"Fast Company’s four-hour interview with [Martin Scorsese] for their December-January cover story: How to Lead A Creative Life, was ostensibly about his career, and how he had been able to stay so creative through years of battling studios. But the Hugo director punctuated everything he said with references to movies: 85 of them, in fact." Welcome to Martin Scorsese’s Film School: The 85 Films You Need To See To Know Anything About Film [more inside]
posted by zarq on Feb 26, 2012 - 37 comments

Drive and Bellflower are both movies with fast cars and distinctive looks but one had a budget 765x the other. Drive was captured to Betamax's grandchild, Bellflower to a Mac Book Pro. [more inside]
posted by morganw on Dec 7, 2011 - 21 comments

"Because the camera is so close to the character(s) being followed, we feel that we're physically attached to those characters, as if by an invisible guide wire, being towed through their world, sometimes keeping pace, other times losing them as they weave through hallways, down staircases or through smoke or fog." A video montage and essay by Matt Zoller Seitz. All shots are identified at the end; you may know more of them than you think. (via)
posted by maudlin on Jun 3, 2009 - 15 comments

"Hitch was always trying to push the limits on techniques and to be different".
Cary Grant chased by a crop-duster plane in a corn field; Janet Leigh screaming in the shower; Tippi Hedren attacked by killer seagulls. The man behind lens? Leonard J. South (1914-2006) , Hitchcock's camera operator. More inside.
posted by PenguinBukkake on Jan 17, 2006 - 13 comments

Will we ever know what is real anymore? The making of the Matrix sequels. After these movies, will we ever be able to tell what is real or not on the small and large screen?
posted by npost on Apr 8, 2003 - 72 comments