Lumière and Company was a project realised in 1995 to mark the centenary of the Lumière brothers’ first movies. Forty directors were given the use of a restored Lumière Cinematograph and asked to make a film under 1895-style constraints: (1) the films could be no longer than 52 seconds; (2) no synchronized sound was permitted; (3) no more than three takes were allowed. Any editing had to be done in-camera. Nearly all of the completed shorts have been compiled into a YouTube playlist. Please note that some of the clips contain nudity: treat this post as NSFW. Les Frères Lumière previously: 1, 2. [more inside]
IDEM PARIS is a new short documentary film by David Lynch on the art of lithography. Read Lynch's intro to the piece.
Essayist and cartoonist Tim Kreider is no stranger to film criticism ( previously) but his thoughtful, surprising, detailed analysis of Lynch's The Straight Story and Spielberg/Kubrick's AI deserve special attention.
'The Conversations is a monthly feature in which Jason Bellamy and Ed Howard discuss a wide range of cinematic subjects: critical analyses of films, filmmaker overviews, and more. Readers should expect to encounter spoilers.' Including: Passion of the Christ vs. The Last Temptation of Christ, Mulholland Dr., Pixar, and others.
In a nameless city deluged by a continuous rain, three rabbits live with a fearful mystery... [more inside]
The David Lynch Interview Project. A 121-part documentary series featuring 3-5 minute portraits of ordinary (and sometimes extraordinary) Americans from all over the country starts on June 1. Here's a Preview.
The City of Absurdity - The Mysterious World of David Lynch
TM without the ™. When he's not directing one of the best movies of the year or sitting on intersections with cows, David Lynch is a vocal advocate of Transcendental Meditation. In his new book Catching the Big Fish, he talks about the Box and the Key, meeting Fellini, the Suffocating Rubber Clown Suit, why he doesn't do DVD commentaries--and TM, which he calls "the experience that does everything." If you're intrigued by TM but sketched out by the organization and the $2,500 fee, perhaps you'd like to know that there is a cheap, downloadable alternative.
"I would like to do better, to be better than I am". He's the French New Wave maverick and Academy Award winner (at 26, for his first short) who, to commemorate the tenth anniversary of the liberation of Auschwitz -- with considerable personal pain and the admission that "no description, no picture can reveal the true dimension" of what happened in the camps -- made what François Truffaut called "the greatest film ever made", duly censored by French authorities. Four years later he baffled audiences with "the first modern film of sound cinema", shattering the rules of chronology to describe the “anguish of the future”: even if all he ever wanted was "to stop death in its tracks" (French language link), only for one minute. But he is also the unabashed lover of la bande dessinée who learnt English by reading comic books and in the Seventies dreamed (French language link) of making "Spider-Man" into a movie (the Hollywood studios were not convinced), the MGM old-school musical and operetta nut so in love with design that "half of the fashion photography of the past 40 years owes a debt" to him. Now, Alain Resnais' new work, just shown at the Venice Film Festival where his buddy David Lynch was awarded a lifetime achievement Golden Lion, is a French film inspired by an English play with 54 short scenes, music by the X-Files's Mark Snow. (more inside)
Robert Crumb is the creator of Zap Comix, Fritz the Cat, Mr. Natural, Keep on Trucking, and a lot more classic Underground Art. Tonight at 6:30 pacific time on International Film Channel, the David Lynch Presents/a Terry Zwigoff Film, Crumb, (Winner Grand Jury Prize Sundance Film Festival). Six years in the making, this documentary profiles a very talented, very strange family. A "creepy, darkly funny, and haunting glimpse", to say the least. If you are interested in the 60s counterculture, Crumb was the man. Art, maladjustment, maybe a touch of insanity? Watch this film.