This stealthy undertaking was not an act of robbery or espionage but rather a crucial operation in what would become an association called UX, for “Urban eXperiment.” UX is sort of like an artist’s collective, but far from being avant-garde—confronting audiences by pushing the boundaries of the new—its only audience is itself. More surprising still, its work is often radically conservative, intemperate in its devotion to the old. Through meticulous infiltration, UX members have carried out shocking acts of cultural preservation and repair, with an ethos of “restoring those invisible parts of our patrimony that the government has abandoned or doesn’t have the means to maintain.” The group claims to have conducted 15 such covert restorations, often in centuries-old spaces, all over Paris. - Wired.com "The New French Hacker-Artist Underground
posted by The Whelk
on Jan 24, 2012 -
Most people know that Venice has long been threatened by chronic flooding, but in recent years the Queen of the Adriatic has faced a rising tide of a different sort: advertising
From the Doge's Palace
to St. Mark's Square
to the bittersweet Bridge of Sighs
-- named for the grief its splendid views once inspired in crossing death row prisoners -- immense billboards lit late into the night
now mar the city's most treasured places.
Allegedly built to cover the cost of restoration work in the face of government cutbacks, the ads have brought in around $600,000 per year since 2008 -- a fraction of the shortfall -- and show no sign of going away any time soon. Their presence prompted a consortium of the world's leading cultural experts led by the Venice in Peril Fund
to air an open letter
demanding the city government put a stop to the placards that "hit you in the eye and ruin your experience of one of the most beautiful creations of humankind." Mayor Giorgio Orsoni, for one, was not moved, saying last year "If people want to see the building they should go home and look at a picture of it in a book."
posted by Rhaomi
on Oct 4, 2011 -