, Anna Paquin, Jeannie Berlin, Matt Damon, Matthew Broderick, Jean Reno, Allison Janney, and Kieran Culkin. Then things got ugly. [more inside]
Under the stewardship of Israeli cousins Menahem Golan and Yoram Globus, Cannon Films was responsible for many of the worst - and a few of the best - movies of the 1980s. Along the way it won an Academy Award and enriched the language. (previously) [more inside]
Chris Sims is a former comic book store employee. David Uzumeri is a computer scientist. Together, they
fight crime review the shit out of Batman film canon in an 18-part series they call Cinematic Batmanology, covering all the major theatrical releases from Tim Burton's franchise-reviving 1989 film (start there) up through Christopher Nolan's recent The Dark Knight, with a couple of odd tangents along the way. [more inside]
[Arthur Penn's Night Moves] does belong to a traditional, indeed obsolescent genre, but the distance it keeps from it (not an ironic or critical distance, just a distance) is such that genre-related expectations become irrelevant. Most of the time, the story line seems to meander aimlessly, taking in extraneous material, doubling back, going round in circles (the aimless is deceptive, a smoke screen obfuscating the complex, rigorous organization of an exceptionally well-structured script). The "mystery" aspect of the plot is dealt with in the most peculiar, topsy-turvy manner, withholding not the solution of the problem but the problem itself until the very end, when, in a dazzling visual tour de force, both are conjured up almost simultaneously. - Jean Pierre Coursodon [more inside]
Glengarry Glen Ross endures mainly as a spectacular display of verbal warfare and alpha-male gamesmanship. There’s a musical quality to it, with a great composer and a great chorus hitting the complicated runs of broken dialogue and solos that weave into profane poetry and nuggets of philosophical wisdom. Perhaps the greatest sign of the movie’s success, owed equally to Mamet’s script and this cast, is that it does a great sales job in itself, convincing us that there’s nobility to men who lie for a living — a bill of goods we’re all too happy to buy. [more inside]
Are small theaters punching a ticket to oblivion? Radical changes in the traditional structure of the lab processing and exhibition sides of the film industry have been filling the lives of small theater operators with uncertainty and worry for the last few years. Will filmstock be the next Kodachrome? (And what will that mean for the future of film preservation?) [more inside]
To paraphrase a character in the film, The Black Hole walks "a tightrope;" if not between "genius" and "insanity," then certainly between "genius" and "banality". If you're looking at this movie as a Manichean exercise between darkness and light, then you can -- for at least a few hours -- entertain the "genius" part of that equation.
The French romantic thriller “Diva” dashes along with a pellmell gracefulness, and it doesn’t take long to see that the images and visual gags and homages all fit together and reverberate back and forth. It’s a glittering toy of a movie... This one is by a new director, Jean-Jacques Beineix... who understands the pleasures to be had from a picture that doesn’t take itself very seriously. Every shot seems designed to delight the audience. - Pauline Kael, 1982 [more inside]
George Kuchar dies. Bronx-born underground filmmaker George Kuchar, whose was created in semi-collaboration with his twin brother Mike, has passed away. [more inside]
Leonard Michaels' "The Zipper": Rita Hayworth is never seen disrobed in the movie, though it is threatened more than once. The atmosphere of dark repression and mysterious forces – the mood or feeling of the movie – might be destroyed by the revelation of her body. It scared me as she began her striptease dance in the nightclub. I didn’t want everybody to see her body, or even to see that Rita Hayworth had a body. [more inside]
Lawrence of Arabia is a 1962 British film based on the life of T. E. Lawrence. It was directed by David Lean... with the screenplay by Robert Bolt and Michael Wilson. The film stars Peter O'Toole in the title role. It is widely considered one of the greatest and most influential films in the history of cinema. The dramatic score by Maurice Jarre and the Super Panavision 70 cinematography by Freddie Young are also highly acclaimed.
Logan's Run is a 1976 science fiction film... It depicts a dystopian future society in which population and the consumption of resources are managed and maintained in equilibrium by the simple expediency of killing everyone who reaches the age of thirty, preventing overpopulation. (related 2004 post worth clicking through for) [more inside]
in 1976, surrealist icon Salvador Dali starred and directed in the fake documentary/travelogue Impressions de la haute Mongolie - Impressions of Upper Mongolia - about his quest to find a rare hallucinogenic mushroom. It was intended as a tribute to the late Raymond Roussel. It is available on Youtube in 5 parts. 1 - 2 -3 - 4 - 5 (70 min)
Hidden away in vaults and out of distribution for over forty years, Herostratus was in its own time largely misunderstood. After only a handful of initial screenings it virtually disappeared from public view altogether, remaining all but forgotten to this day. Yet while admittedly flawed, the film does offer a compelling critique of the failure of 1960s postwar idealism in Britain, an ideal portrayed as having degenerated into neurotic self-gratification. It is also of note as Dame Commander Helen Mirren's first credited screen role. (not safe for those sexually aroused by Helen Mirren) [more inside]
MST3kdbx: Six Degrees of Peter Graves. Did you know Coleen Gray was in The Leech Woman and The Phantom Planet? Like the IMDB obsessive cinephile friend you never friend MST3Kdbx indexes and connects together every actor in every movie shown on Mystery Science Theater 3000 [via mefi projects]
The annotated scores for [*and Filmtracks.com's reviews of] Howard Shore's soundtracks to The Fellowship of the Ring*, The Two Towers*, and The Return of the King*
In 1989, invited to an open air theatre, late at night, I first experienced the 6 hour long screening of Peter Brook's Mahabharata, a much revered Hindu epic which includes the complete Bhagavad Gita as a central part of its narrative. Brook's multiracial casting and innovative treatment received criticism yet its impact has been acknowledged anyone who sat through the 9 hour play, the 6 hour TV serialization or only the 3 hour DVD. [more inside]
"These giant monsters of the past are seen to breathe, to live again, to move and battle as they did at the dawn of life!" The Ghost of Slumber Mountain (1918), by Willis O'Brien. Previously.
The original Yahoo, Bollywood actor (and internet buff) Shammi Kapoor passed away after illness in Mumbai on 14th August 2011. The actor belonged to the Indian film industry's famous family of actors which included his father, Prithviraj, and brothers Raj and Shashi Kapoor. (His first wife Geeta Bali was a superstar in her own right) One of the most popular stars of his generation, also known as the "Elvis Presley of India" he starred in hits like Junglee, An Evening in Paris, Chinatown and Kashmir Ki Kali.
Today is the 100th birthday of Raymond Nicholas Kienzle, better known as Nicholas Ray. The seminal Hollywood-outcast-turned-French-New-Wave idol behind Rebel Without a Cause, Bigger Than Life, Bitter Victory and the hallucinatory Western Johnny Guitar made intensely emotional films about isolated people, often infused with profound desperation and a sense of the nightmarish. Francois Truffaut dubbed him "the poet of nightfall," while Jean-Luc Godard simply declared that "the cinema is Nicholas Ray." He studied architecture under Frank Lloyd Wright, mentored Jim Jarmusch and let Wim Wenders film him as he was dying of cancer. Bob Dylan even wrote a hit song about one of his movies. [more inside]
Starting tonight, Ebert Presents At the Movies will begin airing full episodes of Gene Siskel and Roger Ebert’s original PBS show, Sneak Previews. Taking a break from reviewing movies, co-hosts Christy Lemire and Ignatiy Vishnevetsky will introduce and discuss the episodes. Hungry for more classic Siskel & Ebert? Try the invaluable, Ebert-approved SiskelandEbert.org, a growing archive of home-taped episodes of Sneak Previews and At the Movies. [more inside]
British manned space flights; an insidious threat from outer space; a man mutating into an evil alien, his human consciousness being eaten away; and a scientist - utterly anti-Establishment, courageous and cerebral - the only man who can fight it. No, not Doctor Who, but his highly distinguished predecessor, Prof Bernard Quatermass. A decade before Doctor Who first aired, the The Quartermass Experiment was the first science-fiction TV serial produced for adults, and a live-to-viewers BBC production, to boot. The show ran for six episodes in 1953, of which only the first two episodes are known survive. The short sci-fi series spun off three original sequels and a radio drama-documentary, along with movie re-makes of the first three series by Hammer Films. BBC brought back live TV with a 2005 adaptation of the original 1953 series. You can watch the various series on online (in parts on Daily Motion), thanks to fans of The British Rocket Group. [more inside]
The Alamo Drafthouse cinema chain has a tradition of airing humorous celebrity "PSA" bumpers urging theatergoers not to talk during the movie. Will Ferrell. George A. Romero. Jonah Hill and Michael Cera. Danny DeVito. R. Lee Ermey. Governor Ann Richards. Recently, Drafthouse owner Tim League sat down for an interview with The Social Network's Jesse Eisenberg and attempted to get him to record a "Don't Talk" PSA. It did not go as planned. (Previously.)
Olly Moss designed two Captain America prints in the style of WWII propaganda. So did Eric Tan and Tyler Stout (less propaganda, more movie poster). All commissioned by Mondo. The Tyler Stout prints will be given away at the Captain America Comic-Con screening.
The Last Circus, latest film by vastly under-exposed Spanish director Alex de la Iglesia, will see a limited U.S. theatrical release by Magnet on August 12th. The director's previous work includes surreal apocalypse fantasy (El Dia de la Bestia) and black humor (El Crimen Ferpecto). NSFW trailer here.
[Michelangelo Antonioni's Chung Kuo] as a documentary film was one which was draped with fascination for both filmmakers as well as an audience, rather than championing anti-whatever sentiments from either side of the world. Not having seen many movies, either features, shorts or documentaries made during the Cultural Revolution era or about that era in question (propaganda included), I think this Antonioni film has more than made its mark as a definitive documentary that anyone curious about the life of the time, would find it a gem to sit through.
HealtH (1980) [part 1, 2, 3, 4, 5, 6, 7, 8, 9, 10] was the film which ended Robert Altman’s relationship with Twentieth Century Fox, the studio for whom he had made M*A*S*H. ... During the editing of the film Altman’s main supporter, Alan Ladd Jr., left the studio and release was shelved. Altman distributed the film himself to the festival circuit. ... But it has never been released on VHS, DVD or BluRay and thus remains one of the least seen of Altman’s ouvre. This is unfortunate as it is a very entertaining film, even if it falls short of its ambitions as a political satire. Ronald Reagan disagreed - calling it "the world's worst movie".
Winner of more Academy Awards than any other woman in history, costume designer Edith Head authored a 1967 bestseller titled How to Dress for Success which featured her own illustrations. [more inside]
Variously dubbed "King Leer", "Hollywood primitive", "trash master" and "dirty old man", this self-proclaimed "King of the Nudies" and "glandscape artist" not only defined the sexploitation genre, he practically invented it. [all links NSFW]