Let’s play Žižuku! Vaguely similar in theory to the Postmodern Text Generator, but practiced individually, rather than Markov-chain-generated text. The creator, Julian Baggini, describes Žižuku thus: "The rules are simple: pick on any widely received idea and find the most clever-sounding way to invert it, so as to create a paradox, or at least the semblance of one." [more inside]
posted by exlotuseater on Nov 17, 2012 - 21 comments

While Metal Gear Solid is considered "one of the best and most important games of all time," its myriad descendants have been polarizing players for almost a decade. Metal Gear Solid 4: Guns of the Patriots has a particular knack for inspiring people to write convoluted screeds about its flaws. In contrast to most of the game's criticism, James Clinton Howell and Jerel Smith's Monstrous Births: A Formal Analysis of Metal Gear Solid 4 attempts to interpret the game and explain its creators (often peculiar) decisions. (previously)
posted by jsnlxndrlv on Apr 23, 2010 - 35 comments

The Wire Files Open-access online journal darkmatter, "producing contemporary postcolonial critique," devoted its fourth issue to the television drama The Wire. An editorial explains that the "special issue aims to examine the place of race in the complex formation of the series." Thirteen articles cover The Wire's political economy, subversion of heteronormative assumptions, racial codes, Herc as a Zelig-like nexus, Baudrillardian urban space and much more in a veritable smorgasbord of academic bean-plating.
posted by Abiezer on Jun 29, 2009 - 37 comments

What Good Are the Arts? asks John Carey’s recent book of the same name. The New Criterion think Carey’s thesis is informed by cynical political motives rather than earnest convictions, and accuses Carey of dabbling in the risky art of aesthetic relativism: Obviously, art is ultimately about “the search for truth” (a lesson we’d do well to remember before society falls apart). But as Carey and others point out to the contrary, the Third Reich was all about art—and yet, art under the Third Reich had precious little to do with “searching for truth.” So just what good are the arts? Here’s what a few others have to say on the subject.
posted by saulgoodman on Oct 4, 2006 - 45 comments

CTHEORY the international journal of theory, technology, and culture.
Recent articles:
The Ambiguous Panopticon: Foucault and the Codes of Cyberspace
Posterchild for the Future: Living with Michael Jackson
The Post-Cyborg Path to Deconism
posted by signal on Mar 14, 2003 - 22 comments