Hobo Lobo of Hamelin
is a thing by a dude, who’s all like, “I’m Gonna Make a Thing.” And then he did. Or is doing. Or, you know, whatever. This dude can be found on the internet. He websites to put food on his family. A wonderfully crafted and designed illustrated book for the digital age.
posted by netbros
on Jul 2, 2011 -
Mining the Mother of all Data Dumps
We now have a relatively massive haul of digital data from the OBL strike. There are several forensic toolkits in use by the private (commercially available)
sector as well as open-source
. Best practices
include inventorying all the sources, cloning the sources so as to not damage pristine data, recovering any partial or damaged content, making the cloned sources read-only, adhering to legally-admissible tools standards, and documenting everything. There is an excellent source titled Digital Forensics and Born-Digital Content from the Council on Library and Information Resources [pdf
, Resource Shelf
]. But what to do next*? [more inside]
posted by rzklkng
on May 4, 2011 -
A complete guide to digital security for advocates and human rights defenders (and for you too!). It includes all the info and tools you'll need for anything related to personal digital security.
: Tools and tactics for mobile advocacy.
: Everything you need to make and distribute your own media.
: Set up you NGO using free and open-source software. [more inside]
posted by lemuring
on Feb 28, 2011 -
El Quijote Interactivo
is a site from the Biblioteca Nacional de España displaying the 1605 edition of Miguel Cervantes' Don Quixote.
You can of course turn pages and zoom in and out. But, you can also search text, get a map of Don Quixote's travels, read associated books and expert commentaries, forward through 50 editions of the book, listen to music referenced by Don Quixote and, yes, share pages with your Facebook friends. This Youtube video
walks you through it.
posted by vacapinta
on Oct 28, 2010 -
is done by industrial designer, art director Emilio Gomariz
, and covers photography, art installations, product design, architecture, animation, technological and digital projects. Gomariz also does Base Times Height Divided By 2
, an experimental, scientific and technologic extension of Triangulation Blog.
posted by netbros
on Oct 25, 2010 -
Perhaps I don’t have the allegiance to paper that I ought to because anybody who invests in The Absolute Sandman, all four volumes, is now carrying 40 pounds of paper and cardboard around with them. And they hurt and they complain, “Oh, I feel guilty.” And I look at it and go, you’re not getting anything that is quantitatively or qualitatively better than the experience you’d be getting on an iPad, where you can enlarge the pages, you can move it around, it’s following the eye, and you can flip the pages.
- Neil Gaiman
on digital comics. Will this be the year of comics readng devices, as comiXology CEO David Steinberger
says? Comixology is certianly leading the way
, announcing tools for independant comics creators
that will allow them to publish their comics via the comixology store, complete with the "guided views" which are a core part of their viewing experience. One creator who is full embracing digital is Alex De Campi
, whose Napoleonic comic Valentine
is not only published across a range of devices (iOs, Epub, Android, Kindle) but also in 14 languages
, something that would have been difficult-to-impossible otherwise. Previous digital comics
, Comixology suggestions
posted by Artw
on Oct 17, 2010 -
: digital creations or mixed illustrations of children and films of monsters, dark culture and surrealism. Toon Hertz was born in 1967 in Liege in Belgium. These remind me of The Corpse Bride
and a little of Edward Scissorhands
posted by bwg
on Jun 21, 2010 -
Five years before Toy Story
proved to the world that pure CGI -- a field long relegated to the role of special effects -- could be an art form in its own right, Odyssey Productions attempted to do the same on a slightly smaller scale. Drawing on the demo reels, commercials, music videos, and feature films of over 300 digital animators, the studio collated dozens of cutting-edge clips into an ambitious 40-minute art film called The Mind's Eye
. Backed by an eclectic mix
of custom-written electronic, classical, oriental, and tribal music, the surreal, dreamlike imagery formed a rough narrative in eight short segments that illustrated the evolution of life, technology, and human society: Creation
- Civilization Rising
- Heart of the Machine
- Post Modern
- Love Found
- Leaving the Bonds of Earth
- The Temple
- End credits
(including names and sources for all clips used). But that was just the beginning... [more inside]
posted by Rhaomi
on Apr 25, 2010 -
In Publishing: The Revolutionary Future
, Jason Epstein posits "The resistance today by publishers to the onrushing digital future does not arise from fear of disruptive literacy, but from the understandable fear of their own obsolescence and the complexity of the digital transformation that awaits them... The unprecedented ability of this technology to offer a vast new multilingual marketplace a practically limitless choice of titles will displace the Gutenberg system with or without the cooperation of its current executives." [more inside]
posted by netbros
on Mar 3, 2010 -
— Atmospheric digital fiction projects designed to be experienced on a computer with the lights down and your sound turned up. Use the mouse to pan around and interact. [more inside]
posted by netbros
on Mar 1, 2010 -
A decade of digital music
Vaguely styled as a timeline, this end-of-the-decade blog post (from UK digital music news source Music Ally
) could prove valuable to anyone studying the music business or the intersection between entertainment and technology. The piece links to ten years of stories on digital music - from Napster through to Spotify - allowing us to look back on the issues without the 20/20 vision of hindsight. Gems include the Bluematter scheme from Universal Records in 2000
, which comprised 60 non-transferrable, non-burnable tracks for $1.99 each.
posted by skylar
on Jan 2, 2010 -
A digital clock
made of wood and operated by 70 workers for one continuous 24-hour period. "Even though the workers are trying hard to construct every single minute, they are constantly on the verge of failing."
posted by freshwater_pr0n
on Dec 27, 2009 -
is perhaps the internet's most infamous hack
, digi/net artist
. His work
stands for a growing culture
of artists who run wildly
through animated GIF landscapes populated
with corrupted data-compressed
bunny rabbits and tinny, MIDI renditions
of Savage Garden ballads. As the Lisson Gallery
, London, opens its archives to Arcangel's curatorial eye, could digi/net art
be set to infect
the real, fleshy world
, like a rampant Conficker Worm
? Has YouTube become
the truest reflection of our anthropological
selves? Are we destined to roam the int3erw£bs like the mythic beasts of yore
, hoping, in time
, that digi art can free us
from the confines of this fleshy void?
posted by 0bvious
on Dec 8, 2009 -
Doug Rushkoff throws down the gauntlet in his “Radical Abundance” speech at the O’Reilly Web 2.0 conference.
Some highlights of the speech: “The only real possible competition to Google and their economy of faux openness would be peer-to-peer exchange.”
“As a result of all this freedom the abundance of genuine creative output is declining. We are actually getting the scarce market place demanded by our currency legacy system. The same way the early Renaissance got a scarcity by killing off half the people with the plague.”
1: The development of a digital culture that actually respects the labor of individuals.
2: The creation of new modes of currency based in abundance rather than scarcity.
posted by joetrip
on Nov 22, 2009 -
Will the future of cinema be live or remixed?
"There is a level of panic in Hollywood I haven’t seen for a while." So begins USC Professor Jon Taplin, also a producer of films by Martin Scorsese. Taplin speaks about Francis Ford Coppola's recent interview
where the director states that "I think the cinema is going to live off into something more related to a live performance in which the filmmaker is there, like the conductor of an opera used to be." Taplin bemoans "the dearth of imagination in Hollywood", while the comments section
lights up with various prognostications.
posted by joetrip
on Oct 19, 2009 -