Last Monday, New Inquiry blogger Aaron Bady audited the word satire and made it clear. He wrote, "If something is not taken to be satire, it fails as satire. [It's] an effect, and everything depends on how the joke is received, what the author intended, what the circumstances were in which it was made, and so on." It's an interesting definition, both for the way it's made and the assumptions on which it relies. He establishes criteria for the existence of satire based on its audience, citing people who mistake The Onion and The Daily Currant for real news as evidence for the genre's fragility, tying satire's ontology to whether it achieves food for thought for the permanently slackjawed. Leaving aside the fact that a satire's being mistaken for reality is often a satirist's dream, basing the existence of something on the perception of idiots is a powerful argument. [more inside]
What was Of Grammatology about? When Madeleine, the heroine of Jeffrey Eugenides's campus novel The Marriage Plot, asks a young theory-head this question, she is immediately set straight: 'If it was "about" anything, then it was about the need to stop thinking of books as being about things.' That's not so far off. In all three books, Derrida's argument was that Western thought from Plato to Rousseau to Lévi-Strauss had been hopelessly entangled in the illusion that language might provide us with access to a reality beyond language, beyond metaphor: an unmediated experience of truth and being which he called 'presence'.—Not in the Mood by Adam Shatz is an essay in The London Review of Books about a new biography of the French philosopher Jacques Derrida. The review does a good job of explaining Derrida's theories in simple language and putting it in the context of his life, from his childhood as French Jew in Vichy-controlled Algeria to his later years as a globetrotting academic star. For a complimentary perspective on Derrida, you can do worse than starting with these thoughts on his relevance for historians and progressives.
Derrida's fear of writing. ("I have a nap or something, and I fall asleep" in English, rest in French with subtitles).
Meditations on: the poetic and profane; on silence; death; catastrophe; Cage — and yet more strangeness and beauty from David Ralph Lichtensteiger's travels within the world of 20th C. avant garde music and postmodernism.
Characterizing a Fogbank. A prominent analytic philosopher discusses whether postmodernism is worth taking seriously.
The alternative to blind belief is not simply unbelief but a different kind of belief - one that embraces uncertainty and enables us to respect others whom we do not understand, in friendship that serves to forge connections among individuals across their differences - we see deconstruction in action.
Derrida's legacy, "For a justice to come." An uninterpretation.