Towards the end of the 1800s, there were three primary American groups competing to invent technology to record and play back audio.
Alexander Graham Bell worked with with Charles Sumner Tainter and Chichester Bell in at their
Volta Laboratory in Georgetown, Washington, D.C., while
Thomas A. Edison worked from his
Menlo Park facilities, and
Emile Berliner worked in
his independent laboratory in
his home. To secure the rights to their inventions, the three groups sent samples of their work to the Smithsonian. These recordings became part of the permanent collections, now consisting of 400 of the earliest audio recordings ever made.
But knowledge of their contents was limited to old, short descriptions, as the rubber, beeswax, glass, tin foil and brass recording media are fragile, and playback devices might damage the recordings, if such working devices are even available. That is, until
a collaborative project with the Library of Congress and Lawrence Berkeley National Laboratory came together to make 2D and 3D optical scanners, capable of
visually recording the patterns marked on discs and cylinders, respectively.
[more inside]
posted by filthy light thief
on Feb 10, 2012 -
21 comments
Driving through Time features roughly 2700 photographs and 76 interactive maps of the Blue Ridge Parkway. The website allows students, researchers, and digital tourists to uncover hidden stories, hear forgotten voices, and understand the often wrenching choices that the construction and preservation of a scenic parkway in a populated region have necessarily entailed.
[more inside]
posted by netbros
on Jan 22, 2012 -
4 comments
A decade of digital music Vaguely styled as a timeline, this end-of-the-decade blog post (from UK digital music news source
Music Ally) could prove valuable to anyone studying the music business or the intersection between entertainment and technology. The piece links to ten years of stories on digital music - from Napster through to Spotify - allowing us to look back on the issues without the 20/20 vision of hindsight. Gems include the
Bluematter scheme from Universal Records in 2000, which comprised 60 non-transferrable, non-burnable tracks for $1.99 each.
posted by skylar
on Jan 2, 2010 -
4 comments
Circuits are flipping on in the
nation's attic. A couple of weeks ago,
31 "digerati" -- like
Clay Shirky,
Chris Anderson, and
George Oates --
dropped in to the Smithsonian Institution for the invitation-only conference
"Smithsonian 2.0: A Gathering to Re-imagine the Smithsonian in the Digital Age".
Dan Cohen of the
Center for History and New Media provides
a great summary (and continues to pose provocative questions) on his own blog. Those whose invitations were somehow lost in the mail can play fly-on-the-wall by
watching the keynotes, paging through the
Flickr pool of envymaking glimpses of their behind-the-scenes lab and collections tours, reading the
blog (where Bruce Wyman of the Denver Art Museum lays out
a succinct road map for museums using social media), and poking around in the SI's
website gallery. Want to cheer on the USA's favorite 163-year-old
"Establishment for the increase & diffusion of knowledge" without taking the trip to DC? Thanks to their recent efforts, you can now follow the SI on
Twitter, listen to its
podcasts, watch its
YouTube channel, visit the
Latino Virtual Museum in Second Life, or use the
FaceBook gifts page to send your best friends their very own pair of Dorothy's
ruby slippers,
Hope diamond,
Negro Leagues baseball, or
coelocanth.
posted by Miko
on Feb 27, 2009 -
13 comments
This is a collection of the National Archives stored in the
Digital Vaults. You can browse through hundreds of photographs, documents, and film clips and discover the connection between some of the National Archives' most treasured records. With the
Pathways tool you can see the unique and surprising connections between events and people and test your knowledge of history. As you travel through the site and collect documents, images and films, you can then merge the objects to
create your own poster or movie from your collection.
posted by netbros
on Jul 17, 2008 -
16 comments
Scattered Leaves In the early decades of the 20th century, a Cleveland book collector named
Otto Ege removed the pages from 50 medieval manuscript books, divided the pages among 40 boxes, and sold the boxes around the world. Now the University of Saskatchewan
plans to digitally
remake the book.
posted by dhruva
on May 28, 2005 -
32 comments