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4 posts tagged with composer and television. (View popular tags)
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You make me dizzy Mr. Mizzy!

As if a line like "their house is a museum, when people come to see 'em, they really are a scree-am" (heard, of course, in the Addams Family theme) wasn't playfully brilliant (and brilliantly playful) enough, the same fellow happened to also have written the Green Acres theme. If you're an American of a certain age, you'll remember these two songs from their original TV runs during your childhood, or perhaps from reruns if you're a bit younger. Anyway, the composer of these catchy, familiar ditties was one Vic Mizzy. Hear Vic talk about the Addams Family theme and his degree in advanced finger snapping here. Thanks Vic!
posted by flapjax at midnite on Feb 22, 2013 - 21 comments

Syd Dale, Legend of Library

There is no questioning Syd Dale's [mid-60s UK NSFW] place amongst the legends of library music. ... his lavish big band inspired compositions were quickly brought to the public's attention through their use in countless t.v. shows and advertisements. Much of his work could be as classed as easy listening however Dale was also adept at incorporating elements of funk and spy jazz.* [The music of the 1967 Spider-Man animated TV series - to which he so memorably contributed - has been discussed previously.] [more inside]
posted by Trurl on Oct 8, 2011 - 10 comments

Henry Mancini

His melodies are more familiar than those of any other soundtrack composer except perhaps John Williams. He won 20 Grammy Awards, more than any other pop musician in history, and 4 Academy Awards. He scored what some consider the greatest opening shot in cinema history. His versatility encompassed situation comedy as well as science fiction horror. He is commemorated on a 37-cent stamp. He is Henry Mancini. [more inside]
posted by Joe Beese on Nov 6, 2010 - 32 comments

Jerry Fielding

Jerry Fielding (1922-1980) was one of cinema's most distinctive voices in the 1960s and especially '70s, the perfect musical complement to the films of Sam Peckinpah*, Michael Winner, Clint Eastwood and others. His scores are marked by modernism and intricate orchestrations but also a poetic beauty and intensity—an appropriate accompaniment to the decade's strange and often sad (but never sentimental) criminals and antiheroes, be they in westerns (The Wild Bunch) or crime films. He was, however, capable of numerous styles (he was a former Vegas bandleader), and wrote a great number of scores (from sticoms to dramas to sci-fi) for television. - Film Score Monthly [more inside]
posted by Joe Beese on Nov 13, 2009 - 2 comments

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