“[John Landis] thought it would be really great box office,” director Jonathan Lynn told BuzzFeed. “He thought that what would happen was that people, having enjoyed the film so much, would then go back and pay again and see the other endings.” Here’s The Odd Way Audiences Experienced ‘Clue’ 30 Years Ago (Andrew Husband, Uproxx) Previously: Mrs. White, in the marketing office, with a focus group
In 1980, Menahem Golan showed us a harrowing vision of the power of rock...in 1994 The Apple is a futuristic, dystopian disco rock musical that also manages to be a druggy, sexy biblical allegory. [more inside]
"Liquid Sky is one of the most visually ambitious films ever made about fashion, heroin, New Wave clubs, UFO saucers, ordering Chinese food and having them put it on your tab, the Empire State Building, androgyny, neon and tin foil. The 1982 cult classic may be the perfect embodiment of camp. " The Awl talks to the director of the film about his plans for a sequel.
It is an apocalypse tale with no doomsday, a punk movie with no concert, a science fiction story with less than ten seconds of aliens - Repo Man: A Lattice of Coincidence, a look back at the 1984 classic film by cult director Alex Cox, whose current project is a crowdfunded adaptation of Harry Harrison's Bill, the Galactic Hero.
... Buckaroo Banzai is paradoxically decades ahead of its time and yet completely of its time; it’s profoundly a movie by, for, and of geeks and nerds at a time before geek/nerd culture was mainstreamed, and a movie whose pre-CG special effects and pre-Computer Age production design were an essential part of its good-natured enthusiasm. What at the time was a hip, modern take on classic SF is now, almost thirty years later, almost indistinguishable from the SF cinema that inspired it in terms of the appeal to modern viewers: the charmingly old-fashioned special effects, and the comparatively innocent earnestness of its tone. - Danny Bowes [more inside]
"What is a cult film? A cult film is one that has a passionate following, but does not appeal to everyone. James Bond movies are not cult films, but chainsaw movies are. Just because a film has become a cult movie does not automatically guarantee quality. Some are very bad; others are very, very good. Some make an awful lot of money at the box office; others make no money at all. Some are considered quality films; others are exploitation movies. One thing cult movies do have in common is that they are all genre films - for example gangster films or westerns. They also have a tendency to slosh over from one genre into another, so that a science fiction film might also be a detective movie, or vice versa. They share common themes as well, themes that are found in all drama: love, murder and greed." - of the British TV film slots accompanied by an introduction perhaps the most celebrated is Moviedrome, running between 1988 and 2000 and presented first by Repo Man director Alex Cox and then film critic Mark Cousins. [more inside]
Alex Cox: REPO MAN was made as a "negative pickup" by Universal at the time when Bob Rehme was head of the studio. At the time, the big deal over there was STREETS OF FIRE, and nobody really noticed our film [8 MB PDF] at all. Which was lucky for us, since Bob Rehme had "green-lighted" a film which was quite unusual by studio standards. (previously)
Die, Danger, Die, Die, Kill! is a blog dedicated to 'world pop cinema', and covers everything from Russian science fiction to Italian superhero films.
Straight to Hell is a 1987 action-comedy film directed by Alex Cox, featuring Sy Richardson, The Clash frontman Joe Strummer (after whose song the film is named), Courtney Love, Dick Rude, Dennis Hopper, Grace Jones, Elvis Costello, Xander Berkeley, Kathy Burke, Jim Jarmusch, Edward Tudor-Pole, Miguel Sandoval, as well as members of The Pogues, Amazulu and The Circle Jerks. ... While the film received almost no positive reviews, it has (like several other of Cox's films) achieved a minor cult status, largely due to its cast of musicians, many of whom have cult followings of their own. A soundtrack has been released. (previously, awesomely)
"Beat the Devil" went straight from box office flop to cult classic and has been called the first camp movie, although Bogart, who sank his own money into it, said, "Only phonies like it." It's a movie that was made up on the spot; Huston tore up the original screenplay on the first day of filming, flew the young Truman Capote to Ravallo, Italy, to crank out new scenes against a daily deadline and allowed his supporting stars, especially Robert Morley and Peter Lorre, to create dialogue for their own characters. (Capote spoke daily by telephone with his pet raven, and one day when the raven refused to answer he flew to Rome to console it, further delaying the production.) - Roger Ebert's Great Movies
"I wanted to do a movie that would give the people that took LSD at that time the hallucinations that you get with that drug, but without hallucinating. I did not want LSD to be taken, I wanted to fabricate the drug's effect." - Alejandro Jodorowsky's Dune (previously) is to be the subject of a new documentary.
It’s about time people started rendering unto Liquid Sky. Its long lipstick trace is smudged through much of indie cinema. [more inside]
Alex Cox, director of Repo Man and Sid and Nancy, and one-time presenter of Moviedrome, which was a cult movie education for an entire generation of British people, has posted a ton of free stuff on his site: 10000 ways to die (pdf) - his book on Spaghetti Westerns, the Moviedrome guide parts 1 and 2 (pdf), a video defence of Walker (quicktime), and much much more.
I am Myra Breckinridge whom no man will ever possess. Clad only in garter belt and one dress shield, I held off the entire elite of the Trobriand Islanders, a race who possess no words for "why" or "because." Wielding a stone axe, I broke the arms, the limbs, the balls (nsfw) of their finest warriors, my beauty blinding them, as it does all men... [more inside]
...[Change of scene. We are looking out of a car window; it is raining, or has recently rained. Shops go by.] I treated myself to a taxi. I rode home through the city streets! There wasn't a street--there wasn't a building--that wasn't connected to some memory in my mind. There I was buying a suit with my father. There I was having an ice-cream soda after school. When I finally came in, Debby was home from work. And I told her everything about my dinner with AndréAnd here is Sergio Leone and the Inside Fly Rule's meditation on the only possible other candidate for Best.Movie.Ever. [more inside]
TCM Underground (warning: flash, sound) has been screening an excellent selection of Cult movies on late Friday nights that are worth staying up for. Upcoming films include: Terror of Tiny Town, The Swinger, Ladies and Gentlemen the Fabulous Stains, Willie Dynamite, Shack Out On 101, Two-Lane Blacktop, and The Legend of Hell House.
The sequel to Repo Man will finally arrive next month - in graphic novel form. The script was originally floated by Alex Cox in 1994, but an attempt at filming it was unsuccessful. Now, the comic version, illustrated by Chris Bones, is on its way from Gestalt Comics. [more inside]
1,780 Cult Movies Online ~ A huge repository of online movies described as cult classics.
Crazy 4 Cult is a new exhibit coming to Gallery 1988, the Los Angeles art gallery that hosts the annual (and always great) IAm8Bit exhibit. Just as IAm8Bit uses videogames of the 1980s as the theme for the artists, Crazy 4 Cult is using Cult movies. For fun, the exhbit poster features a huge number of movie references - can you catch them all? Via.
"This is my happening, and it freaks me out!" A sequel far removed from its namesake, Beyond the Valley of the Dolls, the 1970 sex-drugs-rock-violence classic by Russ Meyer and Roger Ebert, gets a special-edition DVD release this week. Also, at retroCRUSH, a trio of interviews with Casey, Roxanne and the ultra-eccentric Z-Man.
"It is nothing less than a generation-defining event.... It is this era’s 2001: A Space Odyssey." Even as the second, shorter cut of Terrence Malick's Pocahontas epic is slinking out of theaters, The New World is dividing and confounding critics, audiences, and bloggers: "The New World is my new religion." - "The New World separates the wheat from chaff." - "The first necessary film of this young year." The Village Voice's J. Hoberman observes the growing cult, Dave Kehr of the New York Times weighs in and gets testy. Matt Zoller Seitz responds. In the meantime, Malick is reportedly preparing a third, longer cut for the DVD.
"It has always been as if I carry chaos with me the way others carry typhoid. My purpose in writing is to transcend my existence by illuminating it." Crime novelist Edward Bunker, who died last Tuesday at age 71 (LATimes obit), became at 17 the youngest inmate at San Quentin after he stabbed a prison guard at a youth detention facility. It was during his 18 years of incarceration for robbery, check forgery and other crimes that Bunker learned to write. In 1973, while still in prison, he made his literary debut with "No Beast So Fierce", a novel about a paroled thief James Ellroy called "quite simply one of the great crime novels of the past 30 years" and that was made into the movie "Straight Time" starring Dustin Hoffman. Also a screenwriter ("Runaway Train"), Bunker appeared as an actor in nearly two dozen roles, most notably as Mr. Blue in "Reservoir Dogs." (more inside)