Do you miss the music fanzine culture of the 1980s and 1990s, when publications like Forced Exposure
cataloged the under-the-counter culture? Fuckin' Record Reviews
brings you highlights from all of these zines and more!
Check out the early writings of musicians like Steve Albini
, Bill Callahan
, Alan Licht
and David Grubbs
, as well as veteran rockcrits like Byron Coley
, Gerard Cosloy
, Tom Lax
posted by porn in the woods
on Jul 2, 2014 -
What makes the music critics at Collapse Board
more interesting than the ones at Pitchfork or Rolling Stone or the AV Club? Well, for one thing, they have more fun: witness The Audacity of Barry Manilow
, or their take on Kimbra's "Vows"
, written as a response to the outrage they received after a negative Gotye review
. When they love something, they love it with relish – they think Micachu understands 2012 like no other musician
, argue that Nirvana was the biggest thing since the Beatles
, and think Lana Del Rey is more interesting than her lips. And when they dislike something, they make no qualms about disliking it – they rip into Titus Andronicus
something good, describe a Matt & Kim album as "an excellent litmus test for weeding out fluff-eating imbeciles
", and express more ambivalent opinions about My Bloody Valentine
and The Mountain Goats
. They also, predictably write frequent critiques of music criticism.
posted by Rory Marinich
on Mar 21, 2013 -
In the last decade, no organ of music criticism has wielded as much influence as Pitchfork. It is the only publication, online or print, that can have a decisive effect on a musician or band’s career.... [W]hatever attracts people to Pitchfork, it isn’t the writing. Even writers who admire the site’s reviews almost always feel obliged to describe the prose as “uneven,” and that’s charitable. Pitchfork has a very specific scoring system that grades albums on a scale from 0.0 to 10.0, and that accounts for some of the site’s appeal, but it can’t just be the scores.... How has Pitchfork succeeded where so many other websites and magazines have not? And why is that success depressing?
A lengthy history and review of Pitchfork [Media]
, from an inexpensive online alternative to a music zine, to "indie" music kingmaker, and thoughts on pop music (criticism). [more inside]
posted by filthy light thief
on Jan 24, 2012 -
Greil Marcus writes Real Life Top Ten
for the Believer Magazine, in which he lists "anything that remotely has to do with music, a dress Bette Midler wore at an awards show or a great guitar solo in the middle of a song that otherwise wasn't very interesting." But he's been writing this column online
for just about 10 years. [more inside]
posted by Potomac Avenue
on Jun 25, 2009 -
Dude, You Stole My Article
They say everyone's a critic, but in this case, the critic is everyone. Today in Slate, Jody Rosen uncovers what just might be "in purely statistical terms ... the greatest plagiarism scandal in the annals of American journalism".
Stolen from Zoilus
posted by Paid In Full
on Aug 7, 2008 -
Music crticism in weblogs:
Chat rooms and vanity sites seem so mid-’90s in internet terms, but the future of music criticism is lurking deep in the blogosphere. An article from Toronto-based free magazine, Exclaim!
posted by hoder
on Jul 2, 2003 -
Dixie Chicks Pulled from Air After Bashing Bush
Dude, these Texas people didn't find criticism of the president unpatriotic when Bill Clinton was president. They thought it was a sacred duty...Apparently country stations in Texas and elsewhere are pulling Dixie Chicks albums because their lead singer, while on an overseas tour, criticized Bush, saying she was ashamed to be from the state as him.
People who want to criticize the critics of the critical comments are supporting the Chicks by buying their albums and requesting their songs.
I never thought I'd buy a Dixie Chicks album
, but that's what I'm going to do tonight, and I'm paying full price!
posted by jengod
on Mar 14, 2003 -
Fuck Hip Hop.
Title of a block-rockin' essay by dj, filmmaker and cultural activist Pierre Bennu.
I think the time has come to bid a farewell to the last black arts movement. It’s had a good run but it no longer serves the community that spawned it. Innovation has been replaced with mediocrity and originality replaced with recycled nostalgia for the ghost of hip hop past, leaving nothing to look forward to. Honestly when was the last time you heard something (mainstream) that made you want to run around in circles and write down every word. When was the last time you didn’t feel guilty nodding your head to a song that had a ‘hot beat’ after realizing the lyrical content made you cringe.
Tough questions, Pierre. And the whole piece is even tougher. Here's a few responses from Nettime.
posted by theplayethic
on Jan 7, 2003 -
Rock band Creed is not fond of free speech.
Creed was slammed on this site
recently and their actions toward this music critic in Cleveland doesn't help their cause. In this case, Creed seems to be doing a lot of "Do as I say, not as a I do" speak. I was at the Cleveland show Sunday night and I enjoyed the concert, but this story is disappointing.
posted by munger
on Jan 28, 2002 -
The rock-critic "community"
Jack Saturn and Jack Saturn manqués, ahoy! A young fella runs an entire site, Popped
, dedicated to the art of rock criticism. And despite being from Toronto, he's not so prissy as to pretend he isn't a fan. Because those are the worst
rock critics. If rock even matters anymore.
posted by joeclark
on Oct 19, 2000 -