The very fact that reading and writing are in jeopardy, or simply evolving, means that to try to put the brakes of old criteria on a changing situation is going to be either obstructive or boring. In our critical age of almost manic invention, the most effective criticism of what, in the critic’s eyes, is a bad book would be to simply ignore it, while nudging better books toward the fulfillment of what the critic understands to be each book’s particular creative aim.
Lee Siegel buries the hatchet-job.
posted by RogerB
on Sep 26, 2013 -
"The internationalized art world relies on a unique language. Its purest articulation is found in the digital press release. This language has everything to do with English, but it is emphatically not English. It is largely an export of the Anglophone world and can thank the global dominance of English for its current reach. But what really matters for this language—what ultimately makes it a language—is the pointed distance from English that it has always cultivated. " - Triple Canopy magazine on why do artists' statments and press releases sound so utterly odd and confusing.
posted by The Whelk
on Apr 26, 2013 -
10 PRINT CHR$(205.5+RND(1)); : GOTO 10 (a collaborative book by Nick Montfort, Patsy Baudoin, John Bell, Ian Bogost (previously, previously, previously), Jeremy Douglass, Mark C. Marino, Michael Mateas (of Facade), Casey Reas, Mark Sample and Noah Vawter)
uses a single line of code
as a basis for pontificating on creative computing
and the impact of software in popular culture. 10 PRINT's content is available as a PDF (50 MB)
via Casey Reas' Flickr.
posted by mrgrimm
on Nov 29, 2012 -
Let’s play Žižuku!
Vaguely similar in theory to the Postmodern Text Generator
, but practiced individually, rather than Markov-chain-generated text. The creator, Julian Baggini, describes Žižuku thus: "The rules are simple: pick on any widely received idea and find the most clever-sounding way to invert it, so as to create a paradox, or at least the semblance of one." [more inside]
posted by exlotuseater
on Nov 17, 2012 -
What Good Are the Arts?
asks John Carey’s recent book of the same name. The New Criterion think Carey’s thesis is informed by cynical political motives rather than earnest convictions, and accuses Carey of dabbling in the risky art of aesthetic relativism: Obviously, art is ultimately about “the search for truth”
(a lesson we’d do well to remember before society falls apart). But as Carey and others point out to the contrary, the Third Reich was all about art
—and yet, art under the Third Reich had precious little to do with “searching for truth.” So just what good are the arts? Here’s what a few others
have to say on the subject.
posted by saulgoodman
on Oct 4, 2006 -
Cultural Commentary in 10 Easy Lessons
"....there's an astonishing abundance of cultural criticism these days -- in magazines, newspapers, web sites, blogs, television....if you removed the five or 10 most abused forms of criticism, there would be a deafening silence. Or perhaps room for other kinds of commentary to grow..." With so much published and available these days. it's damn near impossible to sound original.
posted by Voyageman
on Dec 15, 2002 -