Bloodletters and Bad Actors Mefi's Own Max Sparber looks at the early days of Omaha theater, back when it was a frontier town, its amusements were questionable, and vice was rampant, with occasional forays into more recent performing arts misbehavior. [via mefi projects]
The strange, tragic story of the Brothers Muse. The sideshow called them Eko and Iko, cannibal savages from Borneo, sheep-headed men, ambassadors from Mars, highlighting their signature white dreadlocks in every poster. In reality, they were George and Willie Muse, taken from their parents in 1899 in rural Roanoke, Virginia by bounty hunters working for sideshow producers fascinated by their albinism. [more inside]
Circus History, with photos, logos, show routes, and more. See also Circus World, Circus Web, and Princeton's Circus Poster Archive.
Theatre History is the Theatre Museum of London's vast online collection of ephemera, containing more than 1500 objects that record the history of the performing arts in Britain since the 1600s. There's lots of goodies, but don't miss the goldmine of fabulous photos, posters, and prints.
The Hottentot Venus is going home. An African woman named Saarjite Baartman, apparently EXTREMELY overendowed in the buttock/labia department (second floor, next to men's shoes, watch the doors), she did the freakshow thing in Europe for five years in the early 19th c., was edited down at death to her relevant bits and pickled for posterity. Ever been to an actual state-fair freakshow? I saw the alligator lady in the late 70s somewhere in Kentucky. A morally complicated experience.