The Subtle Genius of Elena Ferrante’s Bad Book Covers by Emily Harnett [The Atlantic] With their sandy beaches and windswept women, the U.S. editions of Elena Ferrante’s novels look familiar even if you’ve never seen them. That’s because they look like virtually every other book authored by a woman these days—not to mention like bridal magazines, beach-resort brochures, and even “Viagra ads.” On Twitter and beyond, readers have described Ferrante’s covers as “horrible,” “atrocious,” “utterly hideous,” and as a “disservice” to her novels. At Slate, one commenter approvingly mentions a local bookstore’s decision to display one of Ferrante’s books in plain brown paper, reviving a practice used for Playboy and the infamous issue of Vanity Fair with a pregnant Demi Moore on the cover. The implication, of course, isn’t that Ferrante’s covers are obscene in the traditional sense—just obscenely bad. Previously.
"Art is an invention of aesthetics, which in turn is an invention of philosophers.... What we call art is a game."
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In the United States, the cover of Paul Krugman's new book is a little bit different than the cover in England. (from Atrios)