The Dissolve's Movie of the Week discussion series (previously 1 2 3 4
) takes Airplane!
for a spin:
posted by Room 641-A
on Jul 6, 2014 -
–Can you tell us in 25 seconds a synopsis of your new picture
–Uh, in 25 seconds? Yes, it's a picture, it's a drama about um human emotion in the United States, it deals with the tragedy of divorce as it relates to the child and those who have to suffer continually from the effects of an unhappy home.
–Sounds like a very serious picture.
–Yes. It is.
–There's no comedy in it whatsoever?
–No, I try and keep as much comedy out of my films as possible.
A 40-minute Woody Allen from 1971 promoting Bananas
. He does not answer a single question truthfully. via
posted by timshel
on Dec 3, 2013 -
Between Peter Jackson’s penchant for cartoonish unserious gore and Bob McCarron’s off-screen makeup effects manipulations,
Braindead achieves something that approaches inspired genius in the heretofore unknown artform of human carnage. The film is filled with moments of joyous slapstick tableaux... And then there is that moment where
Braindead finally breaks through to achieve a transcendentally surreal glory of excess where Tim Balme wades into battle against the zombies armed with a lawnmower, drenching an entire room in showers of blood. (
Braindead holds the record for the greatest amount of artificial blood ever used in a film). The film is a work of perverse genius.
- Richard Scheib
posted by Egg Shen
on Dec 8, 2012 -
What you see here is a prime example of what happens to film that is neglected and improperly stored.
This is an original reel from It's a Mad, Mad, Mad, Mad World that is now untouchable. The film has turned acidic, sporting the strongest and most foul vinegar-like odor I have ever smelled. In fact,
Robert Harris told me a story of how his contact lenses were singed by the fumes the film produced, causing temporary retinal damage to his eye. [more inside]
posted by Trurl
on Apr 27, 2012 -
The concept of Used Cars originated with writer-director-producer John Milius, who pitched the idea to scribes Zemeckis and Gale while they were still hard at work on what would become
1941. ... Zemeckis shot
Cars in a breakneck 28 days at a Chrysler-Plymouth dealership in Mesa, Ariz. ... Despite its low profile, the film received a great deal of critical acclaim, including the notoriously finicky Pauline Kael…who described Cars as “a classic screwball fantasy — a neglected modern comedy that’s like a more restless and visually high-spirited version of the W.C. Fields pictures.”* [more inside]
posted by Trurl
on Dec 21, 2011 -
"You're going nowhere, son. Just you, me ad the walls. So wipe that bloody grin off before it's shot off, and don't slouch. You toe rag. You
bin. Pay attention when I break you. And break you I will, boy. You're in my manor, now."
Buck up! It's Terry Finch's THE REPRISALIZER!
Follow Bob Shuter
, whose mission of reprisal against his brother's killers, their families, associates, progeny and property takes him across the desolate wasteland of 70s Britain, primarily Kent AKA FINCHLAND
. Finch, writer of The Reprisalizer and DRAW!
, the cowboy whose name means death, is soon to be the subject of a major motion picture
from Matthew Holness, creator of Garth Marenghi's Darkplace
posted by Artw
on Dec 13, 2011 -
Two and a half years ago, we explored the early history of Cartoon Network
... but it wasn't the only player in the youth television game.
As a matter of fact, Fred Seibert
-- the man responsible for the most inventive projects discussed in that post -- first stretched his creative legs at the network's truly
venerable forerunner: Nickelodeon
Founded as Pinwheel, a six-hour block on Warner Cable's innovative QUBE
system, this humble channel struggled for years before Seibert's innovative branding work transformed it into a national icon and capstone of a media empire.
Much has changed since then, from the mascots and game shows to the versatile orange "splat."
But starting tonight in response to popular demand, the network is looking back
with a summer programming block dedicated to the greatest hits of the 1990s
, including Hey Arnold!, Rocko's Modern Life, The Adventures of Pete & Pete, The Ren & Stimpy Show, Double Dare, Are You Afraid of the Dark?, Legends of the Hidden Temple
, and All That
To celebrate, look inside for the complete story of the early days of the network that incensed the religious right, brought doo-wop to television, and slimed a million fans -- the golden age of Nickelodeon. (warning: monster post inside) [more inside]
posted by Rhaomi
on Jul 25, 2011 -
"Beat the Devil" went straight from box office flop to cult classic and has been called the first camp movie, although Bogart, who sank his own money into it, said, "Only phonies like it." It's a movie that was made up on the spot; Huston tore up the original screenplay on the first day of filming, flew the young Truman Capote to Ravallo, Italy, to crank out new scenes against a daily deadline and allowed his supporting stars, especially Robert Morley and Peter Lorre, to create dialogue for their own characters. (Capote spoke daily by telephone with his pet raven, and one day when the raven refused to answer he flew to Rome to console it, further delaying the production.)
- Roger Ebert's Great Movies
posted by Trurl
on May 22, 2011 -
For quite some time, I’d wanted to make a screwball comedy. A fast-talking, wildly acclerating ensemble comedy that gets stupider and stupider. I never imagined it would be about a war, and inspired by a very recent war at that. But Simon, Jesse, Tony and I all felt that the more we found out about the dysfunction in Washington and the naivety in London leading up to the Iraq invasion, the more obvious it was that the only way to deal accurately and fairly with this topic was as a screwball comedy.
- The Oscar nominated script for In The Loop
, with an introduction by writer Armando Iannucci.
posted by Artw
on Feb 13, 2010 -
, winner of the 2007 Tribeca Film Festival Special Jury Prize for Best Narrative Short (possibly NSFW - a couple of swear words and adult theme)
posted by fearfulsymmetry
on Nov 18, 2008 -
The opening shots of 1920s New York City are wonderful, then you get a zany high-speed Harold Lloyd blazing down the avenues, and that's fun to watch, but the real killer is the horse-drawn trolley absolutely tearing-ass
through lower Manhattan, full gallop. Ends badly. Then it's over to San Francisco for one last bit of homicidal vehicular activity with a bus. Well, they sure don't drive like they used to
! [more inside]
posted by flapjax at midnite
on May 25, 2008 -