I tell you what, buddy, that ol' Joe Maphis fellow outta Bakersfield, he was one fast picker. Yup, fast as greased lightning and smooth as gaht-damn silk on that double-neck Mosrite guitar. He and the missus have a little advice for you, too: Don't Make Love In a Buggy. And though Joe was mainly a picker, he did pen one memorable little country ditty which you might've heard in some honky tonk along the line: Dim Lights, Thick Smoke (and Loud, Loud Music). [note: see hoverovers for link descriptions]
posted on Feb 28, 2008 - View this thread

Béla Fleck and the Flecktones. He plays the banjo, but he isn't just some hick. He enjoys Chicks, jamming with friends, wide open spaces and fights.
posted on Jan 18, 2008 - View this thread

Dim Lights, Thick Smoke, and Loud, Loud Music Photgrapher Henry Horenstein's Honky-Tonk: Portraits of Country Music, 1972-1981 captures a sound in transition. This evocative collection of informal, black-and-white portraits of country musicians and fans in bars, backstage, and on the road illustrate a decade when smoky roadhouses and venerated venues began to give way to the more mainstream Countrypolitan or "Nashville" sound. Seminal artists like Mother Maybelle Carter and Bill Monroe mingled backstage with shinier newcomers like Dolly Parton and Anne Murray. But even as the commercial sound was dominating, youngsters mixing with old-timers sparked the first wave of old-time/bluegrass revival, and some of the artists who got started then still carry the torch for a non-Nashville sound today. In this online exhibit you can watch it all unfold.
posted on Feb 2, 2007 - View this thread

Clarence Ashley - The Coo Coo
Skip James - Crow Jane
Howlin' Wolf - How Many More Years
Son House - John the Revelator
Bill Monroe & His Bluegrass Boys - Close By
Houston Stackhouse & Joe Willie Wilkins - Cool Drink Of Water
Muddy Waters - Honey Bee
Bob Wills & The Texas Playboys - Lone Star Rag
Mississipi John Hurt - You Got To Walk That Lonesome Valley
Maybelle & Sara Carter - Cannonball Blues
Al Green - Simply Beautiful
Enjoy. Note that, too, save for Mississippi John Hurt, there is more by each of the above artists linked on each clip's page.
The first is via FaheyGuitarPlayers, the rest were all in a day's surf. On dial-up, even.
posted on Sep 20, 2006 - View this thread

Made most popular to many Americans as the closing song for the Grand Ole Opry programs, Will The Circle Be Unbroken was written in 1907 by Ada Habershon, an intensely religious young woman and acquaintance of Dwight Moody and Ira David Sankey. The music was "composed" by Charles Gabriel, a popular songwriter and composer of the era who is often solely credited with the song, but while he may have put the notes down on paper, the tune itself already existed as the African-American spiritual Glory Glory / Since I Laid My Burden Down. [lots more inside]
posted on May 26, 2006 - View this thread

Bluegrass Talk Radio
posted on Mar 16, 2006 - View this thread

701 78s. A huge set of "old-time" music recordings from 1924-1946, made available in RealAudio format by honkingduck.com. Not high sound quality, but an invaluable collection for anyone with any interest in early recorded bluegrass, folk, country, blues, etc.
posted on Nov 10, 2003 - View this thread