Estonia, with a population of 1.3 million, might just have the most technologically forward-thinking government around.
DevArt: An exhibition of art created with code - skywriting quadcopter drones programmed with c++, room dividers reimagined as 3D screens for psychedelic projections, using raspberry pi to rename WiFi networks as lines of poetry. They are collaborating with the Barbican in London for the Digital Revolution exhibition and are currently seeking an emerging creative coder to be funded to present at the exhibition alongside world-class interactive artists Zach Lieberman, Karsten Schmidt, and the duo of Varvara Guljajeva & Mar Canet.
Witchsona Week is a week for artists, doodlers, webcomicers, and more to draw themselves as witches.
In 1994, Douglas Davis [personal blog] created The World's First Collaborative Sentence. Last summer, The Whitney Museum faced a new challenge: what happens to digital art when the technology becomes obsolete? [more inside]
Digitised Diseases is an open access resource featuring human bones which have been digitised using 3D laser scanning, CT and radiography. The resource focuses on a wide range of pathological type specimens from archaeological and historical medical collections, specifically examples of chronic diseases which affect the human skeleton for which many of the physical changes are often not directly observable within clinical practice. Of major interest to many will be high fidelity photo-realistic digital representations of 3D bones that can be viewed, downloaded and manipulated on their computer, tablet or smartphone. [more inside]
What I think we forget–or worse, never even realized—is the extreme privilege often inherent in “digital literacy.” Yes, much of the Internet is free. But it takes time and energy to develop the skills and habits necessary to successfully derive value from today’s media. Knowing how to tell a troll from a serious thinker, spotting linkbait, understanding a meme, cross checking articles against each other, even posting a comment to disagree with something–these are skills. They might not feel like it, but they are. And they’re easier to acquire the higher your tax bracket. - The New Digital Divide: Privilege, Misinformation and Outright B.S. in Modern Media
Alfonso Cuarón and Emmanuel Lubezki's 22 year collaboration continues to break new ground with the release of Gravity. Whether you enjoy Gravity or not, you may want to take a moment and consider the lengths to which Cuarón and Lubezki went to make Gravity a fully immersed cinematic experience. [more inside]
The guardian of the nation’s etiquette, Debrett’s, has now issued a handy 10-point guide to mobile (cell) phone etiquette in the digital age
Enter some text about your interests or research topic into the Serendip-O-Matic, and get an intriguing array of related images and primary sources from the Digital Public Library of America (DPLA), Europeana, and Flickr Commons. A One Week | One Tool project.
I really think there’s an excellent chance that the camera brand I buy in 2018 may be a brand that doesn’t make cameras today.
South Carolina wants to switch to digital license plates that will display messages related to the driver's eligibility to operate a vehicle. In 2010, California considered using similar technology to display advertising.
Just under a year ago the company that owns the Times-Picayune (Advance Publications, a Newhouse family operation) newspaper of New Orleans, stunned the city and journalists nationwide with the announcement that it would be cutting its print edition to three days a week, while focusing more intensely on its online operations. But now more print (and digital, for that matter) options are available in the Crescent City than last June. [more inside]
In less than an hour you can build the simplified digital computer shown in figure 1, using only a pair of scissors, three dozen common pins, and the parts shown in figures 1 and 2.
The "MōVI" demonstrates why most film vs digital debates are missing the point. An issue explored in recent documentary "Side By Side", that we are past the point of pixel peeping and can pursue fresh paradigms. [more inside]
As lexicographers revel in the capabilities of online dictionaries, one person notes the death of print encyclopedias.
The BBC reports that the last typewriter to be built in the UK (according to its manufacturers) has been donated to London's Science Museum. "Brother said it had stopped making typewriters because demand had fallen to 30 a day, with most of those being sold in the US." [more inside]
The Royal Spanish Library has put online today an interactive version of Leonardo da Vinci's Madrid Codices I & II. There are transcriptions of the text (in Spanish and Italian, click "T" on the bottom menu), animations of many of the mechanical contraptions (click play button "ver animacion") and the "Indice" in the bottom menu organizes the folios by theme.
On October 4 you will have the cinematic opportunity of a lifetime to see David Lean's Lawrence of Arabia on the big screen in a new 4K digital restoration.
Google brings its Street View cameras into the NASA Kennedy Space Center in Florida. This is their largest special Street View collection to date: 6000 panoramic images, including the Apollo 14 module, the Vehicle Assembly Building, Launch Firing Room #4 and Space Shuttle Orbiters Atlantis and Endeavour. Intro Video. (Via) [more inside]
Photographer Stefano Bonazzi's series Smoke, where nude subjects vanish into the air.
Sound-Word Index — Emotions and their sound can invade our digital messages. Our words become flexible and vibrate according to the volume of our voices, transforming their written form into an expressive and resonating language. Without the help of body language, words can sometimes fall short in our digital conversations. However, sound, volume and rhythm can influence the spelling of our words, helping to translate our emotions hidden behind our screens.
"Despite the challenges it faces, the Digital Public Library of America has an enthusiastic corps of volunteers and some generous contributors. It seems likely that by this time next year, it will have reached its first milestone and begun operating a metadata exchange of some sort. But what happens after that? Will the library be able to extend the scope of its collection beyond the early years of the last century? Will it be able to offer services that spark the interest of the public? If the DPLA is nothing more than plumbing, the project will have failed to live up to its grand name and its even grander promise."
Every weekday Tipsquirrel.com produces a new tutorial, article, quiz or product review with a connection to the Photoshop family including Lightroom. Canon Blogger shares insights and experience from a photographer, blogger, and IT Professional, and is home of The Podcast about Learning Digital Photography. At Photofocus.com they're informing, entertaining and educating people who are interested in photography. [more inside]
Mythbusters' Tested Blog recently posted a special feature from the Toy Story 2 DVD, in which Pixar's Oren Jacob and Galyn Susman recounted how the files for the movie (just 10gb of data!) were almost lost due to both an erroneous Linux command and a bad backup. The folks at The Next Web: Media followed up with Mr. Jacob, and learned that the movie was actually tossed out and reworked from scratch again nine months prior to a release date that was set in stone, not by the computers, but by the filmmakers themselves: How Pixar’s Toy Story 2 was deleted twice, once by technology and again for its own good.
A new initiative recently proposed by the Royal Canadian Mint proposes to create the MintChip, a digital currency that’s similar (to BitCoin), but is backed by the Canadian government. Aiming to become “the digital equivalent of the coins we use every day,” in the Canadian Mint’s own words, the MintChip will target micro- and nano-transactions conducted both online and offline, whether at the physical point of sale, on mobile devices, or among peers. Via
John Fithian, president of the National Association of Theatre Owners, drove the point home at the association's annual convention last year in Las Vegas. "Simply put," he said, "If you don't make the decision to get on the digital train soon, you will be making the decision to get out of the business."
As movie studios look to eliminate the expense of 35mm prints, what are the consequences of going digital? (printer-friendly link)
As movie studios look to eliminate the expense of 35mm prints, what are the consequences of going digital? (printer-friendly link)
"The Secret Gestural Prehistory of Mobile Devices is cultural anthropology. It seeks to recover those moments of intuitive prehensile dexterity, when the famous and the ordinary alike felt the unconscious desire to occupy their hands for an as yet unknown purpose. Like Roy Neary's obsession with the image of Devil's Tower in Close Encounters of the Third Kind (1977), this gesture was vague, uncanny and compelling. It is the intimation in images of a gestural second nature to come." [more inside]
The Holga D, a digital camera concept based on the popular Holga medium-format camera. It's a minimalist digital camera that maintains the mystery of film. There's no display, just a little e-ink shot counter on top. The controls are equally spare: shutter speed, ISO, and a completely manual lens. [more inside]
"Most of the filmmakers surveyed...were not aware of the perishable nature of digital content or how short its unmanaged lifespan is." After the Motion Picture Academy's release last month of "The Digital Dilemma 2," a warning aimed at independent filmmakers and nonprofit archives, cinematographer John Bailey talks with one of the report's authors about the perils of data migration ("It’s not unreasonable to say that the term "digital preservation" is an oxymoron") and the need to educate filmmakers who are so "enamored with the perceived benefits of digital image capture and workflow" that they fail to realize preservation concerns start to appear almost immediately after their work is completed. Film professor David Bordwell covers the report in a detailed post about preserving "born-digital" films, sixth in his "Pandora's Digital Box" series about the worldwide conversion to digital projection, with lots of good links at the bottom.
Artist and film-maker, Hito Steyerl, asks us to stand shoulder to shoulder with our digital equivalents. Digital images are Things (like you and me) - a plethora of compressed, corrupted representations pushed and pulled through increasingly policed and capitalised information networks. If 80% of all internet traffic* is SPAM - a liberated excess withdrawn** from accepted channels of communication - perhaps it is in The Poor Image we find our closest kin? [more inside]
Towards the end of the 1800s, there were three primary American groups competing to invent technology to record and play back audio. Alexander Graham Bell worked with with Charles Sumner Tainter and Chichester Bell in at their Volta Laboratory in Georgetown, Washington, D.C., while Thomas A. Edison worked from his Menlo Park facilities, and Emile Berliner worked in his independent laboratory in his home. To secure the rights to their inventions, the three groups sent samples of their work to the Smithsonian. These recordings became part of the permanent collections, now consisting of 400 of the earliest audio recordings ever made. But knowledge of their contents was limited to old, short descriptions, as the rubber, beeswax, glass, tin foil and brass recording media are fragile, and playback devices might damage the recordings, if such working devices are even available. That is, until a collaborative project with the Library of Congress and Lawrence Berkeley National Laboratory came together to make 2D and 3D optical scanners, capable of visually recording the patterns marked on discs and cylinders, respectively. [more inside]
Driving through Time features roughly 2700 photographs and 76 interactive maps of the Blue Ridge Parkway. The website allows students, researchers, and digital tourists to uncover hidden stories, hear forgotten voices, and understand the often wrenching choices that the construction and preservation of a scenic parkway in a populated region have necessarily entailed. [more inside]
Today Cambridge University offered a complete free digital archive of the personal papers of Sir Isaac Newton, including the Principa Mathematica and his first published research paper. The archives join a number of efforts to open original works of scientific greatness to the world:
- Charles Darwin's entire personal library, complete with annotations and handwritten marginalia, digitized, indexed, and searchable, part of the Biodiversity Heritage Library (previously)
- Mapping The Republic of Letters and Electronic Enlightenment, wonderful sites showing the communication and social connections of Enlightenment writers.
Are small theaters punching a ticket to oblivion? Radical changes in the traditional structure of the lab processing and exhibition sides of the film industry have been filling the lives of small theater operators with uncertainty and worry for the last few years. Will filmstock be the next Kodachrome? (And what will that mean for the future of film preservation?) [more inside]
Let's Get Critical is "a new Longform.org partner site dedicated to surfacing the best cultural criticism on the web."
"The only merit I have is to have painted directly from nature with the aim of conveying my impressions in front of the most fugitive effects."
To support his new album, Amon Tobin and an army of designers have created an ambitious live digital experience that is currently traveling the world. [more inside]
Hobo Lobo of Hamelin is a thing by a dude, who’s all like, “I’m Gonna Make a Thing.” And then he did. Or is doing. Or, you know, whatever. This dude can be found on the internet. He websites to put food on his family. A wonderfully crafted and designed illustrated book for the digital age.
Mining the Mother of all Data Dumps We now have a relatively massive haul of digital data from the OBL strike. There are several forensic toolkits in use by the private (commercially available) and public sector as well as open-source. Best practices include inventorying all the sources, cloning the sources so as to not damage pristine data, recovering any partial or damaged content, making the cloned sources read-only, adhering to legally-admissible tools standards, and documenting everything. There is an excellent source titled Digital Forensics and Born-Digital Content from the Council on Library and Information Resources [pdf, Resource Shelf]. But what to do next*? [more inside]