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9 posts tagged with coenbrothers and movies. (View popular tags)
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Guilty of wanting to be a dry cleaner, sure. But not of murder.

Because the Coens have tried their hand at numerous genres, from noir to screwball to outright surrealism, it wasn’t immediately apparent that they were making the same basic movie over and over. After 30 years and 16 features, however, it’s now hard not to notice that prototypical Coen protagonists are hapless, well-meaning schlemiels upon whom life exacts a toll that’s much worse than they deserve. In the films of Joel and Ethan Coen, it’s a hard world for little things (and everyone else)
posted by timshel on Mar 28, 2014 - 74 comments

WHERE'S ITS SCROTUM?!

Though Llewyn appears stuck, he’s the nomad always ecstatic in his circumlocutions. He’s on a road to nowhere but at least trudging on a path to somewhere. The rest of the world marks time, gliding smoothly along the straight line of the future, arrested comfortably in the steady flow of the ever-present, and being naively present relieves one from the nightmare of history. Maybe the materialization of Dylan’s music in the final minutes, when it wasn’t there in the beginning, is another sign that Llewyn’s time has passed, and it’s time to, um, face the music. Like clockwork he goes into the alley to confront the shadowy figure, and takes his punch (this time not saying “I’m sorry?” before the fist collides with his face, however). Consigned again to this cesspool, he doesn't stay down but ascends through iron bar shadows and follows his bellicose aggressor, who gets into a cab and drives off. Llewyn looks on somewhat wistfully, not saying “farewell” in accord with Dylan but rather says “Au revoir”—indicating they’ll see each other again. At that quiet utterance the cab’s wheels screech and turn a sharp corner. The linear trajectory forward is thwarted and Fate's Emissary will inevitably come around again. The Orbital Noose: Inside Llewyn Davis
posted by timshel on Mar 26, 2014 - 25 comments

It all started in Washington Square...

The Coen Brothers latest film "Inside Llewyn Davis" is fictional, but it aims to portray the very specific time and place of the Greenwich Village Folk scene in the early 60's. Reviewers have already noted the similarities between the movies characters and some real life counterparts, starting with Llewyn Davis himself and legendary folk singer Dave Van Ronk. [more inside]
posted by AlonzoMosleyFBI on Dec 29, 2013 - 42 comments

Goodman, Goodman, Goodman... and some other guys.

The Howling Fat Men of the Coen Brothers (slyt & nsfw)
posted by AlonzoMosleyFBI on Nov 12, 2013 - 19 comments

A Folk Singer with a Cat

Trailer for Inside Llewyn Davis - the new film by the Coen brothers possibly inspired by the album cover for The Freewheeling' Bob Dylan.
posted by Artw on Jan 25, 2013 - 49 comments

Roger Deakins, Perpetual Nominee

Bond film Skyfall has been nominated for its first Academy Awards since 1982. Skyfall was nominated for original score, sound mixing, sound editing, original song, and cinematography. It is also cinematographer Roger Deakins' tenth nomination without a win. [more inside]
posted by troika on Jan 10, 2013 - 48 comments

The Coen Brothers's "Raising Arizona"

Raising Arizona is notable among the Coen Brothers’ filmography for seamlessly fusing the ravishing grimness of their drama with the slapstick antics of their comedy. ... [It] is an intensely bittersweet film. That it is admittedly hilarious distracts from this sorrow, but it doesn’t dampen it. If not the absolute best by the Coens, it’s certainly their most charming. - Michael Nordine [more inside]
posted by Egg Shen on Dec 11, 2012 - 112 comments

"Well it sure ain't Ozzie and Harriet"

No Country For Raising Arizona. Parallels between two Coen Brothers movies. Via.
posted by amyms on Jun 27, 2008 - 30 comments

Return to Form

Joel and Ethan Coen rarely disappoint. Their new film, No Country for Old Men (based on a novel by Cormac McCarthy), is no exception. See also: Cannes.
posted by chuckdarwin on May 30, 2007 - 55 comments

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