33 posts tagged with documentary by filthy light thief.
Displaying 1 through 33 of 33.
2017 marks 30 years since acid was put on (commercial) wax, if* you're crediting Phuture's Acid Tracks as the first Acid (House) song/EP. BBC Radio 1 recently celebrated this history with the first Essential Mix of 2017 by DJ Pierre, one third of Phuture, the Chicago group that recorded an epic 12 minutes of Roland TB-303 knob-twiddling and spread the acid madness via Ron Hardy in The Music Box. For more acid in the mix, B. Traits preceded that set and played a 2 hour set acid, with a 3rd hour by Luke Vibert, who stated (via a track title) "I Love Acid." [more inside]
The bizarre rise and fall and resurgence of tiki bars and cocktails is an interesting history that starts with two men, Donn Beach and Victor Bergeron, who traveled to the South Pacific and brought back some "island culture" to the United States with them in the 1930s, continuing on with the craze really booming after WWII vets returned from tours overseas. With the ebbs and flows of popularity, the cultural appropriation in "Tiki culture" has often been overlooked, as to the Māori mythology and meaning behind Tiki carvings and imagery and Hawiian culture of leis and luaus. Let's talk Tiki bars: harmless fun or exploitation. [Soundtrack: Les Baxter's Ritual Of The Savage ( 1951) and Martin Denny's Exotica (1957)] [more inside]
Electric & Musical Industries was formed in 1931, initially releasing classical music, but went on to launch the Beatles, who changed the record label's operations and funded the company for years and years. The label's recording rules were further broadened by Queen and Pink Floyd. EMI ushered punk into the mainstream with Sex Pistols, and then embraced the New Romanticism and the polished excesses of Duran Duran. They made music videos big with Pet Shop Boys and made Brit Pop a thing with Blur, and were home to Radiohead. This is the inside story of EMI, one of the greatest British brands in recording history, as told by people involved with the record label's storied history, augmented by company and performance footage. [more inside]
Craig Baldwin creates "collage essay" films, redeeming or taking revenge on the trash(ed) videos of the past, and making movies on the cheap (YT interview). The work of this culture jammer, media appropriator, director and documentarian (Sonic Outlaws, Archive.org) stretches back to his short student films in the 1970s, and often includes political commentary, usually concerning the exploitation of countries and people under imperialism, capitalist or otherwise. But you might have to look beyond the chaos on the surface, as found in the ultimate conspiracy theory film, Tribulation 99: Alien Anomalies Under America (1991 - 48 minutes, Vimeo). [more inside]
Al Fry is an old-school eccentric, mostly from the pre-internet days. He lives (or lived) out in Idaho, which was his home-base for distributing Fry's Incredible Inquiry's Catalog, covering "technology, alchemy, weird science (PDF), Tesla, anti-gravity, occult, crystal power, and other fascinating fringy topics." And then there are his videos, including Hidden World History and Strange Beings 1, narrated by A. H. Fry himself. His videos have been collected a few times over on YouTube (1, 2). And he has written about making tipis.
In a remote corner of the world a living relic from a prehistoric age still exists. A creature that once roamed the northern plains alongside mammoths and sabertooth cats.In Between is a short video that takes you to visit muskox in their frozen habitat. [more inside]
On February 19, 1987, it was just another night at the Palomino, with Taj Mahal and The Graffiti Band playing some folk, soul, blues and maybe a bit of jazz. It wasn't unusual for some more major musicians to be in the crowd, but this night George Harrison, Bob Dylan, John Fogerty, and Jesse Ed Davis joined Taj and jammed, with Fogerty playing "Proud Mary" at the prompting of Dylan. But if you want to visit this iconic club today, you'll find yourself in front of Le Monge banquet hall. The Palomino is no more, but you can visit the Valley's legendary honky-tonk with an oral history of The Palomino, and a fan-made VH1 "Behind the Music" style documentary that includes some vintage clips and photos. [more inside]
In 1924, the longest-running community festival in the United States, Las Fiestas de Santa Fe, got a bit weirder, thanks to the artist Will Shuster. That year, he found inspiration in the burning of Judas effigies, specifically the practice including firecrackers, performed by the Yaqui Indians of northwest Mexico (Google books preview) and he created Zozobra (meaning anxiety, worry in Spanish, nicknamed "Old Man Gloom" or "the gloomy one"). The burning effigy was joined by a fire spirit dancer around 1933, originally created by Jacques Cartier, formerly a ballet dancer in New York. [more inside]
"There are several ideas of what happened here this evening. It could have been a fantastic promotion stunt, or a demonstration against the film establishment, but a lot of people think it was actually a motion picture being produced here at the film festival. The only thing sure is that the 13th annual San Francisco Film Festival got off to a smashing start." That's a bit of reporter humor, which accurately captures the diverse goals and ideas behind Pie Fight '69, a most memorable yet virtually forgotten piece of San Francisco's cinema history. The film from a half dozen cameras, run by members of Grand Central Station independent film collective, was lost until 1999. The rediscovered film was cut into a short documentary, which you can see on Archive.org, YouTube, and Vimeo.
Director Mel Brooks spent a lot of money on white handkerchiefs while making his 1974 tour de farce, Young Frankenstein. "I gave everybody in the crew a white handkerchief," said the 88-year-old comedy legend during a recent phone interview. "I said, 'When you feel like laughing, put this in your mouth.' Every once in a while, I'd turn around and see a sea of white handkerchiefs, and I said, 'I got a hit.'"An interview with Mel Brooks on the 40th anniversary of Young Frankenstein, with an overview of the events that lead to what Mel Brooks calls 'by far the best movie I ever made.' [more inside]
Young Frankenstein was more than a hit. It is a comic masterpiece.
KQED has been posting its Truly CA documentary videos on YouTube, including Plagues & Pleasures on the Salton Sea, a touching look at the rise and fall of the accidental ocean that is less than 100 years old in its current form, narrated by John Waters and featuring interviews from residents who have seen its better times. [more inside]
30 years ago, Rick Rubin was a college student, living in NYU's Weinstein Residence Hall, room #712. It was there that Def Jam Records was formed, shifting the focus of hip-hop from the MCs to promote the DJs, too. Rubin and his label quickly outgrew the dorm, and he hasn't been back since. Recently he returned, and the adventure was captured and put into context by Rolling Stone Film's mini-documentary, Rick Was Here. New footage rolls alongside old, with some animations to bring a few audio-only stories to life. [more inside]
This solo performance of "New Moon" on a Spacedrum by Yuki Koshimoto is mesmerizing, but without much context. Who is she, and what is her instrument? This blog post has a bit more on Yuki, and here is some information on Metalsounds' Spacedrum and other similar metal instruments. If you want more background on the instrument, here's a documentary on the PANArt Hang, something of the predecessor to the Spacedrum, both of which have evolved from the steelpan or steel drum. Going back further, here's Toshi and Pete Seeger, documenting the making of a steel drum, in 1956.
Studio engineer Matt Ross-Spang wasn't even born when most of Sun's most famous records were cut. Nonetheless, he's thought a lot about what makes them sound the way they do (transcript). Matt has been buying up old gear for a few years, returning the Sun Records studio to a vintage state (with a few exceptions), and he is still practicing "sonic archaeology," trying to figure out how Sam Phillips made records sound like Sun Records. There's more to it than the Sun tape echo. [more inside]
It's only one race into the 2014 Formula One season, and if you're interested in knowing more about this world of specialized racing cars, there was a roundup of documentaries on Reddit last year. While the links are all dead, it's a handy guide to films you can find online. For your viewing pleasure... [more inside]
'The media is a chaotic place. Like an ocean or a weather system, it no longer respects authority. In fact, those who attempt to impose their authority are ridiculed, while brilliant and valuable tidbits emerge from the most remote and seemingly inconsequential sources.... Younger, media-savvy viewers instinctively reject authoritative voices and laugh at commercials in which people try to act "cool." ' That was Douglas Rushkoff's assessment of companies courting the youth demographic as covered in print in 2000, and the next year in video as the PBS Frontline documentary, Merchants of Cool (streaming documentary; prev: 1, 2, 3, 4). Earlier this year, Rushkoff revisited the topic with PBS in Generation Like (streaming documentary), in a time when young people are generally happy to tell the world what brands they like as a way of identifying who they are. [more inside]
This year marks the 25th anniversary of 1989 Batman movie, which is remembered for everything from the logo "that helped set the course for superhero movies" to the ways the movie was true to the comics, or was really a "noir" update to the 1960s Adam West Batman. While preparing yourself for what may come in the lead-up to the June 23 anniversary date, enjoy Batman: The Making of a Hero documentary, a rare 25 minutes behind-the-scenes look at the making of the film, from the folks at 1989 Batman, a fansite dedicated to the movie, and its sequel, Batman Returns. [more inside]
The "2.5D" Parallax Effect: How To Animate a Photo provides a quick tutorial of the methods used to animate still images, as seen in the documentary The Kid Stays in the Picture (see the trailer for some fleeting examples), and clearly employed by this video that utilized only images from the World Wildlife Foundation's photo archives. The technique is also used in what appears to be more standard animation, as seen in this thesis animation project from Arquis B. Silp, and this animation by Frederic Kokott (look behind the scenes). [more inside]
"The rise in popularity of television is credited with inciting the move to the widescreen systems that flourished throughout the 50s, 60s, and 70s. This is only partially true. In the early 1950s, studios did begin to compose their movies so that the top and bottom of the picture could be chopped off and a wider screen would show the center of the old 1.37:1 frame. The aspect ratio used by the various studios varied from about 1.5:1 up to the common 1.85:1. But the real reason for the birth of a multitude of widescreen and large format systems was the 1952 opening of a movie made in a process that had its roots in a World War II aerial gunnery trainer. This Is Cinerama (modern YouTube trailer; Wikipedia) shook the industry to the core. The public and reviewers loved it. Its giant screen filled with three oversized 35mm images and an incredible new sound system called Stereophonic were a marvel to behold, and the studios immediately rushed to find something that could do what Cinerama did (Google books preview of the August 1952 issue of Popular Mechanics)." [more inside]
It all started with a mirror in the Casbah. Well, it re-started with that mirror, when Safinez Bousbia, who is of Algerian descent but had never visited the country, went to visit with a friend from Ireland. Bousbia commented on the artistry of a mirror. Mohamed Ferkioui, the shopkeeper and artist, told her that he also made music, but had lost contact with his former friends and band-mates, but he had so many memories and items from that past period of his life. As he showed them to Bousbia, she decided she wanted to get the band back together. Her short stay extended into a few years, and she documented the reunion of friends and the playing of a traditional Algerian music style called chaabi, which is a mix of North African polyrhythms, Andalusian classical music, jazz, flamenco and French cabaret. The result was El Gusto (auto-playing music). [more inside]
DEFCON is one of the world's largest hacker conventions, and for its 20th year, MeFite and technology documentarian jscott was asked to capture the event as best as he could. Almost 300 hours of footage was cut down to a two hour documentary, which has been recently released online in HD (YouTube, Vimeo, Archive.org, and an official torrent from DEFCON). More details on IMDb. [via mefi projects] [more inside]
"The natural ice from Chimborazo is the best ice. The tastiest and sweetest. Full of vitamins for your bones. But nobody wants natural ice from Chimborazo anymore. They have factory ice. My father taught me and my brothers how to work in the ice mines. My name is Baltazar Ushca Tenesaca. Now I'm the only ice merchant of Chimborazo." El Último Hielero (The Last Ice Merchant), is a short documentary. [more inside]
Mozart in Turkey is film made of three distinct, but related, elements. First, it is a look into Mozart at the time of his courting Constanze, a bit on his new patron, the "enlightened monarch" Joseph II, and other influences, including the Turkish music and culture, along with thoughts on Mozart's opera as a work created in the Age of Enlightenment, all through the running commentary by opera director Elijah Moshinsky, who also interviews Alev Lytle Croutier, the author of Harem: The World Behind the Veil. Then there is the production of an opera in Turkey, specifically set in and around the Topkapi Palace (virtual tour; Wikipedia). And the last piece is the performance of Die Entführung aus dem Serail, or The Abduction from the Seraglio. You can watch the entire film online on Vimeo, thanks to Directors Cut Films.
In 1990, Isaac Asimov was working on a TV series to bridge science fiction and science fact, "synthesizing his visionary ideas about where humanity is going." He passed away in 1992, and the series never progressed beyond the pilot, which was re-worked and released as the documentary Visions of the Future (YouTube playlist, via Brainpickings, which calls the video "essentially, the antithesis to the Future Shock [documentary] narrated by Orson Welles"). [more inside]
Busta Rhymes is back with his 9th studio album, Year of the Dragon. It's free* for a limited time from Google Play, and also available to stream and download from DatPiff**. If that wasn't enough, Google Play put together a 21 minute biographical documentary on Busta Rhymes, with Busta and some close collaborators talking about his last 20 years. [more inside]
Groupies (1970): "foul-mouthed, clever, patient, anxious, ugly, beautiful, self-aware girls" (and boys)
"For the real function of "Groupies" is to display fantastic personality — in its foul-mouthed, clever, patient, anxious, ugly, beautiful, self-aware girls. Everybody is always on camera; everybody has a story (anything from last night's conquest to total life history) that she tells almost compulsively — and from this eager collaboration between medium and messenger grows a vitality that is its own sufficient reward." Groupies, the 1970 documentary of female (and a few male) groupies and the bands they follow, is up on DailyMotion. [more inside]
Drive 8.7 km (5.4 miles) west of the municipality of Roses in Catalonia, Spain, and you'll get to the gates of the renowned avant-garde restaurant, El Bulli. Run by Ferran Adrià since 1987, the restaurant closed in 2012 due to Adrià and his partner Juli Soler losing a half million Euros a year on the restaurant and Adrià's cooking workshop in Barcelona. Slate's Noreen Malone wrote an article on the history of the "I Ate at El Bulli" piece, giving an overview of tropes that you could expect in an IAaEB piece, and you can browse images tagged "elbulli" on Flickr for snapshots of personal experiences. But for an extended look into what went into making the ever-changing 35-course taster's menu, El Bulli: Cooking in Progress (Trailer on YT and Vimeo) is a 109 minute documentary on the preparation and implementation of the 2008/9 season, an "extreme fly-on-the-wall vérité, with only the barest context provided." If you're looking for recipes, Molecular Recipes has a few listed under the El Bulli tag. [more inside]
"From photography’s earliest days, enterprising practitioners realized they could take their services directly to the people. This lead to the horse-drawn wagons called “Daguerreotype Salons” and then to portable, darkroom tents that allowed wet-plate photographers to make pictures outside. As technology advanced, the tents morphed into a single apparatus that combined both camera and darkroom, which allowed photographers to work anywhere. Afghanistan is one of the last places where street vendor photographers still use such a hand-made, wooden camera called kamra-e-faoree or “instant camera.” Observing this practice lead photographer Lukas Birk & anthropologist Sean Foley to undertake the Afghan Box Camera Project." - Photo Technique Magazine introduction to an interview with Lukas Birk [more inside]
80 Blocks from Tiffany’s was what The Warriors, the cultish and campy Hollywood street gang movie involving roller skates and a race to Coney Island, could never be. It was real. Shot over the course of a couple of weeks in the summer of ’79 (as the seeds of hip-hop culture were slowly sprouting in the BX), 80 Blocks from Tiffany’s, produced by Lorne Michaels [and directed by SNL director Gary Weis], veers away from the social commentary typically associated with gang exposés. Instead, the 60-minute documentary focuses on the personalities behind the news reports, including a tough NYPD detective from the Bronx Youth Gang Task Force and a sympathetic community activist. Quoted from the introduction to an interview with Gary Weis.
Russian Video from Russia does what it says, providing a variety of videos from Russia, presented in English or with English subtitles, and brief descriptions of the videos. You can check out videos as they're posted, or sort through by categories (including customs, musical video, science and technology, and movie for the weekend). This last category ranges from Russian Sherlock Holmes movies to a traditional New Year romantic comedy, a documentary on Yuri Gagarin to a classic Russian children's tale of Old Hottabych, an old genie freed in modern times.
Finnish YouTube user Ishexan has uploaded seven English subtitled movies in parts: Broken Blossoms (1919), Aelita (1924), The Gipsy Charmer (1929), The Tragedy of Elina (1938), The Activists (1939), The Wooden Pauper's Bride (1944), and Sampo (1959), which is based on the epic poem The Kalevala. The films are mostly Finnish, though Aelita is a silent Russian sci-fi film, and Sampo was a joint Finnish and Soviet production. More film clips inside (mostly Finnish documentaries and "dorky musical numbers"). [more inside]
Shane MacGowan is the face and name most often associated with The Pogues. Unraveling Shane's psyche would require a book-length study but the crux of his identity lies somewhere in that conflict between English experience and Irish heritage. The abbreviated story of his life starts with his birth in England, but he was raised in Ireland, and moved back to England some years later. He won a scholarship to the renowned Westminster School, where he was possibly enrolled alongside Thomas Dolby and other notable people. MacGowan was involved with drugs and publicized hooliganery before being in a band, the first of which was The Nipple Erectors in 1977. [more inside]
In the early 1990s, John Lurie videotaped his vacations with William Dafoe, where they did their own comedic re-interpretation of an early-morning fishing show. From this tape (or possibly so his fishing trips could be tax write-off), Fishing with John was born. The show is a series of six episodes (segmented on YouTube), each at a different location with a different fishing friend (though Lurie's trip through the Andaman Sea with Dennis Hopper spans the last two episodes). The show, called by some fishing as performance art, is pared with a soundtrack that is a mix of sounds, part Lurie's band The Lounge Lizards (discography), part overly dramatic .. something.