How do you quantify the effects of things that don't happen to you? "The whole point of living in a culture is that much of the labor of perception and judgment is done for you, spread through media, and absorbed through an imperceptible process that has no single author." (previously; via)
Ever confused about why it's so hard for Americans (US) to talk about class issues? LJ blogger Siderea has some answers for you, having to do with the distinction between social and economic class. [more inside]
'Silver Fork' or Fashionable Novels are the largely forgotten English popular novels of the 1820s and 30s which depicted aristocratic life and scandals as a how-to guide for rising middle-class readers while also exploring growing political and class anxieties in the post-Regency. Advice on how to romance, eat, party and raise children like a member of the upper class from Silver Fork novels via Bizarre Victoria (previously).
Something about this country – the divisions, the class system, the general sense of distrust and dissatisfaction – seems to breed youth subcultures like no other place on Earth. The strange, stylish clans that this island incubates have been exported across the world, influencing everything from high street fashion to high art. From teddy boys to 2 Tone rudeboys, soulboys to Slipknot fans, grunge bands to grime crews, mods to mod revivalists, the history of these groups shows us a version of modern Britain that goes way beyond Diana and Blair.[more inside]
Some Paths to the True Knowledge[*] - "Attention conservation notice: A 5000+ word attempt to provide real ancestors and support for an imaginary ideology I don't actually accept, drawing on fields in which I am in no way an expert. Contains long quotations from even-longer-dead writers, reckless extrapolation from arcane scientific theories, and an unwarranted tone of patiently explaining harsh, basic truths. Altogether, academic in one of the worst senses. Also, spoilers for several of MacLeod's novels, notably but not just The Cassini Division. Written for, and cross-posted to, Crooked Timber's seminar on MacLeod, where I will not be reading the comments."
Religion in China: Cracks in the atheist edifice - "Yang Fenggang of Purdue University, in Indiana, says the Christian church in China has grown by an average of 10% a year since 1980. He reckons that on current trends there will be 250m Christians by around 2030, making China's Christian population the largest in the world. Mr Yang says this speed of growth is similar to that seen in fourth-century Rome just before the conversion of Constantine, which paved the way for Christianity to become the religion of his empire." [more inside]
The Trickster Prince is academic and historian Matt Houlbrook's blog about the ephemera and little-known stories of the English inter-war period (and before) with a focus on class-jumping, queer narratives, "faking it", and urban society in the 20s and 30s.
"The internationalized art world relies on a unique language. Its purest articulation is found in the digital press release. This language has everything to do with English, but it is emphatically not English. It is largely an export of the Anglophone world and can thank the global dominance of English for its current reach. But what really matters for this language—what ultimately makes it a language—is the pointed distance from English that it has always cultivated. " - Triple Canopy magazine on why do artists' statments and press releases sound so utterly odd and confusing.
This is a big deal because one of the main ways that people are socialized is through using, observing and contemplating material objects. The idea that people learn their places in society by engaging with the physical stuff around them has a long history in anthropology, but it was finally cemented into the theoretical mainstream in 1972 when Pierre Bourdieu published his Outline of a Theory of Practice. Bourdieu makes the case that we come to internalize the expectations of our particular social group by analogy with categories, orders and relations of things. Spatial arrangements of objects in the home, for example, or the use of different farming tools at different times of year, come to stand for intangible relationships between genders, social strata and the like, thereby anchoring abstract ideas about social organization to the physical world. ~ Designing Culture by Colin McSwiggen
The Mommy-Fight Site. What does it mean to raise a child in "America’s highest-income, best-educated Census area? D.C. Urban Moms and Dads might be as close as it gets to a field guide to parentis Washingtonianis" [more inside]
James McBride talks about The Help, Hattie McDaniel, why black women are still winning awards for playing maids, how black culture is appropriated and represented, and whether marginalized groups in America all serve the purpose of "cultural maids". [more inside]
Charles Murray, author of the controversial 1994 work The Bell Curve, has a new book coming out, entitled Coming Apart: The State of White America, 1960–2010. He's included a twenty-five question, weighted quiz to get a feel for how in touch you are with mainstream, blue-collar American culture. It's not automated, so you'll need pen and paper. [more inside]
On October 18, Wired embedded a reporter with both Anonymous and the #Occupy movement, calling both "a new kind of hybrid entity, one that breaks the boundaries between “real life” and the internet, creatures of the network embodied as citizens in the real world." The first entries in Quinn Norton's ongoing special report: Anonymous 101: Behind the Lulz were posted today. Coverage from Wired's other special report, Occupy: Dispatches from the Occupation are already online. NPR: Members Of Anonymous Share Values, Aesthetics [more inside]
What's the matter with Liberals? An article by Thomas Frank, author of What's the Matter With Kansas, and previously linked here. Well researched, and worth arguing over. via MoFi