Anita Pointer: Civil-Rights Activist, Pop Star, and Serious Collector of Black Memorabilia [more inside]
Folk America: Excellent BBC 3-part documentary tracing folk music from the '20s to the folk revival of the '60s, encompassing the depression and the civil rights era. part 1: Birth of a Nation (59.21) part 2: This Land is Your Land (59:30) part 3: Blowin' in the Wind (58:49) [more inside]
Sounds of America is a new monthly streaming audio program, a collaboration between the National Museum of American History and Smithsonian Global Sound. Up now are 3 episodes: African-American music in New Orleans, Women in American Music, and Freedom Songs of the U.S. Civil Rights Movement.
Somewhere along your musical journeys you might've heard something by Mr. Josh White (1914-1969). He was a bluesman, but one with the kind of smooth and polished delivery (and some charming novelty tunes) that made him a favorite on the wider, national pop/folk scene. He was pretty sexy, too. He didn't shy away from political/racial themes, either. Unsurprisingly, he ran afoul of the infamous House Un-American Activities Committee during the Red Scare years, and his name was placed on their Commie blacklist. Some few decades later his image graced a US postage stamp. Thanks for the music, Josh White.
Made most popular to many Americans as the closing song for the Grand Ole Opry programs, Will The Circle Be Unbroken was written in 1907 by Ada Habershon, an intensely religious young woman and acquaintance of Dwight Moody and Ira David Sankey. The music was "composed" by Charles Gabriel, a popular songwriter and composer of the era who is often solely credited with the song, but while he may have put the notes down on paper, the tune itself already existed as the African-American spiritual Glory Glory / Since I Laid My Burden Down. [lots more inside]