is a community-driven reporting project covering every murder in the District of Columbia. Using original reporting, court documents, social media, and the help of victims’ and suspects’ friends, family, neighbors and others, we cover every homicide from crime to conviction." [more inside]
posted by BobbyVan
on Mar 13, 2012 -
Go to Trial: Crash the Justice System
. Michelle Alexander argues that ubiquitous plea bargains have allowed America's politicians and judicial system to short-circuit constitutional due process and ignore the mechanics of mass incarceration. If everyone charged with crimes suddenly exercised his constitutional rights, there would not be enough judges, lawyers or prison cells to deal with the ensuing tsunami of litigation.
posted by the mad poster!
on Mar 11, 2012 -
In 1962, the Mansfield (Ohio) Police Department stationed officers armed with a movie camera behind a two-way mirror in a public restroom known for its "cruisy" atmosphere. With the help of the footage shot, dozens of men were arrested, prosecuted, and convicted on sodomy
charges, which at the time carried mandatory minimum sentences of a year in prison. In 2007, the original surveillance footage was obtained by filmmaker William
. He's screened the unedited 56 minute film as Tearoom
at festivals and museums the world over, providing a clandestine look at the scrutiny small-town Midwestern gay men faced in the 1960's. [warning
material lies beyond most links] [more inside]
posted by item
on Feb 9, 2012 -
Normally, when you buy stolen goods, you don't legally own them. The person they were stolen from still does. Unless: Until 1995, if you bought them in Bermondsey Market
, London, between the hours of sunrise and sunset, they would then belong to you, even if clearly stolen
posted by Zarkonnen
on Feb 8, 2012 -
The scale and the brutality of our prisons are the moral scandal of American life. Every day, at least fifty thousand men—a full house at Yankee Stadium—wake in solitary confinement, often in “supermax” prisons or prison wings, in which men are locked in small cells, where they see no one, cannot freely read and write, and are allowed out just once a day for an hour’s solo “exercise.” (Lock yourself in your bathroom and then imagine you have to stay there for the next ten years, and you will have some sense of the experience.)
posted by Trurl
on Jan 24, 2012 -
All this brings me to an Indian I want you to know better than his jury did—Douglas Ray Stankewitz, the longest tenured inmate on California’s death row. Like most Indians who find themselves in a group of non-Indians, he is currently known as Chief, but unlike many Indians, he is proud of the nickname.
The government wants to kill Chief because Theresa Greybeal was shot dead in the course of a robbery by a group of people high on heroin, and there is no question that Chief was one of them. There is a serious question about who pulled the trigger, and juries are reluctant to kill individuals who did not pull the trigger. But as far as his jury knew, Douglas Stankewitz pulled the trigger. And he might have, but we will never know, based on his trial.
posted by latkes
on Jan 15, 2012 -
Both an ingeniously choreographed crime film and a moral drama influenced by Dostoyevsky’s
Crime and Punishment,
Pickpocket marks the apotheosis of Bresson's stripped-down style. There’s little or no psychological realism or conventional drama at work in Martin La Salle’s portrayal of a master thief who plies his trade at the Gare de Lyon and easily outwits the cops who seek to ensnare him. See it once to appreciate the spare elegance of the pickpocketing scenes, and then a second time to appreciate how subtly Bresson accomplishes the story of a man’s self-willed corruption, his liberation through imprisonment and his redemption through love, all in less than 80 minutes.*
posted by Trurl
on Jan 6, 2012 -
Almost one year after Congressional Republicans tried to limit the definition of rape
to only include "force" (previously
), the Department of Justice is redefining the term--but this time to to expand it dramatically
The outdated definition that has been governing national rape statistics since 1929, “the carnal knowledge of a female, forcibly and against her will,” has been updated to "penetration, no matter how slight, of the vagina or anus with any body part or object, or oral penetration by a sex organ of another person, without the consent of the victim.” According to Susan D. Carbon, director of the Department of Justice’s Office on Violence Against Women, the previous definition “excluded an untold number of victims.” For the first time, men will be included in national rape statistics, as well as those raped while unable to give consent due to intoxication or other mental and physical incapacity.
posted by zombieflanders
on Jan 6, 2012 -
Bugs and Beasts Before the Law
- "Murderous pigs sent to the gallows, sparrows prosecuted for chattering in Church, a gang of thieving rats let off on a wholly technical acquittal – theoretical psychologist and author Nicholas Humphrey explores the strange world of medieval animal trials." More on the theme of barnyard scapegoats from the BBC podcast documentary: Animals on Trial
posted by madamjujujive
on Jan 5, 2012 -
June 25th 1906, was the opening night of the musical revue Mamzelle Champagne
on the roof of Madison Square Garden
. In attendance were Stanford White, renowned architect (Washington Square Arch, Judson Memorial Church, Madison Square Garden itself)
, and Harry Kendall Thaw
, eccentric coal and railroad scion. During the performance of the song I Could Love a Million Girls
, Thaw "left his seat near the stage, passed between a number of tables, and, in full view of the players and of scores of persons, shot White through the head
Standing over White’s body, Thaw said “You’ll never go out with that woman again.” [more inside]
posted by davidjmcgee
on Dec 22, 2011 -
"You're going nowhere, son. Just you, me ad the walls. So wipe that bloody grin off before it's shot off, and don't slouch. You toe rag. You
bin. Pay attention when I break you. And break you I will, boy. You're in my manor, now."
Buck up! It's Terry Finch's THE REPRISALIZER!
Follow Bob Shuter
, whose mission of reprisal against his brother's killers, their families, associates, progeny and property takes him across the desolate wasteland of 70s Britain, primarily Kent AKA FINCHLAND
. Finch, writer of The Reprisalizer and DRAW!
, the cowboy whose name means death, is soon to be the subject of a major motion picture
from Matthew Holness, creator of Garth Marenghi's Darkplace
posted by Artw
on Dec 13, 2011 -
"Imagine 12 men in a dorm all in diapers and sitting in their own feces," he says. "It smelled like a combination of what people had for lunch that day and pus from people's open wounds. I've been in a wheelchair now for three years, and the jail is by far the worst place I've ever seen for a disabled person." -- L.A. Weekly on "Wheelchair Hell" in the L.A. County Men's Jail
posted by bardic
on Dec 8, 2011 -
On August 31, 2004, a naked, bruised man was discovered
behind a Burger King at the intersection of Interstate 95 and Highway 17 in Richmond Hill, Georgia. He had no memory
of who he was. Fingerprint and DNA searches were unsuccessful
. His identity continues
to remain missing
posted by vidur
on Dec 5, 2011 -
Although [Michael] Mann has said he was inspired by a true story from Chicago in the late 1960s, the film is no gritty realist number about desperate thievery. Rather, HEAT is a high-gloss creature of its time, utilizing the classic "duel between cop and robber"... to thematize lifestyle issues in the mid-1990s. Specifically I argue that, for all its slickness and emphasis on style and personality, HEAT is a film about work and its increasing personal costs. For the characters in HEAT, work provides excitement* and challenge, but it ultimately excludes any emotional life outside of the demands of the job. *That's the shootout scene
posted by Trurl
on Nov 21, 2011 -
In 1933, Anthony Marino, Joe Murphy, Frank Pasqua and Dan Kriesberg decided to make money by taking out life insurance on drunks and then letting the victims drink themselves to death. Then they encountered Mike Malloy...
posted by reenum
on Nov 11, 2011 -
After 25 years I revisited To Live and Die In L.A. (1985), William Friedkin's cynical, fatalistic, hardboiled and high-energy crime noir about corruption and survival in the city of no angels. The script is literate, the characters are believable, the performances are brutally honest, the unpredictable twists keep coming, the action never stops, and the car chase is shot for real without any fake process. (spoilers)
posted by Trurl
on Nov 4, 2011 -
My purpose here has been to inquire into mediated understandings of Hindley, and to question how popular texts delineate between the deeds of a human being and the way those deeds are culturally inscribed. The task is neither conclusive nor complete, for monsters are illusive. There is always some part of them that evades both enunciation and comprehension.
posted by Trurl
on Oct 30, 2011 -