As a tribute to Frédéric Chopin, we take you to the home of Arthur Rubinstein - one of the most distinguished interpreters of his works. [more inside]
The irony in a way is that Messiaen used this great romantic organ for his most modern experiments. For Messiaen, this was a great sort of sonic paintbox, if you like, and he would come here and experiment with the extraordinary sounds that he could conjure out of this amazing instrument. [more inside]
In the sixty-odd years since their composition, the Four Last Songs have acquired in many people’s minds an unassailable status as simply the most beautiful music known to them, to be listened to in a dimly lit room and a state of rapt meditation, surrendering to the extraordinary spell of profound, other-worldly calm that they cast. This is not surprising. They were, indeed, the last things of any significance that Strauss wrote, between May and September 1948, at the age of eighty-four. (previously) [more inside]
Combining the architectural grace of Bach with the sprightly melodicism of Mozart, the 555 keyboard sonatas (3 MB PDF) of Domenico Scarlatti are a cornucopia of exquisite music
*. The first musician to record all of them was the colorful Scott Ross - who died of AIDS-related pneumonia at the age of 38. Here he performs one of the masterpieces, K.209, in Le Château de Maisons-Laffitte on a harpsichord built by David Ley. [more inside]
Using his "file card" technique to create the title piece "Spillane" (whereby musical ideas written on note cards form the basis for discreet sound blocks arranged by way of a unifying theme), John Zorn forges an impressionistic narrative out of stretches of live-music jazz, blues, country, lounge, thrash, etc., and a variety of samples and spoken dialogue inspired by Mickey Spillane's Mike Hammer detective novels (recited by John Lurie). - AllMusic [more inside]
In 1986,[Vladimir] Horowitz announced that he would return to the Soviet Union for the first time since 1925 to give recitals in Moscow and Leningrad. In the new atmosphere of communication and understanding between the USSR and the USA, these concerts were seen as events of political, as well as musical, significance. [more inside]
In 95 years of life, Carl Ruggles composed only 84 minutes of music - including his masterpiece for orchestra, "Sun-Treader". Charles Seeger called it "dissonant counterpoint". Charles Ives called it simply "strong, masculine music". In 1980, Michael Tilson Thomas recorded all of it for a long-out-of-print 2 LP set that has never been reissued on CD. Today, with almost none of the music from this significant American composer commercially available in any form, the Internet Archive has performed a valuable cultural service by hosting a 24-bit lossless rip of the Tilson Thomas set. It is powerful stuff.
[Arvo] Pärt’s mature style was inaugurated in 1976 with a small piano piece, “Für Alina”, that remains one of his best-known works. It is governed by the compositional system that he called “tintinnabuli,” derived from the Latin word for “bells.” The tintinnabuli method pairs each note of the melody with a note that comes from a harmonizing chord, so they ring together with bell-like resonance. [more inside]
Artur Schnabel was the first pianist to record all of Beethoven's 32 piano sonatas. He would not be the last. [more inside]
The maqam al-'iraqi is considered the most noble and perfect form of the maqam. As the name implies, it is native to Iraq; it has been known for approximately four hundred years in Baghdad, Mosul, and Kirkuk. The maqam al-'iraqi has been passed on orally through the Iraqi masters of the maqam, who cultivate the form especially in Baghdad. The maqam is performed by a singer (qari') and three instrumentalists playing santur (box zither), juzah (spike fiddle), and tablah or dunbak (goblet drum).
Wagner's "Ride of the Valkyries" arranged for 8 pianos - performed by Leif Ove Andsnes, Emanuel Ax, Claude Frank, Evgeny Kissin, Lang Lang, James Levine, Mikhail Pletnev, and Staffan Scheja. [more inside]