"I would like to do better, to be better than I am". He's the French New Wave
maverick and Academy Award winner (
at 26, for his first short) who, to commemorate the tenth anniversary of the liberation of Auschwitz -- with considerable personal pain and the admission that "
no description, no picture can reveal the true dimension" of what happened in the camps -- made what François Truffaut called "
the greatest film ever made", duly
censored by French authorities. Four years later he baffled audiences with "
the first modern film of sound cinema",
shattering the rules of chronology to describe the “anguish of the future”: even if all he ever wanted was "
to stop death in its tracks"
(French language link),
only for one minute. But he is also the unabashed lover of
la bande dessinée who
learnt English by reading comic books and
in the Seventies dreamed (French language link) of making
"Spider-Man" into a movie (the Hollywood studios were not convinced), the
MGM old-school musical and
operetta nut so in love with design that "
half of the fashion photography of the past 40 years owes a debt" to him. Now,
Alain Resnais' new
work, just shown
at the Venice Film Festival where
his buddy David Lynch was awarded a lifetime achievement Golden Lion, is a French film
inspired by an
English play with 54 short scenes, music by the X-Files's Mark Snow. (more inside)
posted by matteo
on Sep 8, 2006 -
20 comments
David Lynch's secret movie (site with annoying, loud sound, sorry) "It's about a woman in trouble, and it's a mystery, and that's about all I want to say about it". Titled "INLAND EMPIRE" (all caps, though Lynch doesn't explain why), it stars Laura Dern, Justin Theroux, Harry Dean Stanton, Jeremy Irons.
Lynch has shot much of his latest film in Poland, after making friends with the organizers of the Camerimage festival in Lodz. He's now back shooting in and around Los Angeles. Even at this relatively advanced stage of production, Lynch is cagey about when it will be finished. It was shot entirely in DV: "I started working in DV for my Web site, and I fell in love with the medium. For me, there's no way back to film. I'm done with it".
posted by matteo
on May 12, 2005 -
36 comments
