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The Western Lands

How the Western Was Lost (and Why it Matters)
posted by Artw on Jul 29, 2013 - 226 comments

Leo just kept ingesting sweet crap

Dan Goodbaum edits together selected excerpts from Elvis Mitchell's interview with Quentin Tarantino about the role of food as a indicator of power in his movies (full interview here). Grantland's 20 Best Tarantino Food Scenes
posted by The Whelk on Apr 21, 2013 - 13 comments

Django, in chains

Actor and producer Jesse Williams has written an article about the issues he has with Quentin Tarantino's film Django Unchained, including the ahistorical portrayal of slavery and the lack of agency shown by the movie's black characters. He expands the argument on his blog (image NSFW).
posted by Charlemagne In Sweatpants on Feb 27, 2013 - 95 comments

"The best way to honor [Nat Turner, Frederick Douglass, and Harriet Tubman] is not with tasteful, funereal reverence but some real attempt to measure the dimensions of the stretch of history they occupied.

In a lengthy back-and-forth discussion about Django Unchained, critics Steven Boone and Odie Henderson discuss the subtleties of Tarantino's racial commentary (as well, as, of course, the more blatant commentaries), their thoughts on Spike Lee's criticism of the film, and Tarantino's vast and nuanced range of inspirations. Elsewhere, Tarantino responds to a critic who called a plot point in Django "harebrained", and what ensues offers an interesting insight into how Tarantino thinks about his characters.
posted by Rory Marinich on Jan 3, 2013 - 169 comments

Now THAT'S a Crossover

Anne Hathaway and Samuel Jackson compare notes.
posted by Ipsifendus on Dec 18, 2012 - 43 comments

Bloodier Is Better

"We had a bunch of extras from the community, St. John the Baptist Parish. It was cool, re-creating this history with black Southern extras whose families have lived there forever. They knew what went on back then. Then there was a social-dividing issue between the extras that mirrored the ones between their slave characters in the movie. The ponies were pretty, and they looked down on the extras playing cotton-picker slaves. They thought they were better than them. And the people playing the house servants looked down on the people playing the cotton pickers. And the cotton pickers thought the people playing the house servants and the ponies were stuck-up bitches. Then there was a fourth breakdown, between the darker skinned and the lighter skinned. Obviously not for everybody, and it wasn’t a gigantic problem, but it was something you noticed. They started mirroring the social situations of their characters, being on this plantation for a few weeks."
Playboy interview with Quentin Tarantino for the upcoming Django Unchained.
[more inside]
posted by mannequito on Dec 11, 2012 - 78 comments

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