WET: The Magazine of Gourmet Bathing covered a range of cultural issues and was widely known for its innovative use of graphic art. Started as a simple one-man operation that included artwork and text solicited from friends and acquaintances, the production, team, and circulation of the magazine would grow over the years. Its content also evolved to cover a wider expanse of stories that captured a smart and artsy Los Angeles attitude that was emerging at the same time as punk, but with its own distinct aesthetic. The magazine’s energetic creativity and flair for the absurd would remain a constant. As design problems arose, solutions were often improvised on the spot, creating a quirky and prescient editorial sensibility that remains one of WET's most enduring legacies. Its layout and design helped to catalyze the graphic styles (NSFW) later known as New Wave and Postmodern.
posted by Trurl
on May 4, 2012 -
Amazing Paper Sculptures.
Brooklyn based artist Lauren Clay
"creates these three-dimensional sculptures out of papier-mâché and painted cut paper (among many other things) that go far beyond the limits of paper’s two-dimensionality."
posted by sweetkid
on Mar 29, 2012 -
You may have heard that they made a movie of the The Hunger Games
. While others discuss its dystopian vision of a barbaric future America, we will concern ourselves with something more important: the clothes
. [more inside]
posted by Trurl
on Mar 25, 2012 -
What would happen if you significantly dropped barriers to entry for bone marrow registration? Graham Douglas
, a copy writer whose twin brother's life was saved by a bone marrow donation, had a brilliant idea that will do just that. [more inside]
posted by charmcityblues
on Mar 6, 2012 -
The idea that the form of a product should correspond to its essence does not simply mean that products should be designed with their intended use in mind. That a knife needs to be sharp so as to cut things is a non-controversial point accepted by most designers. The notion of essence as invoked by Jobs and Ive is more interesting and significant—more intellectually ambitious—because it is linked to the ideal of purity. No matter how trivial the object, there is nothing trivial about the pursuit of perfection. On closer analysis, the testimonies of both Jobs and Ive suggest that they did see essences existing independently of the designer—a position that is hard for a modern secular mind to accept, because it is, if not religious, then, as I say, startlingly Platonic.
— Form and Fortune
is an essay about Steve Jobs and Apple's design philosophy by Evgeny Morozov.
posted by Kattullus
on Mar 5, 2012 -
During a recent visit to the United States Holocaust Memorial Museum in Washington, D.C., I was reeducated in the power of branding — especially as applied to poster design — at the special exhibition, State of Deception: The Power of Nazi Propaganda, which demonstrates how the Nazi party used carefully crafted messages, advertising and design techniques, and then-new technologies (radio, television, film) to sway millions with its vision for a new Germany. (related)
posted by Trurl
on Feb 2, 2012 -
is not my original last name. It was changed 300 years ago to Taxali
by a Maharaja in India. My ancestor invented a coin that was difficult to counterfeit and was subsequently knighted Taxali by the Maharaja. It means, "Maker or Steward of The Mint". How serendipitous!! Here I am, 300 years later, honouring my ancestor's achievements and mine and my sister's family name.
posted by unliteral
on Jan 23, 2012 -
In the 1970s and 1980s, Chicago gangs distributed gang cards
to stake their neighbourhood claim. Full gallery available here
posted by gman
on Jan 20, 2012 -
New York graphic designer Mike Joyce
takes vintage flyers from punk, hardcore and indie rock shows and redesigns them "into international typographic style posters. Each poster is sized to the standard swiss kiosk dimensions of 35.5 inches wide by 50 inches high and set in berthold akzidenz grotesk medium, all lowercase. Every single one of these shows actually happened."
posted by BitterOldPunk
on Jan 11, 2012 -
A Pattern Language explores the living structure in good and bad buildings, human artifacts, and natural systems, discussing the presence of the same living order in all systems. [Christopher] Alexander proposes that the living order depends on features which make a close connection with the human self. The quality of works of art, artifacts, and buildings is defined not merely in terms of living structure, but also in their capacity to affect human growth and human well-being.
posted by Trurl
on Dec 15, 2011 -