After the triumph of OK Computer, Radiohead fell into a creative tailspin -- and frontman Thom Yorke into a nervous breakdown. Exhausted from touring, hounded by press, and jaded by copycats, he escaped into the electronica scene pioneered by Kraftwerk and Warp Records -- fertile ground, the band discovered. Trading spacey rock for apocalyptic brooding, they teased their new sound not with singles or music videos but with innovative web streaming and cryptic, dreamlike "blips" -- winterlands, flocks of cubes, eyeballs, bears. After nearly breaking up over tracklist angst, they cut the kid in half. Thus fifteen years ago today, Kid A and (later) Amnesiac debuted, a confounding mix of electronic fugue, whalesong, pulsing IDM, drunken piano, and epic jazz funeral whose insights into anxiety, political dysfunction, and climate crisis would make it one of the most revered albums of the twenty-first century. See the documentary Reflections on Kid A for interviews and live cuts, or look inside for much more. [more inside]
Leonard Bernstein's Young People's Concerts: From 1958-1973, composer and conductor Leonard Bernstein (Previously on MeFi) played live, educational concerts with the New York Philharmonic that were televised nationwide on CBS. Tapes of the broadcasts were eventually syndicated to 40 countries, introducing an entire generation of children to a wide range musical concepts, styles and composers. The first concert to air was "What Does Music Mean." [more inside]
A decade on, the Coen brothers' woefully underrated O Brother, Where Art Thou? [alt] is remembered for a lot of things: its sun-drenched, sepia-rich cinematography (a pioneer of digital color grading), its whimsical humor, fluid vernacular, and many subtle references to Homer's Odyssey. But one part of its legacy truly stands out: the music. Assembled by T-Bone Burnett, the soundtrack is a cornucopia of American folk music, exhibiting everything from cheery ballads and angelic hymns to wistful blues and chain-gang anthems. Woven into the plot of the film through radio and live performances, the songs lent the story a heartfelt, homespun feel that echoed its cultural heritage, a paean and uchronia of the Old South. Though the multiplatinum album was recently reissued, the movie's medley is best heard via famed documentarian D. A. Pennebaker's Down from the Mountain, an extraordinary yet intimate concert film focused on a night of live music by the soundtrack's stars (among them Gillian Welch, Emmylou Harris, Chris Thomas King, bluegrass legend Dr. Ralph Stanley) and wryly hosted by John Hartford, an accomplished fiddler, riverboat captain, and raconteur whose struggle with terminal cancer made this his last major performance. The film is free in its entirety on Hulu and YouTube -- click inside for individual clips, song links, and breakdowns of the set list's fascinating history. [more inside]
On July 26, 1965, at the Antibes Jazz Festival, the John Coltrane Quartet made its only public performance of A Love Supreme. (previously) [more inside]
Some people use farm tractors for work. Others use them for play. Olle Hemmingson uses his as a musical accompaniment. [via; Previously.]
"...A Fourth of July picnic, a Sunday Best church revival, an urban rock concert and a rural civil rights rally"
There was a historic music festival in the summer of 1969. But it's not the one that took place in Bethel, NY. The Harlem Cultural Festival ran from June 29 to August 24 that summer, presenting a concert every Sunday afternoon in Mount Morris Park (known today as Marcus Garvey Park). Three hundred thousand people turned out for the six free concerts, hearing acts like Nina Simone , Sly & the Family Stone (the only act to play both Woodstock and the "black Woodstock"), Stevie Wonder, Mahalia Jackson, The 5th Dimension, Moms Mabley and. Speakers included Jesse Jackson and "blue-eyed soul brother" Mayor John Lindsay. Security was courtesy of the Black Panthers, since the NYC police refused to provide it. Filmmaker Hal Tulchin recorded over 50 hours of concert footage, which has remained unreleased. Historic Films seems to hold the footage; it was supposed to be made into a movie to premiere at Sundance 2007, but its release seems to be continually delayed for reasons unclear. [more inside]