"The thing I find very exciting is waiting for the subway train and sometimes you'll get a glorious one that arrives decorated like a birthday cake!" Watching My Name Go By is a short 1976 BBC documentary about graffiti, artists, and graffiti artists in New York City. The film is based on Norman Mailer's 1974 essay for Esquire magazine, "The Faith of Grafitti." [via]
"All in all he "shot over 1,900 hours of tape over a period of seven years, capturing himself and his friends in the glossy façade of Manhattan's downtown life... He sought to tape all of New York's citizens, including its outcasts, striving to candidly capture their lives. He taped anything and everything that interested him—outrageous performances in bars and clubs, swinging house parties, chaotic gallery openings, park and street festivals, late-night ruminations of his friends, absurd conversations with taxi drivers, prosaic sunset walks with his dog on the then-still-existing west side piers." Sullivan died of a heart attack in 1989, just as he was preparing to produce his own cable television show." -- Nelson Sullivan's New York City.
The much esteemed eight-part history of New York City "New York: A Documentary Film" is available. (approximate length 17 hrs. 30 min.) [more inside]
One Year Lease is an 11 minute film that was featured at the Tribeca Film Festival documenting almost entirely through voice mail messages, One Year Lease documents the travails of Brian, Thomas, and Casper as they endure a year-long sentence with Rita, the cat-loving landlady. "
American Promise is a PBS documentary (live streaming through March 6) that follows two middle class African-American boys, Idris and Seun, who enter The Dalton School as young children, and follows them for 13 years. [more inside]
Note by Note: The Making of Steinway L1037, a documentary by Ben Niles. "Invention for 900 Hands", a nine-part series in The New York Times. "K 2571: The Making of a Steinway Grand", an article in The Atlantic Monthly. [more inside]
Rights And Reactions: Lesbian & Gay Rights On Trial is a 1987 documentary about the culmination in 1986 of the struggle to pass "Intro 2", the New York City "Gay Rights Bill", which prohibited discrimination based on sexual orientation in matters of housing, employment, and public accommodation. Made by Phil Zwickler and Jane Lippman, it is available in 3 Quicktime segments: Part 1 (22m), Part 2 (19m), Part 3 (16m). Total running time: 56m. [more inside]
The Responsive Eye. Brian De Palma's 1966 film (25 mins) of the opening night of New York MOMA's 'The Responsive Eye' exhibition on op art.
"Toity poiple boids / Sittin on da koib / A-choipin an’ a-boipin / An’ eatin doity woims." From Atlantic Avenue to Zerega Avenue (map), the kinds of New York City accents made famous by the likes of Archie Bunker, Jimmy Breslin and Travis Bickle are disappearing. But though you may not often hear “foath floah” for "fourth floor" in Manhattan anymore, documentary filmmaker Heather Quinlan knows you can still hear strains of the old mellifluous tones in Brooklyn, Queens, Staten Island, and the Bronx, and that's exactly what she's setting out to document in her film If These Knishes Could Talk.
Here's a wonderful and visually creative document (complete with a curious and elaborate musical soundtrack and voices of actual barkers) of one full day in the life of Coney Island USA 1952. A fascinating glimpse of a bygone era! See also: Coney Island of the 1940s, and this color amateur film (with some surprisingly arty shots), Springtime at Coney Island 1944.
Meetin' WA "At once sublime and witty, the 26 minutes of Meetin' WA consist of an interview Jean-Luc Godard conducted in 1986 with Woody Allen, the director of What's Up, Tigerlilly and Men of Crisis: The Harvey Wallinger Story (and soon to be featured in the final moments of Godard's abortive Cannon Pictures' King Lear). The chat itself is amiable enough; certainly avoiding any conceivable adversarial notes; but this, along with the New York setting (giving Allen the home field advantage as it were) does nothing to prevent a visible anxiety from growing on the part of the filmmaker as the interview goes on."
It's amazing how good religion is at mobilizing people to do awful, murderous things. There is this dark side to it, and anyone who loves religious experience, including me, better begin to own there
It's amazing how good religion is at mobilizing people to do awful, murderous things. There is this dark side to it, and anyone who loves religious experience, including me, better begin to own there - a profound admission - in very well produced piece about 9/11 -