For Roger Ebert, it's a prayer that made him "more alert to the awe of existence." For Rober Koehler, it's a kitschy New Age con. For Richard Brody, it perfectly captures the essence of a generation by depicting a character thinking "back to the musings and fantasies of childhood, which are the product of a wondrous and fantastic view of science formed by popular-science books for children and by the commercial artists whose illustrations adorned them." For Stephanie Zacharek, it's "a gargantuan work of pretension." For Ignatiy Vishnevetsky, it's "a creation myth in the guise of a crypto-autobiography" that invents a universe of its own only to destroy it. For J. Hoberman, it's lifeless and dull, "essentially a religious work and, as such, may please the director's devotees, cultists, and apologists." It spent thirty years in development, three in editing and, yes, it contains dinosaurs. The Tree of Life, written and directed by famously reclusive Zoolander fan and "JD Salinger of American movies" Terrence Malick , won the Palme d'Or at this year's Cannes Film Festival. Tomorrow, it comes out in the United States. [more inside]
posted by alexoscar on May 26, 2011 - 64 comments

In only three years, IMDb commenter Fedor8 has written over 800 reviews, the majority of which are the most vitriolic comments ever put online. [more inside]
posted by Down10 on Jan 9, 2009 - 63 comments

The Village Voice and IndieWire have both put out their dueling film critic's polls this year, with Wall-E and Flight of the Red Balloon topping the lists, respectively. [Previously] [more inside]
posted by Weebot on Jan 4, 2009 - 16 comments

Indiewire put out their second annual film critic's poll recently. There Will Be Blood tops the list, with Zodiac, No Country for Old Men, Syndromes and a Century, and 4 Months, 3 Weeks and 2 Days following behind. [more inside]
posted by Weebot on Dec 28, 2007 - 40 comments

Ain't It Cool: Hollywood's Redheaded Stepchild Speaks Out is the title of Harry Knowles' recently published book. Written with Paul Cullum and Mark Ebner, the book is a biting, dead-on critique of the film industry. "If smart audiences can't find the smart movies that are out there, then it's only because they have been systematically alientated from movies over a hard-fought twenty years. Films didn't get stupid all on their own; they were beaten and bloodied into submission in the mistaken belief that it would generate greater profits."
posted by Mo Nickels on Apr 11, 2002 - 38 comments