Coltrane in "A love supreme" sessions. "Whenever photographer Chuck Stewart was hired by a record company to document a recording session, he would shoot during the rehearsal takes. Recently, his son David was browsing through his archives when he found six undeveloped rolls of film from December 1964, 50 years ago.. They portrayed saxophonist John Coltrane . . . with his quartet, making a work that would soon be hailed as a masterpiece and a landmark of 20th-century music: A Love Supreme." [more inside]
The Dancing Saints is "a 3,000 square foot icon wrapping around the entire church rotunda, showing ninety larger-than life saints; four animals; stars, moons, suns and a twelve-foot dancing Christ." Among the icons are traditional saints like Francis of Assisi and Mary Magdalene, but most of them are non-traditional saints, like Florence Nightingale, John Coltrane and Lady Godiva's Horse. The Dancing Saints Icon is inside the St. Gregory of Nyssa Episcopal Church in San Francisco. You can watch a video tour of the church's architecture, read an interview with iconographer Mark Dukes, and a short essay on the Dancing Saints Icon by Richard Fabian.
The World According to John Coltrane is a one-hour documentary, featuring lots of music footage and interviews with prominent jazz musicians such as Wayne Shorter, Tommy Flanagan and many others. It's an excellent primer on the enormously influential saxophonist's life and music.
"You know what I think?" she says. "That people's memories are maybe the fuel they burn to stay alive."
In Search of Haruki Murakami, Japan’s Great Postmodernist Novelist, a 50 minute documentary exploring Murakami's Japan and culture. via.
In the last decade, no organ of music criticism has wielded as much influence as Pitchfork. It is the only publication, online or print, that can have a decisive effect on a musician or band’s career.... [W]hatever attracts people to Pitchfork, it isn’t the writing. Even writers who admire the site’s reviews almost always feel obliged to describe the prose as “uneven,” and that’s charitable. Pitchfork has a very specific scoring system that grades albums on a scale from 0.0 to 10.0, and that accounts for some of the site’s appeal, but it can’t just be the scores.... How has Pitchfork succeeded where so many other websites and magazines have not? And why is that success depressing? A lengthy history and review of Pitchfork [Media], from an inexpensive online alternative to a music zine, to "indie" music kingmaker, and thoughts on pop music (criticism). [more inside]
NPR's jazz blog A Blog Supreme recently concluded a series in which they asked jazz bloggers to "name five albums you would recommend to somebody looking to get into modern jazz". The results are now up in the category Jazz Now; the intro has the index, including reactions elsewhere. Destination: Out had some pricklier suggestions—see also their best of the 90s list (and their own nominations). [more inside]
Jazz pioneer Rashied Ali Has died. He leaves behind him a lifetime of collaborations in out jazz, with artists like Ayler, Coltrane, Cherry, Haino, Laswell, Bley, Sanders, and Ulmer. [more inside]
As jazz fans know, fifty years ago on March 2, 1959, Miles Davis, Bill Evans, John Coltrane, Cannonball Adderley, Paul Chambers and Jimmy Cobb met at the Columbia 30th Street Studios in NYC for the first session of Miles new album, Kind of Blue. (Link goes to the 50th anniversary collector's box set edition page at amazon.) It was the touchstone for many other future recordings bearing its mighty influence and it fostered several high profile careers, and a new modal sound for jazz. Kind of Blue went on to be certified platinum, selling 4 million records, the most ever for a jazz album. Bill Evans had left the band in late 1958, but was called back by Miles for the sessions, which included his new pianist Wynton Kelly on one track only, Freddie Freeloader. The tunes they did that day, "So What", "Blue in Green" (written by Evans, though credited to Miles) and "Freeloader" all became standards as did "All Blues" from the April session. Documentaries and entire books have been written on this one album alone. The phenomenon lives on. (previously on AskMeFi, but just on Trane and Miles.)
A cool tale about second graders at P.S. 178 in Queens falling in love with John Coltrane, and raising funds to help restore the house in nearby Dix Hills [previously on mefi] where the saxophonist (and saint?) composed his spiritual masterpiece A Love Supreme [last four links go to Youtube].
one giant step for mankind...
johncoltrane.com. Why can't all music promo sites give you an entire album's worth of greatest hits with zilch download time?
Some good music. . . and a nice flash implementation of access to it. A respite from the toil and strife of the day.
Coltrane at 75: the Man and the Myths. The evolution of the view of John Coltrane as a spiritual figure. Is this a process that happens to any great musician dying at the height of their powers? (NYT link, registration required, blah, blah) Link via the AJList.