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nasreddin (2)

‘Où est le sang de Roland Barthes?’

But like many an inarticulate young lover, I thought for a time that seduction was a matter of giving the right book to the right woman. In my case it was Barthes’s A Lover’s Discourse: a meditation on Goethe’s Sorrows of Young Werther that catalogues the melancholic lover’s prized ‘image repertoire’ – the scene of waiting, the feeling of being dissolved in the presence of the loved being, the attraction of suicide – and thinly veils the author’s own life as a middle-aged gay man in Paris in the 1970s. This gift was always a prelude to disaster.
RB and Me: An Education is an essay by Brian G. Dillon about his relationship with the books of French philosopher Roland Barthes. It's also a lovely autobiography of an awkward boy finding his place in life. Dillon's website collects his essays, and is trove of interesting insight. Besides writing essays and fiction, Dillon is also the UK editor of Cabinet Magazine, and you can read a fair number of his articles online, including ones on Beau Brummel and the cravat, hypochondria and hydrotherapy.
posted by Kattullus on Dec 1, 2011 - 4 comments

 

Christian Hubert Studio

Christian Hubert designs beautiful residential spaces, like this fantastic 10,000 square foot home, and chic commercial projects. He design aesthetics are sensitive to the relation between art and architecture, and he has worked on some wonderful galleries and exhibition spaces. His practice is informed by a thorough knowledge of philosophy, and his site includes a comprehensive and accessibly written encyclopedia on important concepts in art, aesthetics, and critical theory.
posted by Saxon Kane on Feb 10, 2011 - 15 comments

Getting It All Wrong: Bioculture critiques Cultural Critique

Bioculture critiques Cultural Critique Until literature departments take into account that humans are not just cultural or textual phenomena but something more complex, English and related disciplines will continue to be the laughingstock of the academic world that they have been for years because of their obscurantist dogmatism and their coddled and preening pseudo-radicalism. Until they listen to searching criticism of their doctrine, rather than dismissing it as the language of the devil, literature will continue to be betrayed in academe, and academic literary departments will continue to lose students and to isolate themselves from the intellectual advances of our time.
posted by jason's_planet on Apr 7, 2008 - 107 comments

One Thousand Plateaus with a Bullet!

I asked Naveh why Deleuze and Guattari were so popular with the Israeli military. He replied that ‘several of the concepts in A Thousand Plateaux became instrumental for us […] allowing us to explain contemporary situations in a way that we could not have otherwise. It problematized our own paradigms. -- The Art of War and Walking Through Walls by Eyal Weizman. via
posted by geos on Sep 7, 2007 - 29 comments

The Principles of the Weighty Tome

" . . . every second was the narrow gate, through which the Messiah could enter."
There is a lot we do not know about September 27, 1940. On that day, Walter Benjamin found out that he needed a visa to cross the border from France into Spain. By September 28, he was dead. Was it a suicide? Was he murdered by Stalin? He carried trunks with his last works. What was in them? These questions will never be answered, but Benjamin is not lost to us. He told us about the culture of print and photograph. He probed the metaphysics of hashish. Through fashion, feuilleton, and flânerie, he traced the lineaments of the modern city. His task, as he saw it, was one of reading and critique, the illumination of modernity.
posted by nasreddin on Sep 4, 2007 - 17 comments

Like A Face Drawn in Sand at the Edge of the Sea

A society without power relations can only be an abstraction. Which, be it said in passing, makes all the more politically necessary the analysis of power relations in a given society, their historical formation, the source of their strength or fragility, the conditions which are necessary to transform some or to abolish others. For to say that there cannot be a society without power relations is not to say either that those which are established are necessary or, in any case, that power constitutes a fatality at the heart of societies, such that it cannot be undermined. Instead, I would say that the analysis, elaboration, and bringing into question of power relations and the "agonism" between power relations and the intransitivity of freedom is a permanent political task inherent in all social existence.
"Saint" Michel Foucault (1926-1984) transformed Western thought. Institutions -- prisons, asylums, clinics -- define the rhythm of our daily existence; Foucault found that they also determine the way we think. The search for the political and philosophical implications of this insight led him to biology and economics, linguistics and the study of sexuality. In Foucault's eyes, intellectual activity, however radical, could never be divorced from the techniques of power. This is why some have accused him of political quietism. Other critics say he was simply a bad scholar. Who was the real Foucault? "Anarchist, leftist, ostentatious or disguised Marxist, nihilist, explicit or secret anti-Marxist, technocrat in the service of Gaullism, new liberal," gay saint, charlatan, or something else entirely? Perhaps we have posed the question incorrectly...
posted by nasreddin on Aug 17, 2007 - 92 comments

"All the writer's noise is finally an attempt to shape a silence in which something can go on."

Samuel R. Delany has become known for his Silent Interviews, where he responds to questions in writing. But many other interviews are available online: The Onion AV Club; Nerve; Science Fiction Studies; SF Site; K. Leslie Steiner [Delany's pseudonym]; Science Fiction Weekly. Some are not-so-silent: Blackbird; Smithsonian. He also writes fiction. [More Inside]
posted by anotherpanacea on Jun 15, 2006 - 24 comments

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