New Year's Eve is fast approaching, and for lots of folks that means... drinking. Plenty of drinking. And since there's no shortage of singers and songwriters who've had a little something to say about that particular topic, maybe some of the following tunes can serve as an appropriate soundtrack to your own joyous (or not?) imbibing of spirits. For example, there's... Jimmy Liggins with his succinct rendition of
Drunk, and there's...
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posted by flapjax at midnite
on Dec 30, 2011 -
67 comments
"Call me nuts, but I find extraordinarily endearing the improbable blend of country music traditionalism and tastefully restrained space-age guitar pyrotechnics that can be heard in these tunes." Yes, friends, the fine folks at WFMU are back with the long-awaited 2nd installment of the tasty and wonderful
Country Fuzz Spectacular!
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posted by flapjax at midnite
on Aug 24, 2011 -
8 comments
Within that small and very specific sub-genre of musical Americana identifiable as the
train imitation, there is one amazing performance, from 1926, that set the standard:
Pan-American Blues. The man who recorded it did a fine and fanciful job of evoking the sounds of a
fox chase as well, and his rhythmically compelling solo rendition of
John Henry stands as testament to the potential for musical greatness achievable by one man and a humble harmonica. He was an African-American who was a founding member of the Grand Ole Opry, a musical institution that we rarely (as in,
never) today associate with black people, and his touching and tragic story, documented
here, is one that will be of interest to those concerned with the racial, economic and socio-cultural history of American popular music. He stands at one of its more unexpected intersections: his name is
DeFord Bailey.
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posted by flapjax at midnite
on Dec 30, 2010 -
15 comments
Surely one of the most memorable musician photos ever is this one:
Johnny Cash, making his feelings known with customary aplomb. But did you ever notice he was wearing a jumpsuit in that photo, and not his more standard black shirt/trousers ensemble? Well,
that very jumpsuit just went for a handsome $120,000 at auction. Someone else just paid $300,000 for one of Elvis'
peacock-emblazoned jumpsuits. And remember that little
necklace John Lennon wore on the cover of
Two Virgins? Yep, the
only thing he wore. Fetched a cool $528,000. Meanwhile, in Japan, a
bunch of grapes just went for $910. What a bargain!
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posted by flapjax at midnite
on Aug 11, 2008 -
21 comments
Sometimes, when you've had your fill of people basking in the golden light of their self-righteous indignation, you just wanna hear a song about somebody telling those holier-than-thou-ers where to get off. Something like, say,
Harper Valley PTA.
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posted by flapjax at midnite
on Apr 24, 2008 -
39 comments
Just the other day I was thinking about World War 2-era propaganda songs, so of course I gave a listen to
Smoke On the Water. Say what? You didn't know it was about kickin' Hitler's ass? Or Hirohito's? Guess you weren't listening well enough when ol'
Red Foley sang:
"...there'll be nothing left but vultures to inhabit all that land, when our modern ships and bombers make a graveyard of Japan..." I tell you, they just don't write songs like that anymore, friends. Anyway, by 1951 Red was looking forward to
Peace in the Valley.
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posted by flapjax at midnite
on Apr 9, 2008 -
20 comments
The
Delmore Brothers, hailing from north Alabama and active from 1926 to 1952, were an early country and western duo that married effortlessly relaxed (but very polished)
harmonies with soulful
country-boogie blues. Bob Dylan said of them: "The Delmore Brothers, God, I really loved them! I think they've influenced every harmony I've ever tried to sing." They're sure worth some
listens, y'all.
posted by flapjax at midnite
on Nov 7, 2007 -
13 comments
For lovers of old-time, mountain banjo styles and songs,
Roscoe Holcomb and
Dock Boggs are revered figures. To many, however, plucker and singer
David Akeman remains uncelebrated or unknown, even by his stage name of
Stringbean. Is it because he
was for a time actually
famous as a
country music showbiz staple, and therefore lacks
folk cred? Or maybe the purists just can't get with those
low-hanging pants the man was known for, his original
hillbilly homeboy styling? Or was it cause on any given tune his
left hand would likely be
off the neck of the banjo more than on it? Whatever the reason, it's time folks took a new look at Stringbean. After all, the lines between
folk and commercial styles have
always been blurry in American music. Let's hear it for
Stringbeeeeeeeaaan! [more inside]
posted by flapjax at midnite
on Oct 17, 2007 -
15 comments
