Mythbusters' Tested Blog recently posted a special feature from the Toy Story 2 DVD, in which Pixar's Oren Jacob and Galyn Susman recounted how the files for the movie (just 10gb of data!) were almost lost due to both an erroneous Linux command and a bad backup. The folks at The Next Web: Media followed up with Mr. Jacob, and learned that the movie was actually tossed out and reworked from scratch again nine months prior to a release date that was set in stone, not by the computers, but by the filmmakers themselves: How Pixar’s Toy Story 2 was deleted twice, once by technology and again for its own good.
posted by zarq on May 20, 2012 - 63 comments

John Fithian, president of the National Association of Theatre Owners, drove the point home at the association's annual convention last year in Las Vegas. "Simply put," he said, "If you don't make the decision to get on the digital train soon, you will be making the decision to get out of the business."

As movie studios look to eliminate the expense of 35mm prints, what are the consequences of going digital? (printer-friendly link)
posted by Horace Rumpole on Apr 12, 2012 - 80 comments

"Most of the filmmakers surveyed...were not aware of the perishable nature of digital content or how short its unmanaged lifespan is." After the Motion Picture Academy's release last month of "The Digital Dilemma 2," a warning aimed at independent filmmakers and nonprofit archives, cinematographer John Bailey talks with one of the report's authors about the perils of data migration ("It’s not unreasonable to say that the term "digital preservation" is an oxymoron") and the need to educate filmmakers who are so "enamored with the perceived benefits of digital image capture and workflow" that they fail to realize preservation concerns start to appear almost immediately after their work is completed. Film professor David Bordwell covers the report in a detailed post about preserving "born-digital" films, sixth in his "Pandora's Digital Box" series about the worldwide conversion to digital projection, with lots of good links at the bottom.
posted by mediareport on Feb 20, 2012 - 87 comments

Artist and film-maker, Hito Steyerl, asks us to stand shoulder to shoulder with our digital equivalents. Digital images are Things (like you and me) - a plethora of compressed, corrupted representations pushed and pulled through increasingly policed and capitalised information networks. If 80% of all internet traffic^* is SPAM - a liberated excess withdrawn^** from accepted channels of communication - perhaps it is in The Poor Image we find our closest kin? [more inside]
posted by 0bvious on Feb 16, 2012 - 5 comments

Are small theaters punching a ticket to oblivion? Radical changes in the traditional structure of the lab processing and exhibition sides of the film industry have been filling the lives of small theater operators with uncertainty and worry for the last few years. Will filmstock be the next Kodachrome? (And what will that mean for the future of film preservation?) [more inside]
posted by bubukaba on Sep 28, 2011 - 36 comments

Can you guess if it's film? Can you guess if it's film? Or digital? This is an old(er) quiz and the answer has been... answered but if you haven't seen it and you think you know your stuff, this is a good way to test it.
posted by SylviaAspevig on Mar 17, 2011 - 22 comments

Train of Thought is a short film in paper by Leo Bridle and Ben Thomas. Although it used digital compositing software, all the animation and models were done by hand, not with CGI. The film took approximately nine months to complete, from storyboards through to the final edit. [HD on Vimeo]
posted by netbros on Jan 1, 2011 - 9 comments

100 Helpful Photography Tutorials for Beginners and Professionals. Photography as both a profession and a hobby is an expansive topic that covers a vast range of subjects from science and art. No matter where you lie on the spectrum, there is always more to learn. From the folks at Tuts+.
posted by netbros on Aug 22, 2010 - 15 comments

Vancouver Film School students create a portfolio project or demo reel for graduation designed to demonstrate their creative and technical abilities to potential employers and collaborators. Among the many great samples, I dig Rain Crowds in the 3D animation category, Dance! in classic animation, and Border in digital character animation. But there are literally hundreds to choose from, so please enjoy.
posted by netbros on May 26, 2010 - 7 comments

Moving Image Source is devoted to the history of film, television, and digital media. It features original articles by leading critics, authors, and scholars; a calendar that highlights major retrospectives, festivals, and gallery exhibitions at venues around the world; and a regularly updated guide to online research resources. [more inside]
posted by netbros on Dec 30, 2008 - 1 comment

Our wonderful nature is a hilarious 5-minute animation about the mating rituals of the water shrew. The action starts at around 1:30. Other gems found at the bitfilm 08 Digital Film Festival include "The post-it note prison".
posted by sour cream on Jun 27, 2008 - 12 comments

"In this film, director Shanker wanted to change Rajini's wheatish complexion to a white European complexion. It has taken 25 dedicated CG technicians almost a year to achieve this 6 ½ min. feat."
posted by tighttrousers on Jun 26, 2007 - 42 comments

Oranges & Apples Digital photography is amazing and impressive in many ways, but if you choose it over film, expect to make sacrifices. I've assembled articles here exposing these sacrifices. I do this not to make a case for film, but to temper the popular view that advances in digital photography have now made film obsolete.
posted by Lanark on Feb 26, 2006 - 78 comments

Love in a cage. All Iranian filmmakers working in their homeland have to face the trials of the censor, but if the subject matter includes abortion, adultery and lesbianism, the chances of gaining official approval in the Islamic republic are all but zero. Actress Mania Akbari, the lead of Abbas Kiarostami's "10", explores this territory in her first feature film as a director, "20 Fingers", which unspooled in the new "Digitale" section at the Venice Film Festival (.pdf file) and won the first prize as Best Movie Shot On Digital. The film's use of digital video was also invaluable in getting around censorship: the only way to shoot in Iran on 35mm is to hire equipment from the central authorities, which means script approval and a government minder attending the shoot. Shooting on digital video requires script approval, but no minder is sent along. So 29-year-old Akbari, in an amazing display of courage, gained approval for one script and then duly shot another (she could now be barred from working or from screening her films or from even leaving the country, but she insists on working in Iran, to challenge the system from there and not from abroad). The film is coming soon at the Vancouver Film Festival. More inside.
posted by matteo on Sep 24, 2004 - 5 comments

A very pretty digital film Actually made waaaay back in the year 1996, though it's still quite nice. The fine people over at Paperveins have quite a bit of neat interactive art, although their servers seem to be a little slow... Please be gentle!
posted by atfrost on Jun 1, 2001 - 5 comments