"We certainly cannot follow the example of Odysseus and, going down to Hades, tempt with a bowl of blood a representative sample of native speakers to label particular areas of the standard Munsell color continuum ..."
David Wharton's Latin Color Bibliography
collects quotations from ancient literature and modern research on how languages classify colors, and tries to work out the meanings of color words in classical Latin. [more inside]
posted by nangar
on Jul 18, 2011 -
In a redoubled effort to capture consumers’ attention in this sputtering economic recovery, some paint companies are hoping to distinguish their brands with names that tell a story, summon a memory or evoke an emotion — even a dark one — as long as they result in a sale. What the names do not do is reveal the color
posted by bayani
on Jul 5, 2011 -
For the past year, director Stephen Soderbergh has been recording and sharing a list
of the books that he has read, and films that he has watched. The writers at Flavorwire noted Soderbergh's decision to watch Raiders of the Lost Ark in black & white three times, and have compiled a list
of color films that work better in monochrome. [more inside]
posted by schmod
on May 24, 2011 -
Americhrome: The color that has come to signify America in today’s combat theaters isn’t the red, the white, or the blue picked by Betsy Ross, but an ignoble sandy hue commonly referred to as desert tan and officially identified as Federal Standard 595 Color No. 33446. The official swatch of desert tan is housed in Franconia, Va., just outside Washington’s beltway, in a warehouse filled with the rest of the federal government’s certified color chips. From there, for $625, you can purchase a complete set of the 650 three-by-five-inch cards that define the colors covering the vast majority of items purchased by the Federal Acquisition Service, a $50 billion subsection of the General Services Administration, which acts as a kind of equipment manager for federal agencies around the country...
posted by jim in austin
on May 4, 2011 -
"The march toward gender-specific clothes
was neither linear nor rapid. Pink and blue arrived, along with other pastels, as colors for babies in the mid-19th century, yet the two colors were not promoted as gender signifiers until just before World War I—and even then, it took time for popular culture to sort things out."
posted by Houyhnhnm
on Apr 16, 2011 -
Solarized is the mother of all colour schemes.
"Solarized is a sixteen color palette (eight monotones, eight accent colors) designed for use with terminal and gui applications. It has several unique properties. I designed this colorscheme with both precise CIELAB lightness relationships and a refined set of hues based on fixed color wheel relationships. It has been tested extensively in real world use on color calibrated displays (as well as uncalibrated/intentionally miscalibrated displays) and in a variety of lighting conditions."
posted by chunking express
on Apr 13, 2011 -
Ever notice how people texting at night have that eerie blue glow? Or wake up ready to write down the Next Great Idea, and get blinded by your computer screen? During the day, computer screens look good—they're designed to look like the sun. But, at 9PM, 10PM, or 3AM, you probably shouldn't be looking at the sun.
fixes this: it makes the color of your computer's display adapt to the time of day, warm at night and like sunlight during the day. It's even possible that you're staying up too late because of your computer. You could use f.lux because it makes you sleep better, or you could just use it just because it makes your computer look better. [more inside]
posted by crunchland
on Jun 22, 2010 -
Early 1900s in COLOUR (a sampling).
"In the early part of the 20th century French-Jewish capitalist Albert Kahn set about to collect a photographic record of the world, the images were held in an 'Archive of the Planet'. Before the 1929 stock market crash he was able to amass a collection of 180,000 metres of b/w film and more than 72,000 autochrome plates, the first industrial process for true colour photography." The whole enchilada
posted by spock
on Jun 3, 2010 -
The average human eye has three types of cone cells, each of which is sensitive to a different wavelength range of visible light. The difference in the relative signal from the three cones allows us to distinguish colors. Unfortunately, since these sensitivity ranges overlap, there are some combinations of signals from the cones that can't be created by light emitted from a real object. These are the so-called "imaginary colors
". However, by selectively overstimulating
one or more types of cone, we can still perceive these colors; this is the principle behind the Eclipse of Titan
, an optical illusion which produces both a green and a cyan that don't otherwise appear in nature. (Similar effects can be seen in the Eclipses of Mars
, and Triton
.) [more inside]
posted by Upton O'Good
on May 10, 2010 -
Thursday flash fun: Hue Shift
- an addictive endless action platformer. You are controlling a pixel that can shift its color to red, green and blue. Climb as high as you can by matching your hue to the color of the platforms. Beware, only platforms with your color are solid!
(via Rock, Paper, Shotgun
posted by slimepuppy
on May 6, 2010 -
Those who have watched a lot of Hollywood movies over the past few years may have noticed a trend: many of these films sport a uniform palette of teal and orange
, a result of the availability of digital colour-grading. Originally derived from applying complementary colour theory to human skin tones to make them stand out more, the teal-and-orange rule has spread, and is now being lazily applied across the board, whether appropriate or not.
posted by acb
on Mar 19, 2010 -
. My Granddad once told me that I didn't understand Nazi's, because the black and white film always made it look unreal. He said if the films were color, I'd see.
posted by Mblue
on Mar 5, 2010 -
The Nature of Light and Color in the Open Air
"Moreover, this book is written for all those who love Nature; for the young people going out into the wide world and gathering together round the camp-fire; for the painter who admires but does not understand the light and colour of the landscape; for those living in the country; for all who delight in travelling; and also for town-dwellers, for whom, even in the noise and clamour of our dark streets, the manifestations of Nature remain." - Marcel Minnaert [more inside]
posted by jquinby
on Dec 23, 2008 -