Of the many available documentaries about the pianist Glenn Gould, "Genius within - The inner life of Glenn Gould" is one of the more thoughtful ones. [more inside]
Artur Schnabel was the first pianist to record all of Beethoven's 32 piano sonatas. He would not be the last. [more inside]
Keeping Score is designed to give people of all musical backgrounds an opportunity to explore signature works by composers Hector Berlioz, Charles Ives, and Dmitri Shostakovich in depth, and at their own pace. The interactive audio and video explores the composers’ scores and pertinent musical techniques as well as the personal and historical back stories. [more inside]
Explore Beethoven's Eroica Symphony [note: flash, sound]
Music is nothing. Sound could become music. The end must be in the beginning, and the beginning in the end. I am here because I am not here. Music lives in the eternal now. Music is the now becoming now. What I learned from Sergiu Celibidache, by Markand Thakar. More inside.
The Unheard Beethoven - This website endeavors to make all of Beethoven's unrecorded music readily accessible to the public. These never-before-heard works are now available to anyone with a computer, a modem and a soundcard, in the form of MIDI files. At present, over twelve hours of Beethoven's music is available on this website and in no other listenable format.
As a follow up to this earlier thread, the BBC has just posted the final installment of their Beethoven Experience, free mp3s of Beethoven's symphonies 6 through 9. Get them while you can, they're only up for a week (Number 6 goes down on Monday).
"This, as never before, is Beethoven for free - a gift to the world, just as he might have wished." From Sunday, the BBC will broadcast Beethoven's entire musical output over a six-day period, with all nine symphonies offered as free (and DRM-free) MP3 downloads. By doing so, critic Norman Lebrecht argues that the BBC Philharmonic's cycle may become 'the household version to computer-literate millions in China, India or Korea who have never heard of Karajan or Klemperer.' What that might mean for the struggling classical recording industry is anyone's guess.