So you gotta go for it. Just do me a favor and FUCK SOME SHIT UP. Surprise yourself, wake up your actors, get wild with your performances, try shit, put in that funky dialogue you’re embarrassed of, in fact, rub your fucked-up-ness all over your scripts, add some shame and embarrassment and glee, and then dare yourself to shoot it, SERIOUSLY, go big or go home -- be a creature unlike any other.Transparent creator Jill Soloway gave an amazing speech full of advice for women in filmmaking a few days ago.
'Looper's Noah Segan (aka Kid Blue) Explains What It's Really Like As a Working Actor
While waiting to interview Looper director Rian Johnson during Fantastic Fest, a chance encounter challenged even my notions of what it meant to be a movie star. Sitting there, in the garish luxury of the Four Seasons hotel lobby, I met a rather lost-looking young man with whom I struck up a conversation. He was passionate and sharp, and it took a good five minutes before I recognized him as Noah Segan, the actor who played Kid Blue in Looper. I assumed he too had been sent by the studio to promote the movie, but in fact he had come of his own volition, on his own dime, and was being soundly ignored by the publicists.[more inside]
Talking with Noah, it became clear that, though he had appeared in several theatrical films, he was far from living the life of privilege and extreme comfort we tend to associate with movie stars. Noah’s experience echoes those of many with occupations in the creative field; the epitome of the blue-collar artist. This interview was completely unexpected, and we didn’t end up talking much about the movie, but if you’re struggling with the financial logistics of doing what you love professionally, you too will probably find a kindred spirit in Kid Blue.
"DISCLAIMER TIME! 50 is a very small number. I make no claims to any of these lists being either comprehensive or some sort of objective analysis of the 'best' films directed by women. I make selections based on on what I've seen, what I like, and the position of the stars. One film per director. Ready? Let's go." [more inside]
Sight & Sound's prestigious Greatest Films of All Time poll is conducted only once per decade. The latest edition polled 846 film critics (up from 144 in the 2002 edition) and 358 directors. The results were revealed earlier today and, for the first time since 1962, Citizen Kane has not topped either the critics' or the directors' poll. It has been unseated as the Greatest Film of All Time by Vertigo and Tokyo Story. The magazine has also revealed the Critics' Top 50. [more inside]
Rotten Tomatoes asks some of the biggest names in Hollywood: Name Your Five Favorite Films. Browse at the link or click on people of possible interest below the fold. [more inside]
Louis C.K. on eating pressure and providing an alternative to The Man - "I ask him to think about what he really needs; when he tells me, I give him a little more. It buys me goodwill with this person; I feel good about what I'm paying them. I like to give people a little more than they want, and I like to ask people for a little less than they're willing to give." [more inside]
Simply the Worst. Film blog Reverse Shot is looking this month at the worst (by various criteria) films of some major directors, including the Coen Brothers' The Ladykillers, Wes Anderson's The Life Aquatic with Steve Zissou, Woody Allen's Anything Else, and more.
A visitor to the Rotten Tomatoes site can check out the data for individual Hollywood careers—that's how Tabarrok came up with the Shyamalan graph—but there's no easy way for users to measure industrywide trends or to compare different actors and directors side-by-side. To that end, Rotten Tomatoes kindly let Slate analyze the scores in its enormous database and create an interactive tool so our readers might do the same.
Will female directors break through the glass ceiling? Kathryn Bigelow (The Hurt Locker) has just won the Director's Guild of America Award for Best Director - a first for any female director. It's a good indicator for Oscar. But can she win against a strong field? [more inside]
Pauline Kael called it "a huge, jerry-built, crumbling ruin of a movie". Roger Ebert called it "such a silly and stupid movie... our immediate reaction is pity". Few directors of Michelangelo Antonioni's stature have followed a film as acclaimed as Blowup (1966) with one as reviled as Zabriskie Point (1970). [more inside]
Three new ways of thinking about David Cronenberg (director of Videodrome, Dead Ringers, etc.). A documentary filmmaker, an avant-garde filmmaker, or maybe just a guy who looks at couples and probably wonders what they look like having sex. Kind of par for the course.
"Filmmakers like Gilliam keep coming to the Canadian talent trough for child actors because our kids, by all accounts, tend to be easy to direct, manage, and mould.
Sarah Polley, the little girl in The Adventures of Baron Munchausen, finds out that another little Canadian girl is about to star in another Terry Gilliam film, and writes--and warns--about her experiences. Gilliam responds.
Wonderful Town... Director Ryan McFaul (whose music video for Gay Boyfriend was previously seen in this MeFi thread ) is back with a dizzying MGM-meets-digital-compositing advert for a Broadway production of Wonderful Town. (Slightly less dazzling, but still worth seeing, is his ad for a San Francisco production of White Christmas.) Somebody give this man a feature film!
Nostalghia : a site devoted to the work of the Russian director Andrei Tarkovsky.
Spielberg bizarrely philosophizes during a press conference about playing god and technology "becoming our masters." I can't imagine 2 issues that couldn't take a bigger backseat to the most pressing concern of how government uses said technology. Steve, the bogeyman isn't The Matrix its Uncle Sam.