A Sunday morning is a fine time to listen to Leonard Bernstein discuss Brahms' 4th symphony, complete with crackling vinyl noise.
The BBC Philharmonic and Nero present A Dubstep Symphony.
Keeping Score is designed to give people of all musical backgrounds an opportunity to explore signature works by composers Hector Berlioz, Charles Ives, and Dmitri Shostakovich in depth, and at their own pace. The interactive audio and video explores the composers’ scores and pertinent musical techniques as well as the personal and historical back stories. [more inside]
Imagine this: 'This evening we are going to hear the 2nd Symphony by Claude Debussy, the Austrian première of Insect Life by the Finnish opera composer Kalevi Aho, and the 2nd Symphony by Bela Bartók.’ What is a symphony? What does the concept mean nowadays? And what does it mean, to compose symphonically?
San Carlo of the Symphony. Il Maestro Carlo Maria Giulini, orchestra conductor who passed away Tuesday at 91 "had an almost uncanny ability to transform the sound of an orchestra, any orchestra, into a dark and intense glow, which became his trademark over the years". "We have lost one of the greatest musicians of our time," says Esa-Pekka Salonen (.pdf), music director of the LA Philharmonic. Giulini has been called "the last humanist", a gentle man beloved by his orchestras, so humble in his approach to music that, always feeling the necessity to "fathom" each new work, it wasn't until the 1960s that he finally felt ready to conduct Bach, or the symphonies of Mozart and Beethoven. This from a man who, at the beginning of his career (as a viola player) had played under Richard Strauss. "I had the great privilege to be a member of an orchestra," Giulini said in 1982. "I still belong to the body of the orchestra. When I hear the phrase, 'The orchestra is an instrument,' I get mad. It's a group of human beings who play instruments." More inside.