14 posts tagged with cover by flapjax at midnite.
14 posts tagged with cover by flapjax at midnite.
Displaying 1 through 14 of 14.
In decades past, R&B and soul artists didn't shy away from covering country songs. That's right, children, straight up country songs. And the results were often stunningly good. For example, Al Green's performance of Kris Kristofferson's For the Good Times (best known as a hit for country crooner Ray Price). Or Ray Charles' performance of Eddy Arnold's You Don't Know Me. Or Aretha Franklin's performance of country chestnut You Are My Sunshine, first recorded in 1939 by the Pine Ridge Boys. And... [more inside]
The long and rather surprising history of The First Time Ever I Saw Your Face, penned in 1957 by British singer/songwriter Ewan MacColl, has just taken another bold and dramatic turn with Erykah Badu and the Flaming Lips' starkly powerful cover of the song. Oh, and in the accompanying video, they've most certainly upped the ante as far as edgy eroticism in pop music goes, with Badu's sister Nayrok pushing the envelope into the stratosphere. Nota bene: explicit nudity. [NSFW]
The Shaggs' Things I Wonder - a guitar lesson for strummers of all levels. OK! Now that you've got the melody under your belt, here's the melody plus second guitar part. And though some might think nobody would really want (or be able) to faithfully recreate the Shaggs' music onstage, those people would be wrong.
Divas do Dylan: Nina Simone's Ballad of Hollis Brown, Nico's I'll Keep It With Mine, PJ Harvey's Highway 61 Revisited, Tracy Chapman's The Times They Are A-Changin', Emmylou Harris' Every Grain of Sand.
It's no secret that throughout their long career, the Rolling Stones have covered lots of tunes by black singers and bands from the worlds of soul, blues, R&B, reggae and early rock'n'roll, and have, of course, been heavily influenced by these various genres in their own performance and songwriting. Perhaps a bit lesser known is that several of the most iconic and legendary figures in black music have covered Stones songs as well. Here's Brown Sugar by Little Richard, Satisfaction by Aretha Frankilin and Otis Redding, Under My Thumb by Tina Turner, Start Me Up by Toots and the Maytals and, rather unexpectedly, Let's Spend the Night Together by blues great Muddy Waters
Straight outta the Department of Obscure and Unlikely Covers, here's Hank Crawford's version of Johnny Paycheck's Take This Job and Shove It. [more inside]
The Birka Jazz Archive is a treasure trove of record jackets from all eras of jazz. American releases are grouped by label (for example, Columbia, Blue Note, Atlantic, etc.) with, in some case, further sub-categorization by designers or visual artists (such as the amazing David Stone Martin). European releases are sorted by country (France, Sweden, Germany, etc.) and it all adds up to a fabulous online resource for jazz fans and graphic design fans alike.
With their no-frills, earnestly deadpan delivery, excellent pitch and diction, crisp guitar work, impeccable rhythm and sweet harmonies, Fiona and Emily are sure to become your favorite classic rock cover band. Honky Tonk Woman, Pinball Wizard, Ticket To Ride, Surfin' USA, House of the Rising Sun, Help, Johnny B. Goode, and last but certainly not least, I Am the Walrus. Woooooooooo!
Here's a fun collection of Vintage Christmas Album Covers, and more here at the Strange Christmas Album Covers Flickr set. [more inside]
The best-known version of that joyful ode to getting smashed, Drinkin' Wine Spo-Dee-O-Dee, would surely be the Jerry Lee Lewis rendition, and Memphis rockabilly singer Johnny Burnette recorded a hopping little version of the tune as well. But the song was written and originally recorded by Stick (aka "Sticks") McGhee, who adapted it from a chant he learned during his stint in the Army. And yes, "spo-dee-o-dee" was a substitute for another word, which, though fine for the Army, wasn't exactly radio friendly. Stick wrote a few other tunes in celebration of the alcoholic beverage, including "Six To Eight" and "Jungle Juice". And as has been pointed out previously, the song title was likely the inspiration for the alcoholic concoction known as the "spodi". Drink up!
Whole Lotta Shakin' Going On ---- Tutti Frutti ---- Hound Dog ---- Long Tall Sally ---- Good Golly Miss Molly ---- Great Balls of Fire ---- Good Lovin'.
Okay, first, take a look at this collection of 60's and 70's Asian Pop Record Covers. Cause they're just a helluvalotta of fun to look at. Now, if you find your musical appetite whetted, the same fellow who brought you those wonderful jackets has a Singapore and Asian 60's Pop Music MySpace page, where you can listen to his fabulous audio playlist, see video clips and more record jackets, and get more info on this very fertile period in Asian pop music history. [more inside]
Anybody out there remember The Left Banke? They were a kinda Beatle-y 60's pop/rock outfit out of New York City. Critics labeled them "baroque-pop", apparently due to the "classical" influences in their music. They're surely best known for their catchy little harmony vocals hit from 1966, Walk Away Renée. And in a reversal of the more common trend of white artists covering Motown hits, a rather unexpected version by The Four Tops turned up. Arguably, the song wasn't exactly a perfect fit for the soul vocal quartet at the time they first recorded it, but more recent performances show that they've grown comfortable with it over the years: maybe it's the slower tempo. Here's the lyrics. And the story behind the song. And what the hell, the Wikipedia page. And Songfacts. They all have something of interest to offer concerning this durable little number, originally written by a 16-year-old!