How does it blinker our perception of cinema’s history when picture after gorgeous monochrome picture of elaborate movie sets have as their focus a white male director? As part of Sight & Sound magazine's Female Gaze issue, Isabel Stevens has compiled a collection of images of women directors at work.
So you gotta go for it. Just do me a favor and FUCK SOME SHIT UP. Surprise yourself, wake up your actors, get wild with your performances, try shit, put in that funky dialogue you’re embarrassed of, in fact, rub your fucked-up-ness all over your scripts, add some shame and embarrassment and glee, and then dare yourself to shoot it, SERIOUSLY, go big or go home -- be a creature unlike any other.Transparent creator Jill Soloway gave an amazing speech full of advice for women in filmmaking a few days ago.
Diligent lists of the recurring images, events, themes, and subjects in the films of Orson Welles, George Cukor, Michael Antonioni, Jacques Tourneur, Frank Capra, John Ford, Anthony Mann, Agnès Varda, Howard Hawks, Robert Siodmak, Louis Feuillade, and many other directors.
Shit People say to Women [film] Directors. Tumblr - Exactly as described. The first part of their About page states: SHIT PEOPLE SAY TO WOMEN DIRECTORS is an anonymous open blog for any female-identifying individual to submit personal accounts of absurd, offensive, threatening, or downright fucked-up “shit” people have said to you while working in the film business. [more inside]
"DISCLAIMER TIME! 50 is a very small number. I make no claims to any of these lists being either comprehensive or some sort of objective analysis of the 'best' films directed by women. I make selections based on on what I've seen, what I like, and the position of the stars. One film per director. Ready? Let's go." [more inside]
"But The Shining speaks to what makes Kubrick such an interesting and, for a lot of people, troublesome filmmaker, because he does not give you what you want. At all. He does not give you a Vietnam movie set in the jungle, and he does not give you a horror movie that is just like Stephen King’s The Shining. He doesn’t even give you scares for a long time, [just] ominous foreboding. And it takes people a while to figure out, “Oh, maybe I don’t know what I want. Maybe this is better.” - Mefi's Own Jon Hodgman talks about Full Metal Jacket with Scott Tobias for "The Last Great Movie I Saw."
Every Thursday, Film School Rejects posts things "learned from the commentary tracks of an iconic movie": Commentary Commentary [more inside]
Sight & Sound's prestigious Greatest Films of All Time poll is conducted only once per decade. The latest edition polled 846 film critics (up from 144 in the 2002 edition) and 358 directors. The results were revealed earlier today and, for the first time since 1962, Citizen Kane has not topped either the critics' or the directors' poll. It has been unseated as the Greatest Film of All Time by Vertigo and Tokyo Story. The magazine has also revealed the Critics' Top 50. [more inside]
Louis C.K. on eating pressure and providing an alternative to The Man - "I ask him to think about what he really needs; when he tells me, I give him a little more. It buys me goodwill with this person; I feel good about what I'm paying them. I like to give people a little more than they want, and I like to ask people for a little less than they're willing to give." [more inside]
A visitor to the Rotten Tomatoes site can check out the data for individual Hollywood careers—that's how Tabarrok came up with the Shyamalan graph—but there's no easy way for users to measure industrywide trends or to compare different actors and directors side-by-side. To that end, Rotten Tomatoes kindly let Slate analyze the scores in its enormous database and create an interactive tool so our readers might do the same.
Will female directors break through the glass ceiling? Kathryn Bigelow (The Hurt Locker) has just won the Director's Guild of America Award for Best Director - a first for any female director. It's a good indicator for Oscar. But can she win against a strong field? [more inside]
Pauline Kael called it "a huge, jerry-built, crumbling ruin of a movie". Roger Ebert called it "such a silly and stupid movie... our immediate reaction is pity". Few directors of Michelangelo Antonioni's stature have followed a film as acclaimed as Blowup (1966) with one as reviled as Zabriskie Point (1970). [more inside]
17 Notorious Living, Working Cinematic Provocateurs. The Onion A/V Club strikes again.
Trailers From Hell. Cult directors (and other industry types) introduce and comment on trailers for cult films. For instance, Allison Anders on Peeping Tom, Rick Baker on The Man Of A Thousand Faces, Joe Dante on Attack Of The 50 Foot Woman, Jack Hill on White Heat, Dan Ireland on The Haunting, Mary Lambert on The Masque Of The Red Death and Edgar Wright on Carnage. (Flash menu and intro unfortunately)
TM without the ™. When he's not directing one of the best movies of the year or sitting on intersections with cows, David Lynch is a vocal advocate of Transcendental Meditation. In his new book Catching the Big Fish, he talks about the Box and the Key, meeting Fellini, the Suffocating Rubber Clown Suit, why he doesn't do DVD commentaries--and TM, which he calls "the experience that does everything." If you're intrigued by TM but sketched out by the organization and the $2,500 fee, perhaps you'd like to know that there is a cheap, downloadable alternative.
"Filmmakers like Gilliam keep coming to the Canadian talent trough for child actors because our kids, by all accounts, tend to be easy to direct, manage, and mould.
Sarah Polley, the little girl in The Adventures of Baron Munchausen, finds out that another little Canadian girl is about to star in another Terry Gilliam film, and writes--and warns--about her experiences. Gilliam responds.
Nostalghia : a site devoted to the work of the Russian director Andrei Tarkovsky.