You’re going to hire people to guard your sh*t, but you’re not going to give them health care. Vice has a long spoiler- and profanity-laden interview with The Wire creator David Simon, running the gamut from backstage Wire details to the media's obsession with "the Dickensian aspect" to his next series (set in New Orleans) to Joe Lieberman to this fight he almost got in at a concert one time. Via /Film.
Bill Moyers Journal, April 17, 2009 From crime beat reporter for the BALTIMORE SUN to award-winning screenwriter of HBO's critically-acclaimed The Wire, David Simon talks with Bill Moyers about inner-city crime and politics, storytelling and the future of journalism today. Sorry for the one link post.
The Wire - David Simon's original pitch and series bible. "At the end of thirteen episodes, the viewer - who has been lured all this way by a well-constructed police show - is not the simple gratification of hearing handcuffs click. Instead the conclusion is something Euripides or O'Neill might recognize: an America at every level at war with itself." [Previously.] (via)
'There are two Americas - separate, unequal, and no longer even acknowledging each other except on the barest cultural terms. In the one nation, new millionaires are minted every day. In the other, human beings no longer necessary to our economy, to our society, are being devalued and destroyed' David Simon on The Escalating Breakdown Of Urban Society Across The US
The Wire is dissent; it argues that our systems are no longer viable for the greater good of the most, that America is no longer operating as a utilitarian and democratic experiment. An already-quite-good discussion about The Wire, originating in Mark Bowden's Atlantic article ('The Angriest Man in Television') and continuing through Mark Bowden's post on the show's nihilistic bleakness gets even more interesting on Matt Yglesias's blog, where the creator of the show stops by to give his opinion on what it's all supposed to mean.