MetaFilter posts tagged with davidlynch and lynch

We've met before, haven't we?

Blazecock Pileon — Tue, 21 Oct 2008 23:07:50 -0800

The City of Absurdity - The Mysterious World of David Lynch

Without cows there would be no cheese in the Inland Empire

JPowers — Fri, 10 Nov 2006 19:34:54 -0800

David Lynch: "Without cows there would be no cheese in the Inland Empire" (via).

“Yes, but in my film time is shattered.”

matteo — Fri, 08 Sep 2006 11:10:24 -0800

"I would like to do better, to be better than I am". He's the French New Wave maverick and Academy Award winner (at 26, for his first short) who, to commemorate the tenth anniversary of the liberation of Auschwitz -- with considerable personal pain and the admission that "no description, no picture can reveal the true dimension" of what happened in the camps -- made what François Truffaut called "the greatest film ever made", duly censored by French authorities. Four years later he baffled audiences with "the first modern film of sound cinema", shattering the rules of chronology to describe the “anguish of the future”: even if all he ever wanted was "to stop death in its tracks" (French language link), only for one minute. But he is also the unabashed lover of la bande dessinée who learnt English by reading comic books and in the Seventies dreamed (French language link) of making "Spider-Man" into a movie (the Hollywood studios were not convinced), the MGM old-school musical and operetta nut so in love with design that "half of the fashion photography of the past 40 years owes a debt" to him. Now, Alain Resnais' new work, just shown at the Venice Film Festival where his buddy David Lynch was awarded a lifetime achievement Golden Lion, is a French film inspired by an English play with 54 short scenes, music by the X-Files's Mark Snow. (more inside)

adrober — Tue, 16 Apr 2002 17:02:59 -0800

Lost on "Mulholland Drive." At a film festival in Boulder, Roger Ebert dissects David Lynch's masterpiece frame-by-frame and comes to the conclusion that, well, he doesn't really come to a conclusion. Or does he? Meanwhile, the DVD was released last week and instead of a commentary track or funny bloopers, it came with a simple insert that provided "David Lynch's 10 Clues to Unlocking This Thriller." For the sake of space, I'll post them in the comments section and let's see if anyone out there can (or wants to) answer them.