In 1994, Douglas Davis [personal blog] created The World's First Collaborative Sentence. Last summer, The Whitney Museum faced a new challenge: what happens to digital art when the technology becomes obsolete? [more inside]
What Is Missing? is artist and architect Maya Lin's (previously) last memorial, this one to vanishing species and habitats. [Via] [more inside]
Last summer, the Museum of Modern Art took one of its best-known paintings off the wall, Jackson Pollock's One: Number 31, 1950, so that it could be conserved. They've been blogging about the process of restoring this dense, multi-layered work, including closeup photos that reveal an earlier restoration in the mid-60s before it came to MOMA.
Blue trees are to be seen in cities around the world, a colorful plea to save the trees. [more inside]
This stealthy undertaking was not an act of robbery or espionage but rather a crucial operation in what would become an association called UX, for “Urban eXperiment.” UX is sort of like an artist’s collective, but far from being avant-garde—confronting audiences by pushing the boundaries of the new—its only audience is itself. More surprising still, its work is often radically conservative, intemperate in its devotion to the old. Through meticulous infiltration, UX members have carried out shocking acts of cultural preservation and repair, with an ethos of “restoring those invisible parts of our patrimony that the government has abandoned or doesn’t have the means to maintain.” The group claims to have conducted 15 such covert restorations, often in centuries-old spaces, all over Paris. - Wired.com "The New French Hacker-Artist Underground"
Most people know that Venice has long been threatened by chronic flooding, but in recent years the Queen of the Adriatic has faced a rising tide of a different sort: advertising. From the Doge's Palace to St. Mark's Square to the bittersweet Bridge of Sighs -- named for the grief its splendid views once inspired in crossing death row prisoners -- immense billboards lit late into the night now mar the city's most treasured places. Allegedly built to cover the cost of restoration work in the face of government cutbacks, the ads have brought in around $600,000 per year since 2008 -- a fraction of the shortfall -- and show no sign of going away any time soon. Their presence prompted a consortium of the world's leading cultural experts led by the Venice in Peril Fund to air an open letter demanding the city government put a stop to the placards that "hit you in the eye and ruin your experience of one of the most beautiful creations of humankind." Mayor Giorgio Orsoni, for one, was not moved, saying last year "If people want to see the building they should go home and look at a picture of it in a book."
The International Conservation Photography Awards is the creation of Seattle, Washington-based photographer Art Wolfe: "We wanted to provide a platform from which photographers both amateur and professional alike could showcase their work in a very prestigious way. We love the idea of championing the cause of preservation and nature through the medium of photography." Winning imagery from the 2010 awards can be viewed in person at the Burke Museum in Seattle, or online here, which includes excellent slideshows of wildlife, underwater life and distinguished photographs (requires Flash support).
Getting something permanently inked upon your body is not to be taken lightly, especially if it is a rare type of fungus. [more inside]
The Global Oneness Project is exploring how the radically simple notion of interconnectedness can be lived in our increasingly complex world. They travel the globe gathering stories from creative and courageous people who base their lives and work on the understanding that we bear great responsibility for each other and our shared world. [more inside]
Ethiopian Icons: Faith and Science. Richly hued religious art from an African Christian culture.