The Trickster Prince is academic and historian Matt Houlbrook's blog about the ephemera and little-known stories of the English inter-war period (and before) with a focus on class-jumping, queer narratives, "faking it", and urban society in the 20s and 30s.
"The internationalized art world relies on a unique language. Its purest articulation is found in the digital press release. This language has everything to do with English, but it is emphatically not English. It is largely an export of the Anglophone world and can thank the global dominance of English for its current reach. But what really matters for this language—what ultimately makes it a language—is the pointed distance from English that it has always cultivated. " - Triple Canopy magazine on why do artists' statments and press releases sound so utterly odd and confusing.
This is a big deal because one of the main ways that people are socialized is through using, observing and contemplating material objects. The idea that people learn their places in society by engaging with the physical stuff around them has a long history in anthropology, but it was finally cemented into the theoretical mainstream in 1972 when Pierre Bourdieu published his Outline of a Theory of Practice. Bourdieu makes the case that we come to internalize the expectations of our particular social group by analogy with categories, orders and relations of things. Spatial arrangements of objects in the home, for example, or the use of different farming tools at different times of year, come to stand for intangible relationships between genders, social strata and the like, thereby anchoring abstract ideas about social organization to the physical world. ~ Designing Culture by Colin McSwiggen
The Mommy-Fight Site. What does it mean to raise a child in "America’s highest-income, best-educated Census area? D.C. Urban Moms and Dads might be as close as it gets to a field guide to parentis Washingtonianis" [more inside]
James McBride talks about The Help, Hattie McDaniel, why black women are still winning awards for playing maids, how black culture is appropriated and represented, and whether marginalized groups in America all serve the purpose of "cultural maids". [more inside]
On October 18, Wired embedded a reporter with both Anonymous and the #Occupy movement, calling both "a new kind of hybrid entity, one that breaks the boundaries between “real life” and the internet, creatures of the network embodied as citizens in the real world." The first entries in Quinn Norton's ongoing special report: Anonymous 101: Behind the Lulz were posted today. Coverage from Wired's other special report, Occupy: Dispatches from the Occupation are already online. NPR: Members Of Anonymous Share Values, Aesthetics [more inside]
What's the matter with Liberals? An article by Thomas Frank, author of What's the Matter With Kansas, and previously linked here. Well researched, and worth arguing over. via MoFi