"Novels are no use at all in days like these,
for they deal with people and their relationships, with fathers and mothers and daughters or sons and lovers, etc., with souls, usually unhappy ones, and with society etc., as if the place for all these things were assured, the earth for all time earth, the sea level fixed for all time." [more inside]
V.V. Ganeshananthan at The Margins
on writing outside of what you know and the literary establishment's willingness to suspend disbelief and praise authenticity of narrative. As Gracie Jin put it, "In a society masquerading as post-racial, it is still only the white man who can speak authoritatively for every man."
‘I am a phantasmagoric
maximalist. I like things to be overwhelmingly strange
and capacitous. I want what I write to live; it isn’t about
something, it is
something’— Michael Cisco
. [more inside]
This may only occur to the obsessive student of The Parent Trap, but once the subtleties are noticed, hints start stacking up, and a creeping sense of the mythic pervades the film...
Join Chris Stangl, King of the Beanplaters
, as he obsessively studies The Parent Trap
, Little Shop of Horrors
, Teen Wolf
, the original Buffy the Vampire Slayer
, and more
by George Saunders
"Last night, in a biker bar, I overheard two men discussing what distinguished “realist” fiction from more “experimental” work. Although one shouldn’t generalize, I never expect bikers to be literary critics. Well, these were literary critics, and good ones—in fact, they’d bought their “hogs” with royalties from a book they’d co-written, Feminine Desire In Jane Austen
by George Saunders
"Experimental fiction is the art of telling a story in which certain aspects of reality have been exaggerated or distorted in such a way as to put the reader off the story and make him go watch a television show."