is perhaps the internet's most infamous hack
, digi/net artist
. His work
stands for a growing culture
of artists who run wildly
through animated GIF landscapes populated
with corrupted data-compressed
bunny rabbits and tinny, MIDI renditions
of Savage Garden ballads. As the Lisson Gallery
, London, opens its archives to Arcangel's curatorial eye, could digi/net art
be set to infect
the real, fleshy world
, like a rampant Conficker Worm
? Has YouTube become
the truest reflection of our anthropological
selves? Are we destined to roam the int3erw£bs like the mythic beasts of yore
, hoping, in time
, that digi art can free us
from the confines of this fleshy void?
posted by 0bvious
on Dec 8, 2009 -
Doug Rushkoff throws down the gauntlet in his “Radical Abundance” speech at the O’Reilly Web 2.0 conference.
Some highlights of the speech: “The only real possible competition to Google and their economy of faux openness would be peer-to-peer exchange.”
“As a result of all this freedom the abundance of genuine creative output is declining. We are actually getting the scarce market place demanded by our currency legacy system. The same way the early Renaissance got a scarcity by killing off half the people with the plague.”
1: The development of a digital culture that actually respects the labor of individuals.
2: The creation of new modes of currency based in abundance rather than scarcity.
posted by joetrip
on Nov 22, 2009 -
is a web based digital arts publication that showcases the creative practice of a variety of artists, musicians and scholars. Vague Terrain 13: citySCENE
is their freshly launched project on urban representation that catalogs how cartography, infrastructure and locative media shape perception in the contemporary city. An example is Joyce Walks
, a Google maps mashup which remaps routes from James Joyce's Ulysses to any city in the world, generating walking maps. [via mefi projects
] [more inside]
posted by netbros
on Mar 17, 2009 -
Circuits are flipping on in the nation's attic
. A couple of weeks ago, 31 "digerati"
-- like Clay Shirky
, Chris Anderson
, and George Oates
-- dropped in to the Smithsonian Institution
for the invitation-only conference "Smithsonian 2.0: A Gathering to Re-imagine the Smithsonian in the Digital Age"
. Dan Cohen
of the Center for History and New Media
provides a great summary
(and continues to pose provocative questions) on his own blog. Those whose invitations were somehow lost in the mail can play fly-on-the-wall by watching the keynotes
, paging through the Flickr pool
of envymaking glimpses of their behind-the-scenes lab and collections tours, reading the blog
(where Bruce Wyman of the Denver Art Museum lays out a succinct road map
for museums using social media), and poking around in the SI's website gallery
. Want to cheer on the USA's favorite 163-year-old "Establishment for the increase & diffusion of knowledge"
without taking the trip to DC? Thanks to their recent efforts, you can now follow the SI on Twitter
, listen to its podcasts
, watch its YouTube channel
, visit the Latino Virtual Museum in Second Life
, or use the FaceBook gifts page
to send your best friends their very own pair of Dorothy's ruby slippers
, Hope diamond
, Negro Leagues baseball
, or coelocanth
posted by Miko
on Feb 27, 2009 -
Make World event
in October, Germany - about borderless digital culture, no doubt curated long before The Current Situation, but I'm sure will be rendered far more relevant as a result.
posted by blackbeltjones
on Sep 26, 2001 -
Snap to Grid: A User's Guide to Digital Arts, Media, and Cultures
is one of the best readings on the interactions between artists, technology, and culture I've found so far.
I found a quote here by Sir Isaiah Berlin which is very appropriate to my experience and perhaps those who search for sites like Metafilter:
posted by Taken Outtacontext
on Jul 3, 2000 -
Loneliness is not just the absence of others but far more living among people who do not understand what you are saying.