Popular font designers Frere-Jones and Hoefler split, with one claiming the other was his "employee". "For 15 years, Frere-Jones and Hoefler seemed charmed. They made typefaces that rendered the stock charts in the Wall Street Journal readable and helped Martha Stewart sell cookbooks. They created an alphabet for the New York Jets, based on the team’s logo. And they saw their lettering chiseled into stone as part of the rebuilding of the World Trade Center. Last year, the duo won the AIGA Medal, the profession’s highest award. It seemed to be one of those rare situations whereby two successful soloists had combined to make an even better supergroup. Hoefler was asked if there were any troubles in their working relationship for a video produced for the AIGA in 2013. “We do have a longstanding disagreement over the height of the lower case t,” he said. “That is the only point of contention.” Not quite. An interesting story about a business partnership of supposed equals - or were they? - going very, very sour.
The design studio Kerozen has melded body horror with font design and produced a human flesh font. Not safe for anyone, really.
Stop Using Small Font Sizes "I'm calling you out. All of you. The hackers, the designers, the code monkeys, the word-smiths, the editors, the CSS gurus, and everyone else who works on content management systems and style sheets for news sites. Stop using small font sizes." [more inside]
FF Chartwell is a typeface for creating simple editable graphs and charts, designed by Travis Kochel. Driven by the frustration of creating graphs within design applications and inspired by typefaces such as FF Beowolf and FF PicLig, Travis saw an opportunity to take advantage of OpenType technology to simplify the process. Using OpenType features, simple strings of numbers are automatically transformed into charts. The visualized data remains editable, allowing for hassle-free updates and styling. Watch the demo video. Buy a license.
Type Connection is a game that helps you learn how to pair typefaces.
"Running Alphabet is a project by the designer and runner Joan Pons Moll. The purpose of it is to run every character from the alphabet, captured by GPS and create a complete typeface from it. This is a collaborative initiative so if you are interested in running a letter go to participate and follow the instructions. Ready, Type, Go!" [more inside]
"Reading printed text is so fluid and transparent for most people that it's hard to imagine it feeling any other way. Maybe that's why it took a dyslexic designer to create a typeface that optimizes the reading experience for people who suffer from that condition." [more inside]
Reviving a Masterpiece of 16th-Century Type Design. The Polyglot Bible published by Christopher Plantin form 1569-1572 was the one of the greatest typographical achievements of the 16th century, and features a Hebrew typeface specially designed for the work by Guillaume Le Bé. More than 300 years later, type designers Scott-Martin Kosofsky and Matthew Carter have recreated Le Bé's design for use in a new ebook of the poems of Yehuda Halevi.
Why does Futura work here but Slanted Futura doesn't? Enter FONTS IN USE: A breakdown, explanation and appreciation of type design out in the real world.
Papyrus Watch exposes the most egregious uses of the played-out Papyrus font by graphic designers, businesses, and blockbuster Hollywood directors, among others. Does its widespread misuse mean that Papyrus is the new Comic Sans?
The League of Moveable Type offers a growing collection of high-quality, open-source fonts to help make the web a bit nicer to look at.
Eiichi’s self-confessed shock is now hopefully more understandable – he was not simply being asked to rework an old typeface, he was being asked to touch up an acknowledged “Old Master.” Johnstone Sans - A Typeface for the Underground. [more inside]
In 1957, Swiss typographer Max Miedinger invented "the official typeface of the 20th century" -- Helvetica [previously discussed here, via Arts and Letters Daily].