Diligent lists of the recurring images, events, themes, and subjects in the films of Orson Welles, George Cukor, Michael Antonioni, Jacques Tourneur, Frank Capra, John Ford, Anthony Mann, Agnès Varda, Howard Hawks, Robert Siodmak, Louis Feuillade, and many other directors.
Louis C.K. on eating pressure and providing an alternative to The Man - "I ask him to think about what he really needs; when he tells me, I give him a little more. It buys me goodwill with this person; I feel good about what I'm paying them. I like to give people a little more than they want, and I like to ask people for a little less than they're willing to give." [more inside]
A visitor to the Rotten Tomatoes site can check out the data for individual Hollywood careers—that's how Tabarrok came up with the Shyamalan graph—but there's no easy way for users to measure industrywide trends or to compare different actors and directors side-by-side. To that end, Rotten Tomatoes kindly let Slate analyze the scores in its enormous database and create an interactive tool so our readers might do the same.
Pauline Kael called it "a huge, jerry-built, crumbling ruin of a movie". Roger Ebert called it "such a silly and stupid movie... our immediate reaction is pity". Few directors of Michelangelo Antonioni's stature have followed a film as acclaimed as Blowup (1966) with one as reviled as Zabriskie Point (1970). [more inside]
Three new ways of thinking about David Cronenberg (director of Videodrome, Dead Ringers, etc.). A documentary filmmaker, an avant-garde filmmaker, or maybe just a guy who looks at couples and probably wonders what they look like having sex. Kind of par for the course.